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The Great Godden Kindle Edition
From National Book Award Finalist Meg Rosoff comes a lyrical, compulsively readable coming-of-age tale that is heady, irresistible, and timeless.
Everyone talks about falling in love like it's the most miraculous, life-changing thing in the world. Something happens, they say, and you know . . .
I looked into his eyes and I knew.
Only, everyone else knew too. Everyone else felt exactly the same way.
This is the story of one family during one dreamy summer—the summer when everything changes. In an eccentric, turreted vacation house by the sea, our watchful narrator sees everything, including many things that shouldn’t be seen, while brothers and sisters, parents and theatrical older cousins fill the hot days with wine and tennis and sailing and planning a wedding. Enter two brothers, the sons of a fading film actress—irresistibly charming, languidly sexy Kit and surly, silent Hugo. Suddenly there’s a serpent in this paradise, and the consequences will be devastating. In a propulsive narrative carrying intrigue and a growing sense of unease, Meg Rosoff, best-selling author of the iconic How I Live Now, offers a summer tale of innocence lost that will find its place among the classics of young adult literature.
- LanguageEnglish
- PublisherCandlewick Press
- Publication dateApril 13, 2021
- Reading age14 - 17 years
- Grade level9 - 12
- File size4419 KB
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Editorial Reviews
Review
—Booklist (starred review)
While the title may hint at The Great Gatsby and its charismatic protagonist, the keenly self-aware book has much stronger connections to classic British coming-of-age novels such as Dodie Smith’s I Capture the Castle, wherein the affectionate, sharply observed family characterization and the atmosphere play roles as large as any romantic element. . . . There’s enough tension here that readers may hope for a ramp-up into full thriller, but the story moves toward a different kind of satisfying conclusion, with victory lying in an unpredictable tennis match and the ability to preserve the possibilities of future summers.
—Bulletin of the Center for Children's Books (starred review)
A London teen recounts the summer that tore the family apart... Through the narrator’s keen observations, made more poignant in hindsight and through sarcasm, readers view the twisting and turning development of Kit’s manipulation. Although slim, Rosoff’s taut, psychological story elicits a slow burn, leaving readers wondering how far and wide Kit’s power will extend through the family. It’s all just the beginning of the narrator’s loss of innocence. A searing coming-of-age novel.
—Kirkus Reviews
Through an unnamed, ungendered teen’s sharp eye and knowing narration, Printz Medalist Rosoff tells a dryly humorous story of summer and love gone awry. . . Between Mal and Hope’s wedding planning, the Godden brothers’ tensions, and Kit’s erratic attentions, the summer darkens, leading this effective character study and depiction of childhood’s end to a surprising climax.
—Publishers Weekly
Meg Rosoff's The Great Godden is a first-rate coming-of-age novel told by an astute and appealing unnamed narrator over the course of one uncharacteristically fraught seaside summer. . . . The Great Godden is filled with equal parts drama and reflection, delivering a riveting novel of love and betrayal that is deftly and elegantly written.
—Shelf Awareness
The predictable pleasures of a family’s holiday implode when two brothers—one brooding, one charming—come to stay. A taut page-turner.
—People Magazine
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Everyone talks about falling in love like it’s the most miraculous, life-changing thing in the world. Something happens, they say, and you know. You look into the eyes of your beloved and see not only the person you’ve always dreamed you’d meet, but the you you’ve always secretly believed in, the you that inspires longing and delight, the you no one else really noticed before.
That’s what happened when I met Kit Godden.
I looked into his eyes and I knew.
Only, everyone else knew too. Everyone else felt exactly the same way.
2
Every year when school ends we jam the car full of
indispensable junk and head to the beach. By the time six people have crammed their bare essentials into the car, Dad says he can’t see out the windows and there’s no room for any of us, so half of everything is removed but it doesn’t seem to help; I always end up sitting on a tennis racket or a bag of shoes. By the time we set off, everyone’s in a foul mood.
The drive is a nightmare of shoving and arguing and Mum shouting that if we don’t all pipe down she’s going to have a breakdown and once a year Dad actually pulls over to the side of the road and says he’ll just sit there till everyone shuts the fuck up.
We’ve been coming to the beach since we were born, and on the theory that life existed even before that, Dad’s been coming since he was a child, and Mum since she met Dad and gave birth to us four.
The drive takes hours but eventually we come off the motorway and that’s when the mood changes. The familiarity of the route does something to our brains and we start to whine silently, like dogs approaching a park. It’s half an hour precisely from the roundabout to the house and we know every inch of landscape on the way. Bonus points are earned for deer or horses glimpsed from car windows or an owl sitting on a fence post or Harry the Hare hopping down the road. Harry frequently appears in the middle of the road on the day we arrive and then again on the day we leave — incontrovertible proof that our world is a sophisticated computer simulation.
There’s no such thing as a casual arrival. We pull into the grass drive, scramble out of the car, and then shout and shove our way into the house, which smells of ancient upholstery, salt, and musty stale air till we open all the windows and let the sea breeze pour through in waves.
The first conversation always goes the same way:
MUM (dreamy): I miss this place so much.
KIDS: So do we!
DAD: If only it were a little closer.
KIDS: And had heat.
MUM (stern voice): Well, it’s not. And it doesn’t.
So stop dreaming.
No one bothers to mention that she’s the one who brings the subject up every time.
