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The Talmud and the Internet: A Journey Between Worlds Hardcover – January 1, 2000
Purchase options and add-ons
- Print length132 pages
- LanguageEnglish
- PublisherFarrar Straus & Giroux
- Publication dateJanuary 1, 2000
- Dimensions5 x 0.75 x 7.5 inches
- ISBN-100374272387
- ISBN-13978-0374272388
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From Kirkus Reviews
Review
"It has the quality of permanence. . . . Its wisdom is in its mixture of rapture and elegy and honesty and reverence." -- Cynthia Ozick
"It's . . . rare and exciting to read something that links ancient and modern sensibilities . . . both impressively cerebral and highly personal." -- Ron Rosenbaum
"Rosen's wise and heartfelt book is a home page with links to infinity." -- Anne Fadiman
Internet culture is not a pretty thing. It is the dominion of Drudge Reports, Jennycams and assorted other embarrassments; a medium in which every idea, image and opinion is equally valid - thus equally worthless - and nothing means anything except in relation to something else. So many of us find it more heartening - and practical - to think of the Internet in terms of software design, network access or venture capital.
Jonathan Rosen, the former culture editor for Jewish weekly the Forward, takes a different tack in The Talmud and the Internet. He attempts to make sense of Internet culture by applying a sweeping metaphor. The result is a spry 130-page meditation that uses the fragmented world represented in the Talmud to demonstrate the Internet's paradoxical potential for wholeness.
The Talmud is a sprawling text that addresses every aspect of Jewish life: from dietary laws to animal husbandry to what God and Moses really talked about on Mount Sinai. It began as an oral tradition and was first transcribed during the Roman era, but the rabbis continued inserting commentary through medieval times. In the process, God was transplanted from a stationary home of bricks and blood sacrifices - the Temple - to a portable, "virtual" home with a shifting architecture of words, thought and prayer - the Talmud.
The Internet has numerous parallels to the Talmud. Both are the products of countless contributors, both aspire to be perfectly encyclopedic and both express their wisdom in an ad hoc web of references to other authorities (the Hebrew word for a passage from the Talmud means "webbing"). They even use similar visual strategies to represent the simultaneity of their voices. A page of the Talmud resembles a Web page, explains Rosen, in that "nothing is whole in itself. ... Icons and text boxes are doorways through which visitors pass into an infinity of cross-referenced texts and conversations." Rabbis who lived centuries apart appear on the same page, conversing across time, commingling with Biblical excerpts, parables and bits of history.
Somewhere near the roots of modern Western culture lies the belief that there are unbridgeable gaps between religious and secular, sacred and profane. Rosen counters that the Internet's gaudy melange of politics, porn, commerce and soap-box-preacher nuttiness suggests that everything is part of the same graceless totality. Jesus insisted on an either/or when he booted the money-changers from the Temple, but the Talmud, like the Internet, "talk[s] about God one moment, sex the next and commerce the third."
Far from "a broken-down state of affairs," this strikes Rosen as "astonishingly human and therefore astonishingly whole." By relating absolutely every idea from all possible angles, without passing final judgment on correct or incorrect, relevant or irrelevant, the Internet and the Talmud each invest their shattered, centerless cultures with a kind of mosaic unity. The Internet, like the Talmud, becomes "not merely a mirror of the disruptions of a broken world," but something that "offers a kind of disjointed harmony." No matter how ridiculous or vulgar the parts, the whole cannot help but make sense.
Connecting all of this is Rosen's conviction that the "Jewish condition" - institutionalized exile, inherent uncertainty, fragmented memory - is itself a metaphor for the alienation and hope of contemporary culture. While this is not a novel argument, Rosen takes up the mantle with wit, smarts and conviction, and by applying it to the Internet he shows that the piecemeal culture we describe (and deride) as postmodern is neither as unprecedented nor as tragic as we often believe.
Hal Cohen is a contributing writer for Lingua Franca. -- From The Industry Standard
From the Inside Flap
"Others have raised the felt contradictions between the tragic and the ahistorical comforts and complacencies of American life. Few have managed to do it with such a mix of the searching, the modest and . . . with such charm."--Richard Eder, The New York Times
"A brief but elegant meditation that seeks to reconcile the spiritual and the secular, the traditional and the technological . . . linking past and present, heritage and innovation, in the most visceral way."--David Ulin, Newsday
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I was ashamed of my need to translate into words the physical intimacy of her death, so while I was writing it, I took comfort in the fact that my journal did and did not exist. It lived in limbo, much as my grandmother had as she lay unconscious. My unacknowledged journal became, to my mind, what the Rabbis in the Talmud call a goses: a body between life and death, neither of heaven nor of earth. But then my computer crashed and I wanted my words back. I mourned my journal alongside my grandmother. That secondary cyber loss brought back the first loss and made it final. The details of her dying no longer lived in a safe interim computer sleep. My words were gone.
Or were they? Friends who knew about computers assured me that in the world of computers, nothing is ever really gone. If I cared enough about retrieving my journal, there were places I could send my ruined machine where the indelible imprint of my diary, along with everything else I had ever written, could be skimmed off the hard drive and saved. It would cost a fortune, but I could do it.
The idea that nothing is ever lost is something one hears a great deal when people speak of computers. "Anything you do with digital technology," my Internet handbook warns, "will leave automatically documented evidence for other people or computer systems to find." There is of course something ominous in that notion. But there is a sort of ancient comfort in it, too.
