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Harland's Half Acre (Vintage International) Paperback – January 14, 1997
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Harland’s Half Acre tells how a man sets out to recover the land his ancestors discovered and then lost and how, in fulfilment, this vision becomes a new reality.
- Print length240 pages
- LanguageEnglish
- PublisherKnopf Doubleday Publishing Group
- Publication dateJanuary 14, 1997
- Dimensions5 x 0.6 x 8 inches
- ISBN-100679776478
- ISBN-13978-0679776475
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- Publisher : Knopf Doubleday Publishing Group; Vintage Intl ed. edition (January 14, 1997)
- Language : English
- Paperback : 240 pages
- ISBN-10 : 0679776478
- ISBN-13 : 978-0679776475
- Item Weight : 9.6 ounces
- Dimensions : 5 x 0.6 x 8 inches
- Best Sellers Rank: #8,284,847 in Books (See Top 100 in Books)
- #265,978 in Literary Fiction (Books)
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I paint so I can really see how Harland managed to be were he was. Without the tag of Artist he would have been deemed nuts and with the obsession of his Art it most likely made him worse than he may have been, doomed one way or the other. I enjoyed the whole book, not all the characters were particularly endearing but the plot and the way we as readers are taken through the family drama's almost was and it personal so you got involved. There were so many uplifting and generous parts of the book that it created a balance.
I have read Maloufs' Ranson and An imaginary Life and both were excellent. This was like reading another author.
This early book presages why many awards are granted Malouf for his writing. He was the first winner of the IMPAC award, the richest in publishing. The story of Frank Harland captures the reader from the first page. His father, an indolent dairy farmer, imparted a sense of story in Frank from his earliest days. He applies his learning to drawing instead of text, giving a fresh image of his home and its people throughout his life. Affected by the powers experienced in the hill country, the various intensities of light and shadow, the wonder-generating storms that beset the hills, the flora and fauna encountered, he struggles to impart his feelings to his art. Using any available medium, Frank paints on wood, cardboard panels, paper or whatever is at hand. The work gains wide circulation, almost unknown to Frank. Success and fame are not his aim, however, but getting through life remains the dominant theme throughout this work. In the background, he remains beset by "place," which is translated into spending his earnings on enlarging his father's land holdings.
Malouf's great strength is in characterization. Every person in this story is vividly depicted, Frank, father Clem, Tam the stepbrother and Phil the lawyer. Would you like these people? It's doubtful. Frank, caught up in his art, is slovenly, his various residences a chaos, his appearance ragged. Phil is hesitant, charmless and limited in scope. Little wonder he remains unmarried throughout his life. There is little to attract in any of these people. Still, Malouf manages to portray them sympathetically. His prose keeps you attentive, following their fates, no matter how distasteful their personalities might seem. It is Malouf's honed skills that keeps this book timeless.
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David Malouf is a sometimes brilliant and always worthwhile. However, this book left me less than fully satisfied. In particular, the last quarter of the book felt like the writer ran out of steam. I don't want to ruin it with retelling the plot, which in Malouf's case would be difficult, because it is in the descriptions of the characters inner life that he excels.
He is a sometimes poet and it shows in passages of great beauty.
This is an author worth reading and perhaps others will find this book perfect. In my case by having read Babylon earlier I had to make a difficult call on which one was better.