Pyg
The Memoirs of Toby, the Learned Pig
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- $7.99
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- $7.99
Publisher Description
A heartwarming debut introduces readers to the adventures of its overachieving porcine narrator
Blending the sophisticated satire of Jonathan Swift with the charming exuberance of a Pixar film, Pyg tells the story of Toby, a truly exceptional pig who lived in late eighteenth-century England. After winning the blue ribbon at the Salford Livestock Fair and escaping the butcher's knife, Toby tours the country, wowing circus audiences with his abilities to count, spell, and even read the minds of ladies (but only with their permission, of course). He goes on to study at Oxford and Edinburgh—encountering such luminaries as Samuel Johnson, Robert Burns, and William Blake—before finally writing his own life story. Quirky, beguiling, and endlessly entertaining, this memoir of a "remarkable sapient pig" is a sharp and witty delight.
PUBLISHERS WEEKLY
In this charming debut novel, Potter imagines fully and movingly the story of the "learned pig," based on an actual 18th-century novelty act that toured the U.K. under the aegis of Samuel Bisset. The real-life pig was simply a trained beast who responded in rote to his master's commands, but Potter's conceit is that Toby reads and thinks: the book purports to be his memoir, beginning with his birth in 1781 near Manchester. The lucky pig is saved from the butcher's block by a boy named Samuel Nicholson (all "characters and places of note" are given thumbnail sketches in an afterword). Toby becomes a sensation, touring England, Scotland, and Ireland, and meeting some of the celebrated figures of the era, including Samuel Johnson, Robert Burns, poet Anna Seward, William Blake, actress Sarah Siddons, and, tellingly, William Wilberforce, an English member of Parliament who was an early abolitionist. It's a very clever roman clef; Toby the Learned Pig, with his earnest, understandable quest to be more than a source of amusement, animates this fable about enslavement, liberal education, and, perhaps, animal rights. The use of old-fashioned typography, capitalization, and woodcuts complement the 18th-century prose style, creating an immensely readable, clever, and fun novel.
