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Who's Next
Extra Tracks, Remastered
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Who's Next (Remastered 2022)
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Price | New from | Used from |
MP3 Music, August 14, 1971
"Please retry" | $9.49 | — |
Audio CD, Original recording remastered, Extra tracks, November 7, 1995
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| $2.99 | $3.00 |
Vinyl, Original recording remastered, March 23, 2015
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Audio, Cassette
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From the brand
Track Listings
1 | Baba O'Riley |
2 | Bargain |
3 | Love Ain't for Keeping |
4 | My Wife |
5 | The Song Is Over |
6 | Getting in Tune |
7 | Going Mobile |
8 | Behind Blue Eyes |
9 | Won't Get Fooled Again |
10 | Pure and Easy |
11 | Baby Don't You Do It |
12 | Naked Eye |
13 | Water |
14 | Too Much of Anything |
15 | I Don't Even Know Myself |
16 | Behind Blue Eyes |
Editorial Reviews
Product description
The Who: Pete Townshend (vocals, guitar, piano, organ, ARP synthesizer); John Entwistle (vocals, brass, piano, bass); Keith Moon (drums, percussion). Additional personnel: Leslie West (guitar); Dave Arbus (violin); Nicky Hopkins (piano); Al Kooper (organ). Producers: The Who, Kit Lambert, Keith Moon. Reissue producer: Jon Astley. Includes liner notes by Pete Townshend and John Atkins. The Who: Roger Daltrey (vocals); Pete Townshend (guitar, piano, organ, ARP synthesizer, background vocals); John Entwistle (horns, piano, bass, background vocals); Keith Moon (drums, percussion). Additional personnel: Leslie West (guitar); Nicky Hopkins (piano). Producers: The Who, Glyn Johns, Kit Lambert. Recorded between 1968 & 1971. Includes liner notes by Pete Townshend, John Atkins, and Chris Charlesworth. This remastered edition of WHO'S NEXT features seven bonus tracks. The Who: John Entwistle (bass instrument, background vocals); Pete Townshend (background vocals); Keith Moon , Roger Daltrey. Personnel: Pete Townshend (vocals, guitar, piano, organ, keyboards, synthesizer, ARP synthesizer); Keith Moon (vocals, violin, drums, percussion); Roger Daltrey (vocals, harmonica); John Entwistle (vocals, brass, piano, keyboards, bass guitar); Dave Arbus (violin). Additional personnel: Leslie West (guitar); Nicky Hopkins (piano); Al Kooper (organ); Dave Arbus. Audio Mixer: Glyn Johns. Audio Remasterers: Jon Astley; Andy MacPherson. Audio Remixers: Jon Astley; Andy MacPherson. Liner Note Authors: John Atkins; Pete Townshend; John Atkins. Recording information: Eel Pie Studios (??/??/1970-06/07/1971); Olympic Studios, London, England (??/??/1970-06/07/1971); Record Plant, NY (??/??/1970-06/07/1971); Stargroves (??/??/1970-06/07/1971); The Rolling Stones Mobile Studio (??/??/1970-06/07/1971). Photographer: Ethan Russell. Though Pete Townshend was originally unhappy with WHO'S NEXT, it was quickly welcomed by critics and fans, becoming one of the most celebrated titles in their enduring catal
Amazon.com
A mix of old favorites and buried treasures makes this edition of Who's Next a definite must. One of the defining albums of 70s hard rock from one of the 60s most successful bands, the original album includes some of The Who's best-known work, such as the anthemic "Baba O'Riley" and "Won't Get Fooled Again", the by turns sorrowful and angry "Behind Blue Eyes", and perennial favorite "My Wife". The new tracks on this album are equally worth hearing, including "Pure and Easy" (an alternate edition of which is available on Odds & Sods) and the original version of "Behind Blue Eyes". A hard rock classic, Who's Next is required listening for rock fans of all ages. --Genevieve Williams
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.88 x 5.59 x 0.47 inches; 3.46 ounces
- Manufacturer : MCA Records
- Item model number : 1972201
- Original Release Date : 1995
- Date First Available : October 21, 2006
- Label : MCA Records
- ASIN : B000002OX7
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #1,296 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #6 in Classic Rock Supergroups
- #57 in Hard Rock (CDs & Vinyl)
- #66 in Album-Oriented Rock (AOR) (CDs & Vinyl)
- Customer Reviews:
