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Fender Tone Master Twin Reverb Guitar Amplifier, Black, with 2-Year Warranty
Purchase options and add-ons
Brand | Fender |
Color | Black |
Compatible Devices | Guitar |
Material | Pine Wood |
Output Wattage | 200 Watts |
About this item
- Massive digital processing is used to faithfully Modeling the circuitry and 22-Watt power output of an original Twin reverb amplifier
- Uses a high-performance 100-Watt digital power amp to achieve the headroom and dynamic range of a real vintage Deluxe tube amp
- Jensen n-12k neodymium speaker
- Resonant pine cabinet
- Front panel features give guitarists a playing experience identical to the tube version
Frequently bought together
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This Item Fender Tone Master Twin Reverb Guitar Amplifier, Black, with 2-Year Warranty | Recommendations | dummy | dummy | dummy | dummy | |
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Price | $1,249.99$1,249.99 | $1,349.99$1,349.99 | $199.99$199.99 | -13% $129.99$129.99 List: $149.99 | -6% $1,599.99$1,599.99 List: $1,699.99 | $749.99$749.99 |
Delivery | — | Get it as soon as Sunday, Mar 31 | Get it as soon as Sunday, Mar 31 | Get it as soon as Sunday, Mar 31 | — | Get it as soon as Sunday, Mar 31 |
Customer Ratings | ||||||
Versatility | 4.5 | 4.3 | 4.7 | — | — | 4.3 |
Sound quality | 5.0 | 5.0 | 4.6 | — | — | — |
Volume control | 4.6 | 5.0 | — | — | — | 5.0 |
Sold By | Butler Music LLC | Amazon.com | Amazon.com | COOLMUSIC | Total Music Source | Amazon.com |
power source | Corded Electric | Corded Electric | Corded Electric | Corded Electric | Corded Electric | Corded Electric |
amplifier type | Tube | Tube | — | — | Tube | — |
number of bands | — | 4 | — | 3 | 2 | — |
output wattage | 200 watts | 45 watts | 40 watts | 50 watts | — | 15 watts |
speaker size | 12 inches | 10 inches | 4 inches | 10 inches | 12 inches | 12 inches |
connector type | — | XLR | — | 3.5mm Jack | lightning | — |
compatible devices | Guitar | Guitar | Guitar | Guitar | Guitar | Guitar |
material | Pine Wood | — | Metal | — | Molten,Silver | — |
Product guides and documents
From the manufacturer
About Us
With an illustrious history dating back to 1946, Fender has touched and transformed music worldwide and in nearly every genre: rock ‘n’ roll, country and western, jazz, rhythm and blues and many others.
Everyone from beginners and hobbyists to the world’s most acclaimed artists and performers have used Fender instruments and amps, in the process making the company not only a revered music industry name, but also a cultural icon.
It is our vision to continue championing THE SPIRIT OF ROCK-N-ROLL throughout the world and our mission to exceed the expectations of music enthusiasts worldwide.
Product information
Product Dimensions | 31.7 x 26.3 x 15.9 inches |
---|---|
Item Weight | 45.2 pounds |
ASIN | B07TXW2WHQ |
Item model number | 2274200000 |
Customer Reviews |
4.4 out of 5 stars |
Date First Available | July 4, 2019 |
Manufacturer | Fender |
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Product Description
Product Description
In a bold Fender first, the tone master Twin reverb amplifier uses massive digital processing power to achieve a single remarkable sonic feat: faithfully modeling the circuitry and 85-watt power output of an original Twin tube amp. Using a high-performance 200-watt digital power amp to achieve the headroom and dynamic range of a real vintage twin tube amp, paired with the pronounced sparkle and clarity of two Jensen n-12k neodymium speakers and a resonant Pine cabinet, The result is tubeless Twin reverb tone, volume and dynamics virtually indistinguishable from the all-tube original. And with all these features, the tone master Twin reverb is in fact about only half the weight of an all-tube Twin. Front panel features give guitarists a playing experience identical to the tube version, including Fender world-standard reverb and tremolo effects. Additional rear-panel features deliver modern convenience and flexibility—including an output power selector for full power and five attenuated settings, balanced XLR line output with impulse response (IR) cabinet simulations, mute switch for silent stage or recording use, USB port for firmware upgrades, and more.
