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Windfall: New and Selected Poems (Pitt Poetry Series) Paperback – March 2, 2000

4.5 4.5 out of 5 stars 6 ratings

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Windfall  includes poems from three previous books by Maggie Anderson, along with a generous selection of new work. In this collection we can see over two decades of the growth of a poet memorable for the clarity, strength, and urgency of her voice. Anderson’s poems entangle a language, a history, and a group of belongings, and she is both at home and a foreigner in the places she invokes. Every place in these poems seems inhabitable, yet the tensions of these deceptively quiet lines develop out of the clear reluctance or inability of the poet to sit still. Maggie Anderson writes out of deep grief for the political losses of work and money, of life and limb and home in our dangerous times. She remembers and witnesses, and she also speaks eloquently for our private griefs―the loss of family, vitality and self. These poems do not shout; we listen as if following a whisper in the dark. A counterpoint to the sorrows in these poems is a complex and often joyous music, as well as a wry, sometimes self-deprecating humor which saves the work from solemnity. Her rhythms are diverse and intricate; they move deftly from fiddle whine to saxophone, from fugue to blues.
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Editorial Reviews

From Publishers Weekly

Houses, flowers, dogs, foxes, country music, families, poverty, love, anger and grief are only some of the subjects that this book fills out with closely observed details of day-to-day life. Evoking the landscape and struggles both of town and country in the Appalachian region, this collection includes poems from among Anderson's first three books, along with new work. Poems from Years That Answer focus on learning and growing up, before and after a father's death. Those from Cold Comfort expand that personal outlook to take in the history of the poet's family and the hard life of West Virginia mining towns, while the choices from A Space Filled with Moving contain more extended meditations, including what may be Anderson's finest poem, "Long Story," with its shocking final stanza. With an understated irony, as well as a broad compassion sometimes moved to anger, Anderson's poems reflect an intimate and loving knowledge of the world they evoke, and earn their frustrations honestly. Taken as a whole, however, the poems are largely limited to themes and emotional terrain handled more memorably in the work of other poets, and Anderson's cautious presentations often stall in overly mundane language. This is most apparent in the new poems, which are weighted toward the vicissitudes of academic and artistic life. While it may still be possible to write memorable verse about dogs, arts colonies and European vacations, the poems here lack originality and compelling insight. (Apr.)
Copyright 2000 Reed Business Information, Inc.

Review

“Anderson's poems have a gentle feel but contain a deep intensity; they move slowly, quietly, and need to be absorbed over time. . . . There is an exploration here of the heart that is rare, desperately needed in today’s world, and universal to us all.”
--Lambda Book Report

“Maggie Anderson has been a poet of energy and wisdom, of conscience and  courage, since her earliest work. In this new collection I am particularly  impressed by the cropped force of poems like
Knife, The Sleep Writer, and the Black Dog poems, which chillingly convey private and public worlds of terror  and control. Caught between the oppositions of decorum and lawlessness,  indolence and rigor, spiced by secrecy and appetite, Anderson is a poet who  confronts loss and dread and, like the black dog, despite the grey fog, stands up.”
--Alicia Suskin Ostriker

Product details

  • Publisher ‏ : ‎ University of Pittsburgh Press; 1st edition (March 2, 2000)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 120 pages
  • ISBN-10 ‏ : ‎ 0822957191
  • ISBN-13 ‏ : ‎ 978-0822957195
  • Item Weight ‏ : ‎ 7 ounces
  • Dimensions ‏ : ‎ 6 x 0.4 x 8.5 inches
  • Customer Reviews:
    4.5 4.5 out of 5 stars 6 ratings

About the author

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Maggie Anderson
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I am Maggie Anderson. I wrote the book, "Our Black Year". IF YOU WANT TO SUPPORT MY WORK...IF YOU BELIEVE IN MY STAND, PLEASE BUY MY BOOK FROM MY FAMILY'S AND FOUNDATION'S WEBSITE - www.OurBlackYear.com

MY BIO

Maggie Anderson and her family made history and dominated headlines as global media covered their year-long stand living exclusively off businesses, professionals, and products from the Black community. The Empowerment Experiment (EE). EE resulted in a landmark study conducted by Kellogg, which proved that 1 million new jobs could be created in America with a small increase of support to Black-owned businesses and/or mainstream firms that engage them.

