Gr. 4-7. Raging with grief at the death of her beloved father, nine-year-old Vinnie finds herself out of control. She can't stand her little brother, Mason, who gets attention because he won't speak; in fact, she feels guilty because it was her cruel words that caused him to stop speaking. She hates that the family has to move in with her grandmother in a small Virginia town. She's an outsider at her new school, except for one shabby, solitary half-Latina girl, Lupe, whose father is in jail for killing her mother. Their classroom teacher is kind to both lonely girls, and Vinnie falls in love with him. When he gets married, it's like another death for her; she swings from infatuation to fury, vandalizes his car, and lets Lupe take the blame for it. Lupe is too noble a figure; she's named after the Spanish saint Maria Guadalup{}e, and she sometimes seems more metaphor than character. But Vinnie and her family are drawn with exquisite candor in scenes that combine love, anger, and sudden comedy. Vinnie finds she's a flip-flop girl: coward, liar, and monster, even as she dreams of fame and glory. The climax is intense: her little brother, Mason, runs away into critical danger; Lupe helps Vinnie rescue him; then he finally speaks, and the simple words break your heart. Hazel Rochman
From Kirkus Reviews
Paterson writes of today's gritty reality in an easily read story about a fourth grader whose father's death has thrown her family out of balance. Momma has moved them to backwater Virginia to live with Daddy's stepmother (``Nurses can always get jobs. They just can't get a lot of money''); Vinnie has lost her home, a best friend, and--because 5-year-old brother Mason hasn't spoken since the funeral--Momma's attention. Grandma, too, is a trial; she buys Vinnie ugly clothes at the Salvation Army and insists on making her teacher an embarrassing Christmas present. Mr. Clayton is Vinnie's one comfort, sensitive to his pupils' troubles and source of unobtrusive gifts--barrettes to hold Vinnie's hair out of her eyes; shoes for Lupe, who only has flip- flops and whose troubles are greater than Vinnie's: her father's in prison for killing her mother (Lupe is sure he's not guilty). Mr. Clayton marries; affection-starved Vinnie feels so betrayed that she slashes his car with her barrette and--in an agony of guilt when Lupe is blamed--lashes out at Mason, who runs away. Repentant, Vinnie goes to look for him, willingly aided by Lupe, whose generosity and plucky survival in the face of local prejudice subtly contrast with Vinnie's unreasoned, more childlike response to her losses. Once again, Paterson sets characters drawn with extraordinary empathy in a story distinguished by its overarching theme. Vinnie is ordinary, fallible; but with the help of Lupe's quietly courageous model of grace--plus the values enduring in her own family--she reclaims her equilibrium. Touching, engrossing, beautifully wrought. (Fiction. 8-12) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