From the Manufacturer
In a bold Fender first, the Tone Master Twin Reverb amplifier uses massive digital processing power to achieve a single remarkable sonic feat: faithfully modeling the circuitry and 85-watt power output of an original Twin tube amp. Using a high-performance 200-watt digital power amp to achieve the headroom and dynamic range of a real vintage Twin tube amp, paired with the pronounced sparkle and clarity of two Jensen N-12K neodymium speakers and a resonant pine cabinet, the result is tubeless Twin Reverb tone, volume and dynamics virtually indistinguishable from the all-tube original. And with all these features, the Tone Master Twin Reverb is in fact about only half the weight of an all-tube Twin. Front panel features give guitarists a playing experience identical to the tube version, including Fender’s world-standard reverb and tremolo effects. Additional rear-panel features deliver modern convenience and flexibility—including an output power selector for full power and five attenuated settings, balanced XLR line output with impulse response (IR) cabinet simulations, mute switch for silent stage or recording use, USB port for firmware upgrades, and more.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the sound quality, quality and appearance of the musical instrument amplifier. For example, they mention that it gets super loud, the tone is pretty amazing and that it accurately captures the sound of the tube model. They also appreciate the appearance, saying that it's light, good looking and that the amp is terrific.
AI-generated from the text of customer reviews
Customers like the sound quality of the musical instrument amplifier. They say it accurately captures the sound of the tube model, and has surprisingly effective tone and crunch. The wattage control makes it quiet enough for practice upstairs while the wife is watching, and loud enough to clean fish when you want to crank it up.
"...All In all, I’m glad I bought it and you probably will be, too. It sounds good, it is light weight, and it looks very cool. It is every bit a Twin." Read more
"...And did I mention that it sounds great?..." Read more
"...This one is absolutely awesome. It gets super loud. The sound is amazing. Im waiting on a distortion pedal to see how well that works...." Read more
"This is a great single Amp Modeler, that accurately captures the sound of the tube model, but it seems odd that they were so focused on that sound,..." Read more
Customers are satisfied with the quality of the musical instrument amplifier. They mention it's an awesome, incredible, powerful, versatile amp that accurately captures the sound of the tube. Customers also love the power scaling and say it takes no time to dial in.
"...that follow below, here is a quick summary;Great amp, tons of headroom, just note that if you use a processor..." Read more
"Excellent amp. Love the power scaling. Took no time to dial in. Got rid of all my pedals except a tuner. I play mostly classic rock." Read more
"This is a great single Amp Modeler, that accurately captures the sound of the tube model, but it seems odd that they were so focused on that sound,..." Read more
"This is a terrific powerful versatile amp!..." Read more
Customers like the appearance of the musical instrument amplifier. They say it's light, good looking, and loud as they can stand.
"...It sounds good, it is light weight, and it looks very cool. It is every bit a Twin." Read more
"...The Twin is light, good looking, as loud as I can stand (variable voltages) and has delicious tone. Do yourself a favor and buy one...." Read more
"...in packaging,which gives us terrible looking, trip-hazard cordsthat will never look nice, nor straighten out and lay flat and..." Read more
"Beautiful modeler, with surprisingly effective tone and crunch. Does not include an effects loop...." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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I play in both a rock ‘n roll church band and a 10 piece oldies band with horns. For the latter, all I need is an amp with lots of clean headroom, some overdrive and reverb. The Fender has all of that. Then, why did I even bother to buy this amp if all my needs were met with just a modeler (and an excellent powered speaker)? Just because I can, and it LOOKS COOL!!