Maggie authored the critically acclaimed book, Our Black Year. Publishers Weekly called it “Dynamite!” Business and community leaders like Cathy Hughes, Marc Morial, and Alfred Edmond, have also praised Maggie’s stand. Edmond states, “the Andersons’ economic odyssey is nothing short of heroic.” Cathy Hughes, owner of TV One and Radio One, said “Thank God for this level of commitment to our Black Community”

Chosen by BET as one of the “16 Most Fascinating Women of 2016”, Maggie has appeared on CNN, MSNBC, Fox News, C-SPAN, PBS NewsHour, TV One, and CBS Morning News, among many other national television and radio shows…and uses her growing platform to increase awareness about economic inequalities that starve Black neighborhoods, breed racism and disenfranchisement, prevent business and entrepreneurial opportunity, and how strategic investment in business diversity, entrepreneurship and self-help economics can create jobs, curb crime, eradicate poverty, drive entrepreneurial and educational achievement, and grow the economy.

Maggie is married to John Anderson (AB, Harvard; MBA, Kellogg), and they live in Oak Park , IL with their two daughters, Cara and Cori. Maggie has a BA from Emory University; and a Juris Doctor and MBA from the University of Chicago.

Customer reviews

4.5 out of 5 stars
4.5 out of 5
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Top reviews from the United States

Reviewed in the United States on March 9, 2011
I have read all of Maggie's books and find her to be a brave and sensitive writer whose great heart has not been hardened by life but has grown wiser and more compassionate with time.
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Reviewed in the United States on January 21, 2001
In a couple of poems in Windfall: New and Selected Poems, Maggie Anderson uses the analogy of pearls to describe objects in those poems. As I thought about her collection of poetry, the analogy of gems and precious stones on a gold chain was the first thing that came to mind.
The poems aren't like pearls because they vary in subject and style. The jewel that hangs prominently on the center of the chain is "Heart Fire". The poem, written in memory of a young man who took his life, vividly tells how everything Ms. Anderson sees reminds her of his physical attributes. It is an amethyst because of its richness in color. "Knife" and other poems in which Ms. Anderson discusses her fear of her father are marquise-cut diamonds that have points to pierce the bubble of a peaceful world. The Black Dog poems, especially "Black Dog Goes to Art Colony", are black onyx stones that counter the sharp diamonds with their smoothness and warmth.
But "Literary" aptly described my overall feelings as I read this book. Ms Anderson said that when she read poems as a young woman, she struggled to understand what they meant. Some of the poems in Windfall seemed beyond my mental grasp because I don't have an academic background in poetry. Since I also am unfamiliar with many of the plants Ms. Anderson mentions in her nature poetry, I saw holes in the landscapes that she was painting with her words. Instead of giving up on understanding the poems that were perplexing, I reread many of them. I was glad I made that effort because I picked up on the links of the gold chain that thread through the gems and stones. Although a poem early in the book told of her father's death, the fear of him still lives inside of Ms. Anderson. Connected to that chain of thought are the poems that deal with her mother and other relatives., who are painted as reticent individuals. Blackberries stimulate all of Ms. Anderson's senses, and she is highly conscious of boundaries of every sort.
Although I felt Windfall was sometimes challenging, I felt it was worth the struggle. "Heart Fire" is one of the best poems I've ever read, and I feel my knowledge of poetry has grown as a result of reading this book.
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Reviewed in the United States on October 30, 2006
Readers of Maggie Anderson's work won't be surprised to note that the same grace with character and story flows throughout these selections. These poems are stately and intimate but with a kind of tender interior voice that maintains dignity and poise. Here is a voice that knows what it knows and tells it in a tone that makes readers want to bend closer to hear. For teachers, this is a good book to show how one can manage place and the way that someone who knows a place really well can move through the expository or posturing and into the kind of giving of a landscape to a reader like the best kind of gift--one that shows a sensitive knowing of what is needed and what will delight. A gorgeous offering--a true windfall.
Reviewed in the United States on February 2, 2002
Maggie Anderson's poems collected in Windfall are a masterful collection. I had the honor of hearing her read several of the poems, and her flat-toned, Appalachian voice really changes the more lyrical verse itself into something strikingly real. Ms. Anderson is amazing, and this collection will leave its impact.
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