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Fender Tone Master Twin Reverb Guitar Amplifier, Black, with 2-Year Warranty

4.4 4.4 out of 5 stars 49 ratings

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Twin Reverb
Black
Amp Only

Purchase options and add-ons

Brand Fender
Color Black
Compatible Devices Guitar
Material Pine Wood
Output Wattage 200 Watts

About this item

  • Massive digital processing is used to faithfully Modeling the circuitry and 22-Watt power output of an original Twin reverb amplifier
  • Uses a high-performance 100-Watt digital power amp to achieve the headroom and dynamic range of a real vintage Deluxe tube amp
  • Jensen n-12k neodymium speaker
  • Resonant pine cabinet
  • Front panel features give guitarists a playing experience identical to the tube version
Bake something bright
Get ready for Easter Learn more

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Fender Tone Master Twin Reverb Guitar Amplifier, Black, with 2-Year Warranty
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Price$1,249.99$1,349.99$199.99-13% $129.99
List:$149.99
-6% $1,599.99
List:$1,699.99
$749.99
Delivery
Get it as soon as Sunday, Mar 31
Get it as soon as Sunday, Mar 31
Get it as soon as Sunday, Mar 31
Get it as soon as Sunday, Mar 31
Customer Ratings
Versatility
4.5
4.3
4.7
4.3
Sound quality
5.0
5.0
4.6
Volume control
4.6
5.0
5.0
Sold By
Butler Music LLC
Amazon.com
Amazon.com
COOLMUSIC
Total Music Source
Amazon.com
power source
Corded Electric
Corded Electric
Corded Electric
Corded Electric
Corded Electric
Corded Electric
amplifier type
Tube
Tube
Tube
number of bands
4
3
2
output wattage
200 watts
45 watts
40 watts
50 watts
15 watts
speaker size
12 inches
10 inches
4 inches
10 inches
12 inches
12 inches
connector type
XLR
3.5mm Jack
lightning
compatible devices
Guitar
Guitar
Guitar
Guitar
Guitar
Guitar
material
Pine Wood
Metal
Molten,Silver

Product guides and documents


From the manufacturer

About Us

With an illustrious history dating back to 1946, Fender has touched and transformed music worldwide and in nearly every genre: rock ‘n’ roll, country and western, jazz, rhythm and blues and many others.

Everyone from beginners and hobbyists to the world’s most acclaimed artists and performers have used Fender instruments and amps, in the process making the company not only a revered music industry name, but also a cultural icon.

It is our vision to continue championing THE SPIRIT OF ROCK-N-ROLL throughout the world and our mission to exceed the expectations of music enthusiasts worldwide.

Product information

Warranty & Support

Product Warranty: For warranty information about this product, please click here

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Fender Tone Master Twin Reverb Guitar Amplifier, Black, with 2-Year Warranty


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Product Description

Product Description

In a bold Fender first, the tone master Twin reverb amplifier uses massive digital processing power to achieve a single remarkable sonic feat: faithfully modeling the circuitry and 85-watt power output of an original Twin tube amp. Using a high-performance 200-watt digital power amp to achieve the headroom and dynamic range of a real vintage twin tube amp, paired with the pronounced sparkle and clarity of two Jensen n-12k neodymium speakers and a resonant Pine cabinet, The result is tubeless Twin reverb tone, volume and dynamics virtually indistinguishable from the all-tube original. And with all these features, the tone master Twin reverb is in fact about only half the weight of an all-tube Twin. Front panel features give guitarists a playing experience identical to the tube version, including Fender world-standard reverb and tremolo effects. Additional rear-panel features deliver modern convenience and flexibility—including an output power selector for full power and five attenuated settings, balanced XLR line output with impulse response (IR) cabinet simulations, mute switch for silent stage or recording use, USB port for firmware upgrades, and more.

