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Audible sample Sample
Next Audio CD – Unabridged, November 28, 2006
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Is a loved one missing some body parts? Are blondes becoming extinct? Is everyone at your dinner table of the same species? Humans and chimpanzees differ in only 400 genes; is that why an adult human being resembles a chimp fetus? And should that worry us? There's a new genetic cure for drug addiction—is it worse than the disease?
We live in a time of momentous scientific leaps; a time when it's possible to sell our eggs and sperm online for thousands of dollars or test our spouses for genetic maladies. We live in a time when one fifth of all our genes are owned by someone else, and an unsuspecting person and his family can be pursued cross-country because they happen to have certain valuable genes within their chromosomes . . .
Devilishly clever, Next blends fact and fiction into a breathless tale of a new world where nothing is what it seems, and a set of new possibilities can open at every turn. Next challenges our sense of reality and notions of morality. Balancing the comic and bizarre with the genuinely frightening and disturbing, Next shatters our assumptions, and reveals shocking new choices where we least expect.
The future is closer than you think. Get used to it.
Performed by Dylan Baker
- Print length11 pages
- LanguageEnglish
- PublisherHarperAudio
- Publication dateNovember 28, 2006
- Dimensions5.25 x 1.5 x 5.5 inches
- ISBN-100060873094
- ISBN-13978-0060873097
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Product details
- Publisher : HarperAudio; Unabridged edition (November 28, 2006)
- Language : English
- Audio CD : 11 pages
- ISBN-10 : 0060873094
- ISBN-13 : 978-0060873097
- Item Weight : 10.6 ounces
- Dimensions : 5.25 x 1.5 x 5.5 inches
- Best Sellers Rank: #5,110,054 in Books (See Top 100 in Books)
- #8,431 in Technothrillers (Books)
- #41,332 in Books on CD
- #58,944 in Science Fiction Adventures
- Customer Reviews:
About the author
MICHAEL CRICHTON the author of the groundbreaking novels Jurassic Park, The Andromeda Strain, The Great Train Robbery, Disclosure, Prey, State of Fear, Sphere, Congo, Next and Micro among many others. His books have sold more than 200 million copies worldwide, have been translated into thirty-eight languages, and have provided the basis for fifteen feature films, most notably Jurassic Park. He directed Westworld, Coma, The Great Train Robbery and Looker, and also created the hit television series ER. Crichton remains the only writer to have a number one book, movie, and TV show in the same year.
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In this fast-reading science fiction, transgenic characters drive the story to absurdity and boundaries of human behavior are obscured. We meet a transgenic speaking parrot, a multilingual orangutan, and a transgenic chimpanzee that attends public school. Added to this cast is a bounty hunter who attempts to retrieve lost human genetic material and doesn’t care which member of a family the cells come from. And let’s not forget an off-label DNA nasal spray that restores cognition but leads to early dementia.
In his afterward, Crichton suggests policies which offer an alternative to an otherwise dark future:
“Stop patenting genes, establish clear guidelines for the use of human tissue,
pass laws to ensure that data about gene testing is made public, avoid bans on research,
and rescind the (1980) Bayh-Dole act”
Yes, this is quite a romp and one of Crichton’s best. But readers are never far from the undertow pulling them into an abyss of unresolved social issues resulting from advances in biotechnology
The plot--or, I should probably say plots--all revolve around the ethical questions that are born of advancements in bio-technology. What if human-animal hybrids become possible? What if bio-tech firms are able to patent individuals' cells and genes? What if the courts and the public at large are unable or unwilling to face these questions?
This book is not as suspenseful as some of Crichton's other books (I have always liked Crichton's works, but never loved them), in part because it is so consciously didactic, and in part because it introduces so many characters and conflicts that the reader may easily lose sight of the central plot. The last half of the book, however, is certainly a page-turner, and marks where Crichton seems to have decided to narrow his focus on Alex Burnet's attempt to protect herself and her son from the unscrupulous and reckless research company that wants their cells.
Close readers will be disappointed by all of the loose ends that remain after the book's conclusion, but I personally felt that the ethical imperative of the novel compensated for its literary flaws. Crichton raises serious questions and proffers his own well-thought and reasonable answers. We can thank him for trying to help us to understand a future that is already the present.
The whole Gerard thing, the talking bird, is reduced to similarly ridiculous plot construction even though this is the only truly likeable character in this idiot's tome. At least he's the only character for which an adequately developed sense of self is conveyed even if the play of bird poop is twice important to the plot
And that is just one plot arc of many that play out without any sense of logical context. And the protagonist of the book, or so it would seem, just seems to disappear with those loose strings sort of being tied up in a court decision, but if the author doesn't care to write a proper ending for what is really his main character why should any of us care?
Like State of Fear, MC does a good job of mixing fact with fiction and defends this by his foreword in which he states the book is true except for the parts that aren't. But unlike State of Fear, the story telling here is boring, predictable and littered with cliches. The ideas in this work would have been nicely suited to the reader if it had been written as an essay about the very real problem of gene patenting. It might even have made a difference and benefitted humanity. But this book as fiction is just a waste of time and talent. And humanity benefits from neither.