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Batman: Year One (Batman (1940-2011)) Kindle & comiXology
A new edition of one of the most important and critically acclaimed Batman adventures ever, written by Frank Miller, author of THE DARK KNIGHT RETURNS!
In 1986, Frank Miller and David Mazzucchelli produced this groundbreaking reinterpretation of the origin of Batman--who he is and how he came to be.
Written shortly after THE DARK KNIGHT RETURNS, Miller's dystopian fable of Batman's final days, YEAR ONE set the stage for a new vision of a legendary character.
This edition includes the complete graphic novel, a new introduction by writer Frank Miller and a new illustrated afterword by artist David Mazzucchelli. Completing this collection are over 40 pages of never-before-seen developmental material such as character and layout sketches, sample script pages, sketches and more that provide a glimpse into the making of this contemporary classic.
This volume collects BATMAN #404-407.
- LanguageEnglish
- PublisherDC
- Publication dateNovember 21, 2011
- Grade level7 - 9
- File size352889 KB
- Due to its large file size, this book may take longer to download
- Read this book on comiXology. Learn more
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Review
"There's never been storytelling quite like this. It took someone who views comics as an art to create it."--WASHINGTON POST
"The best thing that Miller has ever written about Batman is the BATMAN: YEAR ONE story."--WIRED
"The artwork by Mazzucchelli--from the Milton Caniff school by way of Alex Toth (Zorro) and Doug Wildey (Jonny Quest)--may be the best Batman has ever had. As for Miller, his characterization of Batman-Bruce Wayne is intelligent and convincing, and his ability to mount an action scene is second to none...an interesting, entertaining update."--LA TIMES BOOK REVIEW
About the Author
Product details
- ASIN : B0064W65SO
- Publisher : DC; Deluxe ed. edition (November 21, 2011)
- Publication date : November 21, 2011
- Language : English
- File size : 352889 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : Not Enabled
- Print length : 127 pages
- Best Sellers Rank: #34,231 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the authors
Frank Miller is one of the seminal creative talents who sparked the current gigantic sub-industry of motion pictures featuring comic book- initiated product. A sub-industry which had become a super-industry. This most profitable aspect of this millennium’s film production, now producing an annual flow of box office profits in the Billions of dollars, was launched when Frank Miller’s graphic novel re-take on the classic comic book hero, Batman, resulted in an entertainment industry-wide reconsideration of the genre in the deeper and darker vision Miller brought to it.
Miller re-defined the presentation of comic book characters and heroic fiction with his grand-daddy of graphic novels, “The Dark Knight.” This revolutionary work
not only kicked off the series of Batman films based on his redefinition, but a craze for such material that has thrown dozens of such heroes into multiple film franchise heaven. Certainly chief among these has been Miller’s uniquely classical take on superheroic narrative, “300,” and his “Sin City” books, each of which entered motion pictures with historic successes, and each now in Miller's creative phase of achieving its highly-anticipated sequel. Miller’s co-direction of “Sin City” has made him one of the hottest
directors… as well as a guiding creative force…for the new genre. Or one might say “super genre.”
Miller's latest graphic novel, Holy Terror, is his first original graphic novel in ten years. Join The Fixer, a brand new, hard-edged hero as he battles terror in the inaugural release from Legendary Comics.
David Mazzucchelli has been making comics his whole life. Known chiefly for his collaborations - with Frank Miller on seminal Batman and Daredevil stories, and with Paul Karasik on an adaptation of Paul Auster's novel, City of Glass - he began publishing his own stories in 1991 in his anthology magazine, Rubber Blanket. Since then his short comics have been published in books and magazines around the world. Asterios Polyp is his first graphic novel.
Photo by Luigi Novi [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0) or CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons
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I love that the movie is exactly like the comic book. It's a mature story that parallels between the origins of Batman and the origins of Gordon's career in Gotham. Gordon was truly badass in the beginning of his career. Great origin story of two flawed individuals trying to clean up a corrupt Gotham and becoming unofficial partners advancing one career's projectory and the other's legend. One of the Best Batman stories ever told. Now, I'm onto The Dark Knight Returns which is an alternative universe story of Batman in his golden years in 1980s style America with the woke politics debate of today. Go figure.