From the Manufacturer

In a bold Fender first, the Tone Master Twin Reverb amplifier uses massive digital processing power to achieve a single remarkable sonic feat: faithfully modeling the circuitry and 85-watt power output of an original Twin tube amp. Using a high-performance 200-watt digital power amp to achieve the headroom and dynamic range of a real vintage Twin tube amp, paired with the pronounced sparkle and clarity of two Jensen N-12K neodymium speakers and a resonant pine cabinet, the result is tubeless Twin Reverb tone, volume and dynamics virtually indistinguishable from the all-tube original. And with all these features, the Tone Master Twin Reverb is in fact about only half the weight of an all-tube Twin. Front panel features give guitarists a playing experience identical to the tube version, including Fender’s world-standard reverb and tremolo effects. Additional rear-panel features deliver modern convenience and flexibility—including an output power selector for full power and five attenuated settings, balanced XLR line output with impulse response (IR) cabinet simulations, mute switch for silent stage or recording use, USB port for firmware upgrades, and more.

Customer reviews

4.4 out of 5 stars
4.4 out of 5
49 global ratings

Customers say

Customers like the sound quality, quality and appearance of the musical instrument amplifier. For example, they mention that it gets super loud, the tone is pretty amazing and that it accurately captures the sound of the tube model. They also appreciate the appearance, saying that it's light, good looking and that the amp is terrific.

AI-generated from the text of customer reviews

10 customers mention8 positive2 negative

Customers like the sound quality of the musical instrument amplifier. They say it accurately captures the sound of the tube model, and has surprisingly effective tone and crunch. The wattage control makes it quiet enough for practice upstairs while the wife is watching, and loud enough to clean fish when you want to crank it up.

"...All In all, I’m glad I bought it and you probably will be, too. It sounds good, it is light weight, and it looks very cool. It is every bit a Twin." Read more

"...And did I mention that it sounds great?..." Read more

"...This one is absolutely awesome. It gets super loud. The sound is amazing. Im waiting on a distortion pedal to see how well that works...." Read more

"This is a great single Amp Modeler, that accurately captures the sound of the tube model, but it seems odd that they were so focused on that sound,..." Read more

7 customers mention7 positive0 negative

Customers are satisfied with the quality of the musical instrument amplifier. They mention it's an awesome, incredible, powerful, versatile amp that accurately captures the sound of the tube. Customers also love the power scaling and say it takes no time to dial in.

"...that follow below, here is a quick summary;Great amp, tons of headroom, just note that if you use a processor..." Read more

"Excellent amp. Love the power scaling. Took no time to dial in. Got rid of all my pedals except a tuner. I play mostly classic rock." Read more

"This is a great single Amp Modeler, that accurately captures the sound of the tube model, but it seems odd that they were so focused on that sound,..." Read more

"This is a terrific powerful versatile amp!..." Read more

4 customers mention3 positive1 negative

Customers like the appearance of the musical instrument amplifier. They say it's light, good looking, and loud as they can stand.

"...It sounds good, it is light weight, and it looks very cool. It is every bit a Twin." Read more

"...The Twin is light, good looking, as loud as I can stand (variable voltages) and has delicious tone. Do yourself a favor and buy one...." Read more

"...in packaging,which gives us terrible looking, trip-hazard cordsthat will never look nice, nor straighten out and lay flat and..." Read more

"Beautiful modeler, with surprisingly effective tone and crunch. Does not include an effects loop...." Read more