Mum’s already got out the dustpan and is sweeping dead flies off the windowsills while Dad puts food away and makes tea. I run upstairs, open the drawer under my bed, and pull on last summer’s faded sweatshirt. It smells of old house and beach and now so do I.
Alex is checking bat-box cameras on his laptop and Tamsin’s unpacking at superhuman speed because Mum says she can’t go down to see her horse until everything’s put away. The horse doesn’t belong to her but she leases him for the summer and would save him in a fire hours before she’d save any of us.
Mattie, who’s recently gone from too-big features and no tits to looking like a sixteen-year-old sex goddess, has changed into sundress and wellies and is drifting around on the beach because she sees her life as one long Instagram post. At the moment, she imagines she looks romantic and gorgeous, which unfortunately she does.
There’s a sudden excited clamor as Malcolm and Hope arrive downstairs to welcome us to the beach. Gomez, Mal’s very large, very mournful basset hound, bays at the top of his lungs. Tamsin and Alex will be kissing him all over, so really you can’t blame him.
Mal clutches two bottles of cold white wine and while everyone is hugging and kissing, Dad mutters, “It’s about time,” abandons the tea, and goes to find a corkscrew. Tam hurls herself at Mal, who sweeps her up in his arms and swings her around like she’s still a
little girl.
Hope makes us stand in order of age: me, Mattie, Tamsin, and Alex. She steps back to admire us all, saying how much we’ve grown and how gorgeous we all are, though it’s obvious she’s mainly talking about Mattie. I’m used to being included in the gorgeous-Mattie narrative, which people do out of politeness. Tam snorts and breaks rank, followed by Alex. It’s not like we don’t see them in London, but between school and work, and what with living in completely different parts of town, it happens less than you might think.
“There’s supper when you’re ready,” Hope calls after them.
Dad wipes the wineglasses with a tea towel, fills them, and distributes the first glass of the summer to the over-eighteens, with reduced rations for Mattie, Tamsin, and me. Alex reappears and strikes like a rat snake when Hope leaves her glass to help Mum with a suitcase. He downs it in two gulps and slithers away into the underbrush. Hope peers at the empty glass with a frown but Dad just fills it again.
Everyone smiles and laughs and radiates optimism. This year is going to be the best ever — the best weather, the best food, the best fun.
The actors assembled, the summer begins.
Product details
- ASIN : B08LKNRK6B
- Publisher : Candlewick Press (April 13, 2021)
- Publication date : April 13, 2021
- Language : English
- File size : 4419 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 209 pages
- Page numbers source ISBN : 1536215856
- Best Sellers Rank: #1,135,176 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Meg Rosoff was born in Boston, educated at Harvard and St Martin’s College of Art, and worked in New York City for ten years before moving to London permanently in 1989. She worked in publishing, politics, PR and advertising until 2004, when she wrote her first novel, How I Live Now, which won the Guardian Children’s fiction prize (UK), Michael L Printz prize (US), the Die Zeit children’s book of the year (Germany) and was shortlisted for the Orange first novel award. Her second novel, Just in Case, won the 2007 Carnegie Medal. Meg’s latest book is The Bride’s Farewell. She lives in London with her husband, daughter and two very hairy dogs.
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Summer begins as it does every year for the family of six. They arrive at their seaside home, reconnect with cousin Hope and her longtime partner and now fiancé. Plans are made for lazy days of swimming, sailing, sketching, and horseback riding.
Also on the agenda is wedding planning for Hope and Malcom. But this year, Hope’s famous American godmother drops off her two sons to join the family. Kit is the handsome, charismatic young man who charms everyone. Hugo is brooding and aloof and only connects awkwardly with the narrator who is the oldest of four teens. Kit begins a controlling relationship with sixteen year old Mattie, then we witness the deceit and manipulation that unfolds in slow motion until everything the family knows is changed.
The Great Godden is narrated by the oldest teen, but the reader is never given the name or gender of the storyteller. The narrator simultaneously loses their innocence while slaying the reader with sharp wit and on-point sarcasm. This is a moody and compelling examination of the power of a toxic personality and we can only watch while a slow burn erupts in flames.
When the two brothers arrive they are as different as night and day. Kit is a good looking and right away charms everyone. On the other hand Hugo is quite and wants nothing to do with anyone. But, never judge a book by the cover...as the summer unfolds deceit and devastating events will surely change everyone's mind.
This story is a true coming of age tale; filled with all of the unsureness and emotional feelings of adolescence and adulthood!
Top reviews from other countries
I wonder why it's sold as Young Adult fiction though? I'm allergic to this kind of genre-ing of books anyway - a good book is a good book - and this, like its most apparent and brilliant predecessor, Dodie Smith's 'I Capture the Castle', is a book for everyone. If you loved that (and who didn't?) you'll love this.
The characters here are beautifully drawn, each with their own distinct personality. The first person narrative comes from one of the children, unnamed and undescribed, adding an air of mystery. The voice is authentic though with bags of young adult attitude and some acute observations on life and other people, many of which will resonate – the description of pony club girls made me laugh out loud.
A sense of unease starts to develop from about half way through and this is confirmed by a, not entirely unexpected, twist. Where this really scores is in the atmosphere that it builds and the writing, which has a literary feel but without resort to purple prose, perfect for a coming-of-age story. Wise, witty and just a tad unsettling.