Other people have done a MUCH better job giving reasons why you should buy this book than I could ever hope to achieve. The low price of this book is just a bonus aside from the good word of mouth it's received.
I've babbled long enough. Just pick it up already. Even if you don't like it, you're only losing, like, ten bucks plus shipping.
In the now legendary "Batman: The Dark Knight Returns" , Miller turned Batman into a Dirty Harry-like vigilante, whose brutal methods were only matched by the brutality of the crumbling futuristic Gotham that he lived in. The book was somewhat controversial as it changed or rather embellished certain characteristics of the Batman and pushed the envelope as to the amount of violence and killing that could occur within mainstream superhero comics. Personally, I have not read this particular Batman tale since I don't care for some of Miller's overly authoritarian depictions of heroism, but I will admit that the man is a great talent, as both a writer and an artist, and that his macho-noir vision was groundbreaking in the comic book medium.
For me, Frank Miller's shining moment of creative genius came when he revisited Batman's past and how it was that he came to be the Dark Knight of Gotham City that we all know and love. As mentioned earlier, DC Comics wanted to update their characters by retelling their origin stories with a new level of depth and complexity in order to attract more intelligent and sophisticated readers. To do this, they often challenged the idealized version of the superhero which had been so prevalent in the past by placing them in corrupt societies where their methods of enforcing order became increasingly harsh and their morality began to wane. When writer/editor Denny O'Neil (who had, along with editor Julius Schwartz and artists Dick Giordano and Neal Adams, reinvented many of DC Comics' great characters during the late '60s and '70s) asked some of the writers and artists at DC who would be interested in tackling Batman in a realistic and psychologically grounded story that would explore the character's past, it became clear that the job would have to go to a collaborative team that knew how to deal with the character.
Enter Frank Miller and David Mazzucchelli.
In "Batman: Year One", which was originally published as a four-issue miniseries in 1987 before being collected into a bestselling graphic novel, Frank Miller told readers a tale of how Bruce Wayne became Batman in a way that was ultimately definitive. In terms of character origins, the story emphasized the psychology of the protagonists, Bruce Wayne and Jim Gordon, and showed them as truly heroic albeit sometimes flawed figures. Miller took what had come before in comics and elaborated on it and in doing so established a new version of the Batman mythos which has been an inspiration and influence to almost every writer who has set out to tell a Batman story since.
David Mazzucchelli had been a talented artist with a very unique visual sense. Hand-picked by Miller, Mazzucchelli created a stunning depiction of Gotham replete with gothic settings, film noir atmosphere, and stark contrasts between light and shadows, monochrome and color. Mazzucchelli modeled his version of Bruce Wayne on young Gregory Peck and Jim Gordon is reminiscent of many of the iconic hard-boiled police and detective characters found in illustrated pulp magazines of the '30s and '40s. The cityscape of Gotham is a strangely believable combination of modern New York with a distinctly retro-noir look to it.
What sets "Year One" apart from other Batman stories is the way that it so efficiently juxtaposes Bruce Wayne's journey into becoming Batman with Jim Gordon's rise in the Gotham City Police Department as one of the few honest cops amidst all the corruption. I really love the fact that as much time is spent with Bruce Wayne/Batman as is spent learning about Gordon, who had up until this point never really been given the focus that he deserved as a character. The story itself is also unique since it doesn't rely on Batman's colorful enemies to flesh it out or engage readers. Selina Kyle, also known as the femme fatale Catwoman, is given an introduction as prostitute who turns to cat burglary and the last page of the comic introduces the Joker as a new threat to the citizens of Gotham, but all in all, there are no supervillains. This more down to earth approach allows for Miller to display Wayne's evolution as Batman and to show him learning how to apply his keen intelligence, martial arts training, and detective skills to costumed crime-fighting. Without the presence of theatrical megalomaniac villains, the focus returns to corrupt politicians and police officers, to street-level crime and poverty, which really shows the social crusader aspects of the Batman and Gordon characters brilliantly. My only complaint as far as the writing goes is that the Alfred character is so under-utilized and is left merely to make dry humorous comments and that Selina Kyle's appearances are so few. However, these are very minor qualms with what is truly a masterpiece of superhero fiction!