Incredible Amp, Horribly Ugly, trip hazard Power and Footswitch Cords/Cordage.
1 Star
Incredible Amp, Horribly Ugly, trip hazard Power and Footswitch Cords/Cordage.
Incredible Amp, Horribly Ugly, trip hazard Power and Footswitch Cords/Cordage.SUMMARY so you don't have to read all my blathering observationsthat follow below, here is a quick summary;Great amp, tons of headroom, just note that if you use a processorand pedals for classic rock, blues etc, the tone settings of this amp willmake or break your experience, at first I thought this amp was aP O garbage, then I lowered the bass, upped the mid, lowered thetreble and put bright setting 'on' . Went from crap to incredible.There is no speaker out jack/provision, there should be.No effects loop, which is fine by me.####My 1 star rating (hoping that Fender will take note*)is solely do to the idiotic cord management treatmentin packaging,which gives us terrible looking, trip-hazard cordsthat will never look nice, nor straighten out and lay flat andneatly on stage.####Gen review;The first thing I did was plug in my strat tothe amp, direct, with no processor or pedals, I playeda surf tune, which sounded authentic to the style, andvery good, then I just 'noodled' around a bit,the tone was pretty amazing and my strat soundedlike a strat, I kept all settings at '5' , which is usuallya good starting point for an amp.Then accck!!!, plugged in pedals so I could check outsouthern rock/blues/texas/blues, as well as differentpedals for classic rock, from Van Halen to Duane Allman,Bad Co, Skynyrd, Aerosmith etc...Terrible sound of the gatefor these genres, acckk... all the magic sparkle that Iget with my overdrive pedals for that nice SRV, Skynardwith overdrive, and then the harder edged VH, etc stuffusing distortion, delay etc,was totally unacceptable and painful to my ears, flubby,scattered, and just plain painful to the ears. My thoughtswere that it does not take pedals well, at all.Then, before I put it back into the shipping box, I thoughtI'd try different tone settings on the amp itself, andwas blown away in a good way.I set treble mid and bass to approx 4,9,4 respectively,with Bright Switch on, and wow, everthing cleared up,and I got most of the magic sparkle for the south/texasstuff back, not all, but most of it.I could go on for hours about pedals I use and why,etc, but I'll spare you lol...Suffice to say, the headroom of this amp is huge,I eventually tried this amp at 7 or 8, and it is morethan you would need at stadium levels, though you'dbe micd' anyway, the volume levels available willshock you , not surprise you, but shock shock you, andnot painful to the ears if everything you plug into itwas already giving you good sounds.Some amps sound like crap once you start turningthem up, I put the attenuator full on, the highestsetting and controlled volume with the volume knobfor the 'true' testing. The attenuator at lower settingswith volume knob turned up, gives you 'breakup' butit is not pleasant nor desirable, best us pedals for anyoverdrive or distortion, though I'm sure that someoneout there may take a liking to the onboard attenuator,I can only see one good aspect of having it; volume-safetybuffer, you can put it on the lower or lowest settingand subsequently not have the amp volume knob upon high by accident, risking structural damage toyour home or occupants (yes, people can be 'structurally'damaged too).------------------------------------------------------------The Good;I have had the amp for a day, doing tons of A/B betweenthis (Fender Twin Reverb Tone Master) amp and myother amps.So far, I find the amp to be incredible for Classic Rockand other genres, though testing continues, the biggestheads up I can offer is that if you're using processorsand pedals, which you would definitely need for ClassicRock etc, amp tones at 5 are not going to work wellif you pedals/processor is set up similar to mine,I found the amp needed to have bass set down to 4 orless, mid knob up, and treble down some, and bright switchon, otherwise the sound is horribly flubby, and scattered,clarity totally gone.I wasn't sure what the issue as, I think the biggest solutionwas turning the bass knob down considerably, andmid knob up. I indicated settings elsewhere in this review.(((Do make note if you rig up an ext speaker,it appears that the load this amp wants is 4 ohms,you can see that they are 8 ohm speakers but wired inparallel, so the actual load design for the amp is4 ohms, not the 8 ohm designation that you see on thespeakers themselves. However most of what I readindicates that hooking up an 8 ohm load (speaker cab)to a 4 ohm amp is not a issue, or not a problem.)))) The bad;The power and footswitch cords come to us in thatindustry-standard figure and 'wad' that makes thecords kinked and bent permanently, there is noexcuse for this kind of packaging other than industrythinks it looks professional in packaging. I includeda photo comparing what a neatly coiled up cord/s looklike when straightened out and what waded up fig8cords look like permanently. None of us want to beon stage with bad looking equipment and trip hazardcords that have bends all over them, shame on Fenderfor going along with the rest of the pack of mindlesspackaging designers that could care less how a cordlooks and performs, they just want them to look goodin the package. Rolled up cords (in a circle, even fairlytight circles) take up NO MORE room than the idioticallywaded up figure8 configuration pervasive throughoutindustry.*I will change my star rating, if Fender acknowledgesthe cord issue and addresses it accordingly.
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Top reviews from the United States