The built-in attenuator is a big plus. The great, over-driven, compressed sound of a tube Twin is only available at the high end of its volume control; and that is incredibly loud. With the attenuator, you can get that same sound at six different volumes, from two watts (tube equivalent) to eighty watts. All, from its 200 watt class D amplifier. By the way, one watt is a comfortable, but not quiet, volume in my practice room.
All In all, I’m glad I bought it and you probably will be, too. It sounds good, it is light weight, and it looks very cool. It is every bit a Twin.
Reviewed in the United States on July 27, 2020
I play in both a rock ‘n roll church band and a 10 piece oldies band with horns. For the latter, all I need is an amp with lots of clean headroom, some overdrive and reverb. The Fender has all of that. Then, why did I even bother to buy this amp if all my needs were met with just a modeler (and an excellent powered speaker)? Just because I can, and it LOOKS COOL!!
The built-in attenuator is a big plus. The great, over-driven, compressed sound of a tube Twin is only available at the high end of its volume control; and that is incredibly loud. With the attenuator, you can get that same sound at six different volumes, from two watts (tube equivalent) to eighty watts. All, from its 200 watt class D amplifier. By the way, one watt is a comfortable, but not quiet, volume in my practice room.
All In all, I’m glad I bought it and you probably will be, too. It sounds good, it is light weight, and it looks very cool. It is every bit a Twin.
I have another Fender modeling amp, but seemed to spend more time messing around with all the various amp options than I did playing my guitars. Then Fender turns things upside down, and instead of modeling a bunch of different amps, they focused all their attention and digital signal processing magic on dialing into the tone and dynamics of a classic Twin Reverb. Now I just turn it on, get the sweet tone and dynamics I want, and spend more time playing my guitars than messing around with amp settings.
The attenuator on the back panel solves the volume problem and the digital amp and neodymium speakers solve the weight problem. The XLR output is a nice addition for live sound or recording and adds to the flexibility of applications for this professional quality amp. And did I mention that it sounds great?
I bought through Amazon because I wanted it now and Amazon delivered it quickly and in good condition.
SUMMARY so you don't have to read all my blathering observations
that follow below, here is a quick summary;
Great amp, tons of headroom, just note that if you use a processor
and pedals for classic rock, blues etc, the tone settings of this amp will
make or break your experience, at first I thought this amp was a
P O garbage, then I lowered the bass, upped the mid, lowered the
treble and put bright setting 'on' . Went from crap to incredible.
There is no speaker out jack/provision, there should be.
No effects loop, which is fine by me.
####My 1 star rating (hoping that Fender will take note*)
is solely do to the idiotic cord management treatment
in packaging,
which gives us terrible looking, trip-hazard cords
that will never look nice, nor straighten out and lay flat and
neatly on stage.####
Gen review;
The first thing I did was plug in my strat to
the amp, direct, with no processor or pedals, I played
a surf tune, which sounded authentic to the style, and
very good, then I just 'noodled' around a bit,
the tone was pretty amazing and my strat sounded
like a strat, I kept all settings at '5' , which is usually
a good starting point for an amp.
Then accck!!!, plugged in pedals so I could check out
southern rock/blues/texas/blues, as well as different
pedals for classic rock, from Van Halen to Duane Allman,
Bad Co, Skynyrd, Aerosmith etc...Terrible sound of the gate
for these genres, acckk... all the magic sparkle that I
get with my overdrive pedals for that nice SRV, Skynard
with overdrive, and then the harder edged VH, etc stuff
using distortion, delay etc,
was totally unacceptable and painful to my ears, flubby,
scattered, and just plain painful to the ears. My thoughts
were that it does not take pedals well, at all.
Then, before I put it back into the shipping box, I thought
I'd try different tone settings on the amp itself, and
was blown away in a good way.
I set treble mid and bass to approx 4,9,4 respectively,
with Bright Switch on, and wow, everthing cleared up,
and I got most of the magic sparkle for the south/texas
stuff back, not all, but most of it.
I could go on for hours about pedals I use and why,
etc, but I'll spare you lol...