"All mankind is of one author and is one volume," John Donne wrote in one of his most beautiful meditations. "When one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated." I'd thought of that passage when my grandmother died and had tried to find it in my old college edition of Donne, but I couldn't, so I'd settled for the harsher comforts of Psalm 121 -- more appropriate for my grandmother in any case. But Donne's passage, when I finally found it (about which more later), turned out to be as hauntingly beautiful as I had hoped. It continues:
God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice; but God's hand is in every translation, and his hand shall bind up all our scattered leaves again for that library where every book shall lie open to one another.
At the time I had only a dim remembered impression of Donne's words, and I decided that, as soon as I had the chance, I would find the passage on the Internet. I hadn't yet used the Internet much beyond E-mail, but I had somehow gathered that universities were all assembling vast computer-text libraries and that anyone with a modem could scan their contents. Though I had often expressed cynicism about the Internet, I secretly dreamed it would turn out to be a virtual analogue to John Donne's heaven.
There was another passage I wished to find -- not on the Internet but in the Talmud, which, like the Internet, I also think of as being a kind of terrestrial version of Donne's divine library, a place where everything exists, if only one knows how and where to look. I'd thought repeatedly about the Talmudic passage I alluded to earlier, the one that speaks of the goses, the soul that is neither dead nor alive. I suppose the decision to remove my grandmother from the respirator disturbed me -- despite her "living will" and the hopelessness of her situation -- and I tried to recall the conversation the Rabbis had about the ways one can -- and cannot -- allow a person headed towards death to die.
The Talmud tells a story about a great Rabbi who is dying, he has become a goses, but he cannot die because outside all his students are praying for him to live and this is distracting to his soul. His maidservant climbs to the roof of the hut where the Rabbi is dying and hurls a clay vessel to the ground. The sound diverts the students, who stop praying. In that moment, the Rabbi dies and his soul goes to heaven. The servant, too, the Talmud says, is guaranteed her place in the world to come.
Copyright © 2000 Jonathan Rosen
Product details
- Publisher : Farrar Straus & Giroux; First Edition (January 1, 2000)
- Language : English
- Hardcover : 132 pages
- ISBN-10 : 0374272387
- ISBN-13 : 978-0374272388
- Item Weight : 1 pounds
- Dimensions : 5 x 0.75 x 7.5 inches
- Best Sellers Rank: #1,212,074 in Books (See Top 100 in Books)
- #1,978 in Internet & Telecommunications
- #4,256 in Popular Culture in Social Sciences
- #5,263 in Internet & Social Media
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His family epitomizes the Jewish dilemna of belonging, but not quite. America with its material benefits is felt as a blessing. At the same time it is not truly "home" because part of Rosen's soul is still in the Poland of his grandmother's ancestors, as experienced in the study of the Talmud. As the title of the book indicates Rosen tries to make a connection between the material and the spiritual aspects of his heritage and he has done so quite convincingly. He also gives the non-Jewish reader an inkling of why the Talmud is relevant for today's Judaism.
Rosen points out that it is the Jewish New Testament. But in Judaism it is not the "word" which became "flesh," but the "flesh" became "word." This happened when Jochanan ben Zakkai had himself smuggled out in a coffin from beleaguered Jerusalem. With Roman permission he then founded the Yeshiva at Yavneh and thus became the father of rabbinic Judaism as we know it today. The consequences of this inversion of terms are actually enormous and I leave it to the reader to ponder them.
Let me just point out that the Talmud is not a book but an encyclopedia which consists of many volumes. It contains widely differing opinions on Jewish law, legends, moral exhortations, and day to day advice on the most diverse subjects. It is as disjointed as the Internet and similar to the Internet you can find almost everything you want but it surely takes patience to locate the needle in the haystack.
Nevertheless this is, as far as I am concerned, not really the Talmud's major importance for the Gentile world. It is rather the fact that Law even if it is divinely ordained through Moses in the Pentateuch, can and should be disputed. Dissent is encouraged. Arguments are held over words and sentences which are given meanings which are totally different from what one would expect Moses had intended. This attitude that "everything is negotiable," which does not stop at the doors of the synagogue and the word of God, makes Judaism profoundly different from all the other great religions of the world. It is this "talmudic thinking" which has invaded America's culture. Whether or not this has been of benefit to society at large each one of us has to decide in his/her own mind. While the Talmud may provide solace for some it also perpetuates an "us versus them" attitude and as longs as this mental framework exists Rosen's newborn daughter will inherit a world which will continue to be torn by strife.
Some of the problem may well be, of course, that my expectations were off. Leaving those aside, it was worth reading. The prose is thoughtful and graceful, and the tone very personal. Rosen's description of the Talmud as a sort of literary replacement for the Temple at Jerusalem was new to me. I was also interested in his comparison of the multi-generational, non-linear aspect of the Talmud to the idiosyncratic character of the Internet (and, as mentioned above, would have liked to see this better developed).
not in the Garden of Eden originally.
I know some people who feel completely comfortable hijacking a perfectly decent conversation about any subject at all with stories of their long dead Aunt Tillie. This book was like that.
I had hoped to learn something and to be fair, there was some meat in the book, but in order to get to it, I had to get past all the relatives. I found myself rolling my eyes and saying :"enough, already.'
I agree with the author that the Internet is a powerful metaphor for the interconnectedness of life. The Talmud, in its turn, may indeed be the original "hyperlinked" document, and I smile in wonder at the thought of trying to bring the full complexity of life to a sheaf of written pages, as (I hear) the Talmud aspires to do. In these days, can we all create our own Talmuds from the Internet, interconnected references to explain our lives? But if they are all individual, then what culture remains in common? Rosen addresses these questions briefly and with grace.