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What comes out is a brilliant set, one that still sounds fresh even though it was recorded more than thirty years ago. The only thing better than the material is the band's performance. These men had played together a couple hundred nights a year for several years at this point and it shows. What's going on between them is virtually telepathy. Listen to the interplay between Moon and Townshend during the instrumental finish of "My Generation"; they echo each other completely. This is also the best live version of "My Generation" on record. It matches the Leeds set for power but is short, tight and concise. In short, it rocks! Then there's the rarities. Many of these songs have only rarely been played live. It's a shame because the material is great. "Pure and Easy" is one of Townshend's finest songs. That one still captivates new listeners. The set opens with a brilliant (and raw) rendition of "Love Ain't for Keeping". "Time is Passing" is a neglected jewel. This version is also completely drum driven. Mad magnificent Moonie may have kept everyone around him on the verge of group heart failure but he was an absolute genius on his instrument. Keith cued all the changes the way drummers are supposed to but he also did something no drummer has done, before or since; he played the vocal line on his kit. His work here will have listeners alternately shaking their heads and laughing. It shouldn't make any sense. Instead, it makes nothing but sense. It's no wonder it took almost twenty years to find anyone who could even begin to fill his seat. The energy in this set is astonishing. Daltrey is right in his prime, and is fabulous. He does sing himself hoarse though. That shows when he croaks his way through the last bits of "Too Much of Anything". Ribbit. That's not a criticism though. It just shows how much fire thes guys played with. The sound is great. Entwistle's bass lines are dominant in a way that he never could be in the studio. On recordings he had to leave room for overdubs. On stage he had to fill those spaces. The more you listen the more you see that he was the glue that held all this together. Without him Townshend and Moon couldn't have run amok the way they used to. You can hear them too, including all of Moon's screeches before his drum flurries. Like I said, this this thing should have anyone listening, shaking their head, laughing and just dropping their jaw in amazement.
The Who were an astounding band and pure magic on stage. This set goes a long way toward showing why.
The anthems are powerful. "Baba O Riley" and "Won't Get Fooled Again," the albums opening and closing songs, respectively, are raw with Roger Daltry's primal vocals, accompanied by skillful guitars and mesmerizing synthesizers. All of the songs are uniquely intricate. "Baba," contains a very able and frenzied violin/fiddle delivery that gives the song considerable depth. "Going Mobile" is environmentally friendly (with the memorable "hippie gypsy" line) in a way that is seldom dated from this period. Accompanied by intricate guitar, it has the fluidness to be a folk-rock classic.
If the eloquence of word and sound weren't enough already, then "The Song Is Over" has to be simply one of the most exquisite rock songs ever created. Up there with The Kinks' "Waterloo Sunset," "The Song Is Over" is haunting lyrically and transcending for Daltry's echoing vocals and the shimmering interplay of piano, synthesizer, and Keith Moon's able drumming.
The allegedly lesser songs are great, too. "Bargain" is a hefty piece of hard rock that delivers eloquent and spare statements about the essence of love. "Getting in Tune" is lesser than most of the rest, but what a song! It is an anthem that gives heft to the remainder of the anthems, but contains great one liners about saying something as a rock band. (Notably, they swagger in confidence more than, say, the Moody Blues' "Singer in a Rock and Roll Band".) Then, Entwistle's "My Wife" seems autobiographical and weighty with its theme of jealousy written convincingly like a first-person short story. Pete Townsend, the helmsman, though is certainly more able with his own rendering of a first-person short story, "Behind Blue Eyes". It is pungent enough and sung with vengeance by Daltry. It is substantial, but it could be parordied, somewhat. (An outlaw who begs for a blanket?) The only other song is "Love Aint' for Keeping". It isn't significant, except that its modestness helps frame the rest of the album. It also prevents too much overdrive.
'Who's Next' deserves to be a major rock classic because the lyrics, delivery, and skillful musicianship are stunning and almost matchless after thirty-five years. The best moments from the CD still raise hairs on the back of the neck. It has to be one of the ten best rock albums of all time.
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