Suffice to say, the headroom of this amp is huge,
I eventually tried this amp at 7 or 8, and it is more
than you would need at stadium levels, though you'd
be micd' anyway, the volume levels available will
shock you , not surprise you, but shock shock you, and
not painful to the ears if everything you plug into it
was already giving you good sounds.
Some amps sound like crap once you start turning
them up, I put the attenuator full on, the highest
setting and controlled volume with the volume knob
for the 'true' testing. The attenuator at lower settings
with volume knob turned up, gives you 'breakup' but
it is not pleasant nor desirable, best us pedals for any
overdrive or distortion, though I'm sure that someone
out there may take a liking to the onboard attenuator,
I can only see one good aspect of having it; volume-safety
buffer, you can put it on the lower or lowest setting
and subsequently not have the amp volume knob up
on high by accident, risking structural damage to
your home or occupants (yes, people can be 'structurally'
damaged too).
------------------------------------------------------------
The Good;
I have had the amp for a day, doing tons of A/B between
this (Fender Twin Reverb Tone Master) amp and my
other amps.
So far, I find the amp to be incredible for Classic Rock
and other genres, though testing continues, the biggest
heads up I can offer is that if you're using processors
and pedals, which you would definitely need for Classic
Rock etc, amp tones at 5 are not going to work well
if you pedals/processor is set up similar to mine,
I found the amp needed to have bass set down to 4 or
less, mid knob up, and treble down some, and bright switch
on, otherwise the sound is horribly flubby, and scattered,
clarity totally gone.
I wasn't sure what the issue as, I think the biggest solution
was turning the bass knob down considerably, and
mid knob up. I indicated settings elsewhere in this review.
(((Do make note if you rig up an ext speaker,
it appears that the load this amp wants is 4 ohms,
you can see that they are 8 ohm speakers but wired in
parallel, so the actual load design for the amp is
4 ohms, not the 8 ohm designation that you see on the
speakers themselves. However most of what I read
indicates that hooking up an 8 ohm load (speaker cab)
to a 4 ohm amp is not a issue, or not a problem.))))
The bad;
The power and footswitch cords come to us in that
industry-standard figure and 'wad' that makes the
cords kinked and bent permanently, there is no
excuse for this kind of packaging other than industry
thinks it looks professional in packaging. I included
a photo comparing what a neatly coiled up cord/s look
like when straightened out and what waded up fig8
cords look like permanently. None of us want to be
on stage with bad looking equipment and trip hazard
cords that have bends all over them, shame on Fender
for going along with the rest of the pack of mindless
packaging designers that could care less how a cord
looks and performs, they just want them to look good
in the package. Rolled up cords (in a circle, even fairly
tight circles) take up NO MORE room than the idiotically
waded up figure8 configuration pervasive throughout
industry.
*I will change my star rating, if Fender acknowledges
the cord issue and addresses it accordingly.
Reviewed in the United States on March 24, 2023
SUMMARY so you don't have to read all my blathering observations
that follow below, here is a quick summary;
Great amp, tons of headroom, just note that if you use a processor
and pedals for classic rock, blues etc, the tone settings of this amp will
make or break your experience, at first I thought this amp was a
P O garbage, then I lowered the bass, upped the mid, lowered the
treble and put bright setting 'on' . Went from crap to incredible.
There is no speaker out jack/provision, there should be.
No effects loop, which is fine by me.
####My 1 star rating (hoping that Fender will take note*)
is solely do to the idiotic cord management treatment
in packaging,
which gives us terrible looking, trip-hazard cords
that will never look nice, nor straighten out and lay flat and
neatly on stage.####
Gen review;
The first thing I did was plug in my strat to
the amp, direct, with no processor or pedals, I played
a surf tune, which sounded authentic to the style, and
very good, then I just 'noodled' around a bit,
the tone was pretty amazing and my strat sounded
like a strat, I kept all settings at '5' , which is usually
a good starting point for an amp.