All in all, "Batman: Year One" is perhaps the best Batman graphic novel ever written in that it so carefully adheres to the moody detective roots of the character created by Bob Kane and Bill Finger, while injecting the world of Gotham City with a vitality that was both refreshingly modern and yet timeless. Of all Frank Miller's work, this manages to stand out in my memory as his most intelligently scripted, most dynamically drawn, and most memorably heroic.
Of both characters I found myself rooting the most for the comissioner, who Frank Miller managed to make into a compelling, interesting, multilayered and, most importantly, flaved and humane character, and his segments in the comic, atleast I personally, found to be the most interesting(to say the thruth, this comic actually made Gordon my favourite character of the Batman mythos, yes, that's right, I prefer him to Batman).
Not to say that the Batman sections in the novel were bad or uninteresting, but his story is one most Batman fans(excluding some of the more specific details upon which this comic expands) by now pretty much know by heart, so it was James Gordons part of the story, that, atleast for me, had the most impact and had the most interesting setpieces, which I refuse to spoil here. What I can say is that, you'll witness some truly memorable moments, the transformation and evolution of both protagonists before your eyes and some new information regarding both characters, that will shed them in a much different light.
The story itself is structured over the time spane of a single year and shows how Batman was inspired to create his costume, how Catwoman(who also is an important part of the story) choose to lead a life of vigilantism and first met(perhaps not strictly in perosn)Batman, and just quite how deep did the corruption run in Gotham city. Frank Millers writing is as good as always, ussualy portrait in the inner monologs of many characters, that create a new and interesting angle into the characters mentallity. The story is riddled with many intense set-pieces, that, worry not, I will not spoil in this review, as much of their impact relies on surprise(also worth of mentione is the dark and brooding atmosphere which envelops much of the story and greatly helps the immersion).
I will say, however, that it is refreshing to see Batman actually be in mortal danger for once in a story and not just steam-roll his way through the opposition, relying on the "prepared for anything" gimmic, that he has been relying on so much in many modern comics(I know "being prepared" is part of Batmans character, but it destroys much of a tension a story can have, if you know that Batman just happened to be prepared for the exact type of trap The Riddler had for him, six years ago).
My only criticism of the story comes from the fact that, do to the stories structure which spans an entire year, it can often be the case, when entire months are given just one or two pannels of exposition , and the story often insists on jumping from character to character a bit too often, which can make the story feel a bit disjointed. For these flaws I deduct the comic a star.
Sppeaking of the art, I have heard many people calling it too simplistic, uninteresting or just plain simply bad, but I beg to differ with these oppinions - yes the art isn't overtly detailed, and the coloring may seem very simplistic and perhaps even primitive, but I think it does the story a favour, in the sense that it portrays a more simple time in Gothams history were there weren't no supervillains and hardly any superheroes or vigilantes. The colloring also helps enchance the depresing mood of the city, that suits the story well.
I also didn't particullary mind the simplicty of the art, to say the truth I even prefered it to many modern, overly detailed comic art, which may seem great individualy, but as a part of a coherent whole, they often can ruin the pacing of the story.
That wasn't the case in Batman:Year one, the art had a great pacing(despite the loose nature of the story) and was always portrayed from a great angle, and, most importantly it always had a great impact and punch to it, be it scenes of action or drama, the art seemed always able to portray the required emotion and power of them.
As far as the purchase recommandation goes, the question stands: should you buy this comic? In short - yes!
It doesn't matter if your a long time Batman fan or new to the whole mythos, or, perhaps, the whole comics genre; Batman:Year One is as good of a place to start as any. In fact Batman:Year One is one my highest recommandations as a starting point for comics(alongside Watchmen, The Joker and Kick-Ass), for people who are new to the genre:it contains great art, inteligent story, humane characters and great writing(and that is discounting all the bonus materials, such as scetches and parts of the script), and I believe almost anyone could find something worth of interest inside this great story!
Top reviews from other countries
Buena, bonita y barata son las mejores palabras para describir esta edición.
La obra en sí es fascinante, claro que todos pueden decir lo fabulosa que es pero es algo que debes de descubrir por tu cuenta al leer la historia.