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Paul Robeson Hardcover – February 11, 1989
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Drawing on a vast archive of family papers and interviews with friends and relatives as well as FBI files, Paul Robeson charts the heroic and tragic course of Robeson's life: from his early days as the son of a former slave to his rise to unprecedented international acclaim as a stage actor and singer, and from his political awakening to his downfall as a victim of McCarthyism and the efforts of the U.S. government to destroy him.
- Print length804 pages
- LanguageEnglish
- PublisherKnopf
- Publication dateFebruary 11, 1989
- Dimensions6.5 x 1.75 x 9.25 inches
- ISBN-100394527801
- ISBN-13978-0394527802
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Product details
- Publisher : Knopf; First Edition (February 11, 1989)
- Language : English
- Hardcover : 804 pages
- ISBN-10 : 0394527801
- ISBN-13 : 978-0394527802
- Item Weight : 3.25 pounds
- Dimensions : 6.5 x 1.75 x 9.25 inches
- Best Sellers Rank: #785,017 in Books (See Top 100 in Books)
- #15,300 in Community & Culture Biographies
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Paul Robeson inspired these more notable civil rights leaders and was an unequaled champion of the fight for laboring people and organized labor to gain a more equitable share of the economic pie. He was truly a champion of the underdog and the economically deprived both at home in the U.S. and also those victims of European colonialism abroad. Robeson was a committed humane radical who hated injustice in all forms and spent a large part of his life working to improve the lot of the less fortunate among us.
As far as the factual/chronological points are concerned, Robeson's FBI files, ironically, provides a detailed record to which Duberman refers frequently.
It is a testimony to the ruthless effectiveness of the McCarthy Communist witch hunt that a man like Robeson is not better know to recent generations in America. A linguist, actor, athlete, singer, intellectual, and humanist there are few figures in 20th century America who are his equal. The ironies of his life are striking. Robeson was valedictorian of his Rutgers class, and All-American actor, played Carnegie hall, and toured Europe in an age in which Blacks in America were denied the most basic civil rights. Had his affinity for Soviet culture and socialism not put him at odds with the America's post WWII anti-Red hysteria, Robeson would likely have been one of the giants of the Civil Rights movement. Robeson truly was a man ahead of his time - a radical in a time in which the Black elite was promoting patience and working "within the system".
Was Robeson a Communist? He certainly identified with his own idealized view of the "people's struggle" which was occurring in the Soviet Union (a view which, as Duberman describes, was often at odds with the facts.) To call Robeson a Communist in many aspects would be correct; he sympathized with the cause and was vexed that Black American soldiers would fight against the Soviet Union while at home they were denied their basic rights. But even the FBI's decades-long effort to link Robeson formally with the party met with failure. We have no evidence that Robeson a card-carrying member of the Communist Party.
Robeson's Communist leanings are a complex part of his story. When Nikita Khruschev declared to the world the crimes of Stalin's purges Robeson was undoubtedly greatly effected. However, Robeson never commented, even in private to those with whom he was intimate - we don't know what he thought or how he felt. Duberman is unable to fill in the blanks and resists the temptation to do so; he simply chronicles Robeson's subsequent decline into clinical depression and ill health.
A well written biography of one of 20th century America's most interesting figures.
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The one great problem in writing about Robeson is the paucity of primary material created by the man himself and in the early part of the book there is an over-reliance on the archives of Essie Robeson, the formidable wife and defender of her husband's life and career. Ultimately though, the man comes alive in his work, the recollections of friends and admirers and most importantly through his thinking. It is a high compliment to Duberman to say this rich and committed book is worthy of its subject. Essential reading for all those interested in Civil Rights, Black Culture, American History or simply good biography.