Then accck!!!, plugged in pedals so I could check out
southern rock/blues/texas/blues, as well as different
pedals for classic rock, from Van Halen to Duane Allman,
Bad Co, Skynyrd, Aerosmith etc...Terrible sound of the gate
for these genres, acckk... all the magic sparkle that I
get with my overdrive pedals for that nice SRV, Skynard
with overdrive, and then the harder edged VH, etc stuff
using distortion, delay etc,
was totally unacceptable and painful to my ears, flubby,
scattered, and just plain painful to the ears. My thoughts
were that it does not take pedals well, at all.
Then, before I put it back into the shipping box, I thought
I'd try different tone settings on the amp itself, and
was blown away in a good way.
I set treble mid and bass to approx 4,9,4 respectively,
with Bright Switch on, and wow, everthing cleared up,
and I got most of the magic sparkle for the south/texas
stuff back, not all, but most of it.
I could go on for hours about pedals I use and why,
etc, but I'll spare you lol...
Suffice to say, the headroom of this amp is huge,
I eventually tried this amp at 7 or 8, and it is more
than you would need at stadium levels, though you'd
be micd' anyway, the volume levels available will
shock you , not surprise you, but shock shock you, and
not painful to the ears if everything you plug into it
was already giving you good sounds.
Some amps sound like crap once you start turning
them up, I put the attenuator full on, the highest
setting and controlled volume with the volume knob
for the 'true' testing. The attenuator at lower settings
with volume knob turned up, gives you 'breakup' but
it is not pleasant nor desirable, best us pedals for any
overdrive or distortion, though I'm sure that someone
out there may take a liking to the onboard attenuator,
I can only see one good aspect of having it; volume-safety
buffer, you can put it on the lower or lowest setting
and subsequently not have the amp volume knob up
on high by accident, risking structural damage to
your home or occupants (yes, people can be 'structurally'
damaged too).
------------------------------------------------------------
The Good;
I have had the amp for a day, doing tons of A/B between
this (Fender Twin Reverb Tone Master) amp and my
other amps.
So far, I find the amp to be incredible for Classic Rock
and other genres, though testing continues, the biggest
heads up I can offer is that if you're using processors
and pedals, which you would definitely need for Classic
Rock etc, amp tones at 5 are not going to work well
if you pedals/processor is set up similar to mine,
I found the amp needed to have bass set down to 4 or
less, mid knob up, and treble down some, and bright switch
on, otherwise the sound is horribly flubby, and scattered,
clarity totally gone.
I wasn't sure what the issue as, I think the biggest solution
was turning the bass knob down considerably, and
mid knob up. I indicated settings elsewhere in this review.
(((Do make note if you rig up an ext speaker,
it appears that the load this amp wants is 4 ohms,
you can see that they are 8 ohm speakers but wired in
parallel, so the actual load design for the amp is
4 ohms, not the 8 ohm designation that you see on the
speakers themselves. However most of what I read
indicates that hooking up an 8 ohm load (speaker cab)
to a 4 ohm amp is not a issue, or not a problem.))))
The bad;
The power and footswitch cords come to us in that
industry-standard figure and 'wad' that makes the
cords kinked and bent permanently, there is no
excuse for this kind of packaging other than industry
thinks it looks professional in packaging. I included
a photo comparing what a neatly coiled up cord/s look
like when straightened out and what waded up fig8
cords look like permanently. None of us want to be
on stage with bad looking equipment and trip hazard
cords that have bends all over them, shame on Fender
for going along with the rest of the pack of mindless
packaging designers that could care less how a cord
looks and performs, they just want them to look good
in the package. Rolled up cords (in a circle, even fairly
tight circles) take up NO MORE room than the idiotically
waded up figure8 configuration pervasive throughout
industry.
*I will change my star rating, if Fender acknowledges
the cord issue and addresses it accordingly.
Top reviews from other countries
George Kilvington (The Original "Wanted", The Emotions, The Exl's: 60 years in music.)