Reviewed in the United States on July 27, 2020
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
Customer image
5.0 out of 5 stars Fender Tone MasterTwin Reverb Digital Modeling Guitar Amplifier
Reviewed in the United States on July 27, 2020
I’ve always wanted a Twin, mostly because they are well-respected, but they have been so heavy and so loud (to get the best tone) that I have always shied away. I have not tried to make an A/B comparison between my new Fender and a real ’65 reissue. There are plenty of those reviews on the internet and most seem to be fairly presented. My modeler is programmed with both a Twin and a Marshall JCM 2000, in parallel. That is my holy grail. I’ve only had the Tone Master Twin for a week, but I’m close to getting the Fender part of that tone from the Tone Master; while getting just the Marshall part from my modeler. It’s not there yet, but it is close. It takes analog pedals well, and my several modelers.

I play in both a rock ‘n roll church band and a 10 piece oldies band with horns. For the latter, all I need is an amp with lots of clean headroom, some overdrive and reverb. The Fender has all of that. Then, why did I even bother to buy this amp if all my needs were met with just a modeler (and an excellent powered speaker)? Just because I can, and it LOOKS COOL!!

The built-in attenuator is a big plus. The great, over-driven, compressed sound of a tube Twin is only available at the high end of its volume control; and that is incredibly loud. With the attenuator, you can get that same sound at six different volumes, from two watts (tube equivalent) to eighty watts. All, from its 200 watt class D amplifier. By the way, one watt is a comfortable, but not quiet, volume in my practice room.

All In all, I’m glad I bought it and you probably will be, too. It sounds good, it is light weight, and it looks very cool. It is every bit a Twin.
Images in this review
Customer image Customer image Customer image Customer image
Customer imageCustomer imageCustomer imageCustomer image
21 people found this helpful
Report
Reviewed in the United States on October 5, 2019
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
42 people found this helpful
Report
Reviewed in the United States on June 5, 2022
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
One person found this helpful
Report
Reviewed in the United States on March 24, 2023
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
Customer image
1.0 out of 5 stars Incredible Amp, Horribly Ugly, trip hazard Power and Footswitch Cords/Cordage.
Reviewed in the United States on March 24, 2023
Incredible Amp, Horribly Ugly, trip hazard Power and Footswitch Cords/Cordage.

SUMMARY so you don't have to read all my blathering observations
that follow below, here is a quick summary;
Great amp, tons of headroom, just note that if you use a processor
and pedals for classic rock, blues etc, the tone settings of this amp will
make or break your experience, at first I thought this amp was a
P O garbage, then I lowered the bass, upped the mid, lowered the
treble and put bright setting 'on' . Went from crap to incredible.
There is no speaker out jack/provision, there should be.
No effects loop, which is fine by me.

####My 1 star rating (hoping that Fender will take note*)
is solely do to the idiotic cord management treatment
in packaging,
which gives us terrible looking, trip-hazard cords
that will never look nice, nor straighten out and lay flat and
neatly on stage.####

Gen review;
The first thing I did was plug in my strat to
the amp, direct, with no processor or pedals, I played
a surf tune, which sounded authentic to the style, and
very good, then I just 'noodled' around a bit,
the tone was pretty amazing and my strat sounded
like a strat, I kept all settings at '5' , which is usually
a good starting point for an amp.
Then accck!!!, plugged in pedals so I could check out
southern rock/blues/texas/blues, as well as different
pedals for classic rock, from Van Halen to Duane Allman,
Bad Co, Skynyrd, Aerosmith etc...Terrible sound of the gate
for these genres, acckk... all the magic sparkle that I
get with my overdrive pedals for that nice SRV, Skynard
with overdrive, and then the harder edged VH, etc stuff
using distortion, delay etc,
was totally unacceptable and painful to my ears, flubby,
scattered, and just plain painful to the ears. My thoughts
were that it does not take pedals well, at all.
Then, before I put it back into the shipping box, I thought
I'd try different tone settings on the amp itself, and
was blown away in a good way.
I set treble mid and bass to approx 4,9,4 respectively,
with Bright Switch on, and wow, everthing cleared up,
and I got most of the magic sparkle for the south/texas
stuff back, not all, but most of it.
I could go on for hours about pedals I use and why,
etc, but I'll spare you lol...
Suffice to say, the headroom of this amp is huge,
I eventually tried this amp at 7 or 8, and it is more
than you would need at stadium levels, though you'd
be micd' anyway, the volume levels available will
shock you , not surprise you, but shock shock you, and
not painful to the ears if everything you plug into it
was already giving you good sounds.
Some amps sound like crap once you start turning
them up, I put the attenuator full on, the highest
setting and controlled volume with the volume knob
for the 'true' testing. The attenuator at lower settings
with volume knob turned up, gives you 'breakup' but
it is not pleasant nor desirable, best us pedals for any
overdrive or distortion, though I'm sure that someone
out there may take a liking to the onboard attenuator,
I can only see one good aspect of having it; volume-safety
buffer, you can put it on the lower or lowest setting
and subsequently not have the amp volume knob up
on high by accident, risking structural damage to
your home or occupants (yes, people can be 'structurally'
damaged too).

------------------------------------------------------------
The Good;
I have had the amp for a day, doing tons of A/B between
this (Fender Twin Reverb Tone Master) amp and my
other amps.
So far, I find the amp to be incredible for Classic Rock
and other genres, though testing continues, the biggest
heads up I can offer is that if you're using processors
and pedals, which you would definitely need for Classic
Rock etc, amp tones at 5 are not going to work well
if you pedals/processor is set up similar to mine,
I found the amp needed to have bass set down to 4 or
less, mid knob up, and treble down some, and bright switch
on, otherwise the sound is horribly flubby, and scattered,
clarity totally gone.
I wasn't sure what the issue as, I think the biggest solution
was turning the bass knob down considerably, and
mid knob up. I indicated settings elsewhere in this review.
(((Do make note if you rig up an ext speaker,
it appears that the load this amp wants is 4 ohms,
you can see that they are 8 ohm speakers but wired in
parallel, so the actual load design for the amp is
4 ohms, not the 8 ohm designation that you see on the
speakers themselves. However most of what I read
indicates that hooking up an 8 ohm load (speaker cab)
to a 4 ohm amp is not a issue, or not a problem.))))

The bad;

The power and footswitch cords come to us in that
industry-standard figure and 'wad' that makes the
cords kinked and bent permanently, there is no
excuse for this kind of packaging other than industry
thinks it looks professional in packaging. I included
a photo comparing what a neatly coiled up cord/s look
like when straightened out and what waded up fig8
cords look like permanently. None of us want to be
on stage with bad looking equipment and trip hazard
cords that have bends all over them, shame on Fender
for going along with the rest of the pack of mindless
packaging designers that could care less how a cord
looks and performs, they just want them to look good
in the package. Rolled up cords (in a circle, even fairly
tight circles) take up NO MORE room than the idiotically
waded up figure8 configuration pervasive throughout
industry.
*I will change my star rating, if Fender acknowledges
the cord issue and addresses it accordingly.
Images in this review
Customer image Customer image
Customer imageCustomer image
5 people found this helpful
Report
Reviewed in the United States on April 8, 2023
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
2 people found this helpful
Report
Reviewed in the United States on February 6, 2022
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
5 people found this helpful
Report
Reviewed in the United States on January 9, 2022
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
2 people found this helpful
Report

Top reviews from other countries

Edmund
5.0 out of 5 stars If amp sounds like tube type
Reviewed in Canada on October 4, 2023
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
G.D. Kilvington
5.0 out of 5 stars Good Stage Amp, lots of volume and headroom. Selectable output wattage a very good feature.
Reviewed in Canada on March 2, 2022
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
3 people found this helpful
Report
Phil L.
5.0 out of 5 stars Great amp, a bit pricey
Reviewed in Canada on May 30, 2020
Style: Twin ReverbColor: BlackConfiguration: Amp OnlyVerified Purchase
2 people found this helpful
Report