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What Are You Doing Here?: A Black Woman's Life and Liberation in Heavy Metal Paperback – January 8, 2013

4.4 4.4 out of 5 stars 92 ratings

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Laina Dawes is not always the only black woman at metal shows, and she's not always the only headbanger among her black female friends. In her first book, the Canadian critic and music fan questions herself, her headbanging heroes, and dozens of black punk, metal, and hard rock fans to answer the knee-jerk question she's heard a hundred times in the small clubs where her favorite bands play: "What are you doing here?"
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Editorial Reviews

Review

"In her debut book, music journalist and hardcore metal devotee Laina Dawes uncovers black women’s voices and stories of participation in punk and metal."—Vice


"How exciting is this? The book tackles the good, the bad and the ugly sides of being a black woman in the metal and punk scenes."—Afropunk.com


"A fantastic book"—AOL Noisecreep


"Thoughtful and inspiring"—Publishers Weekly


"As journalist Laina Dawes has investigated in her 2012 book What Are You Doing Here?, women of colour have been especially marginalised by heavy metal's hyper-masculine, white-dude culture."—The Guardian


"Dawes uses her sociological smarts to remind us that metal isn't just disenfranchised white dudes' music... it's a way for all of us on the outside to feel the power."—Revolver [4/5 stars]


"Excellent"—About.com


"Essential reading for those who have never felt the blow of intolerance, and for those who have felt it far too often...its themes are universal"—PopMatters


"As the title suggests, Dawes has a compellingly idiosyncratic tale to tell about cultural identity and personal passion…[her] understandable difficulty is precisely what makes her struggle interesting."—The Atlantic


"Dawes has done the metal scene a great service...an important addition to every metal fan’s bookshelf"—MSN.com


"Laina Dawes’ What Are You Doing Here? is a strikingly more powerful, penetrating, and passionate look at metal than the one written by the guy [Tony Iommi] who arguably invented the genre...brave, engaging, and unique"—The Onion A/V Club


"While the book is extensively researched and brings in a broad array of opinions from musicians, fans and academics, the most resonant moments can be found within Dawes' own history."—Spinner


"Insightful and provocative."—NOW Toronto


"The book is half love letter to both black women who have paved the way and continue to pave the way, as well as the music that brought them there, and half unflinching real talk of the all unfortunate actualities of the casual to the not-so-casual racism that is embedded with the scene."—Persephone Magazine


"This book needs to be mandatory reading for every new metal head."—Metal Army America


"A wonderfully intimate memoir...critical insight abounds"—Philadelphia City Paper


“The women presented in What Are You Doing Here? are courageous, honest and without pretense—just like the best metal that ultimately unites them.”—Albert Mudrian, editor-in-chief, Decibel


"An intriguing reminder of how much we all want, need and deserve to belong to something that stimulates and validates us."—Terrorizer


"Dawes tells an important story well and gives voice to the many black girls and women who are brave enough to let themselves be different."—LEO Weekly


"She presents metal as a source of joy, an outlet for negative emotions, a physical release and catharsis. It is also an opportunity to embrace something that Dawes, and the women she interviews, love intensely, and therefore is also the narrative of the triumph of truth and happiness over the pressure of public perception."—Toronto Standard


"Dawes brings a lot of experience, clear and concise writing and good journalism, and while she doesn’t have any long-term solutions for bridging these deep and unfortunate valleys—through no fault of her own—she has still introduced the first step, which is opening our eyes and starting a dialogue."—SLUG


"Jimi Hendrix is a god of rock guitarists, Living Color’s Vernon Reid is considered the elder statesman of guitarship, and Laina Dawes is the cool-ass aunt of heavy metal."—Racialicious

About the Author

Laina Dawes is a music and cultural critic and opinion writer from Toronto, Canada. She is an active public speaker and contributor to CBC Radio, current affairs columnist for Afrotoronto.com, and contributing Editor (for race, ethnicity and culture) for Blogher.org.

Skin formed Skunk Anansie in 1994, releasing the albums Paranoid and Sunburnt, Stoosh, Post Orgasmic Chill, Wonderlustre, and Black Traffic. She has provided vocals for albums by Sevendust, Tony Iommi, and a number of soundtracks. Skin is also a DJ, and she currently resides in London.

Product details

  • Publisher ‏ : ‎ Bazillion Points; Illustrated edition (January 8, 2013)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 224 pages
  • ISBN-10 ‏ : ‎ 1935950053
  • ISBN-13 ‏ : ‎ 978-1935950059
  • Item Weight ‏ : ‎ 12.7 ounces
  • Dimensions ‏ : ‎ 6 x 0.5 x 8.75 inches
  • Customer Reviews:
    4.4 4.4 out of 5 stars 92 ratings

Customer reviews

4.4 out of 5 stars
4.4 out of 5
92 global ratings

Top reviews from the United States

Reviewed in the United States on March 1, 2014
The title is what it says, and it's a great read. Well-written, interviews with known and not-so-well known artists about the experience of being Black and loving Heavy Metal as listeners, players and concert-goers. Like Heavy Metal itself, the book is brutally honest, and some of the experiences are not pretty. It explores the the cultural effects not just between Black and White, but how Blacks view other Blacks who like something other than Hip Hop and R&B. It's a deep and interesting read for those who appreciates and respects everyone who loves the music, written by someone on its front lines as a writer and photographer.
4 people found this helpful
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Reviewed in the United States on September 5, 2014
As a African American I immediately bonded and felt every word of this excellently crafted book and haven't stopped recommending it to every one It is so well written and thoughtful into the insight into a little exposed scene inside a growing group of over looked music lovers who know had Chuck Berry & Hendrix never plug in there would be no metal as we know it today.
2 people found this helpful
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Reviewed in the United States on August 6, 2016
Great thesis with a mediocre execution. This is perhaps the first book of its kind that examines, in depth, the experience of Black women in Heavy Metal, which makes it important. Her writing style and the way she organizes thoughts lacks maturity and exposes how unseasoned she was at this point in her career as an author. The themes are so repetitive that they become a series of exhausting mantras that beat you about the head as you read the book. By the time you're two thirds through, you want the experience of reading this to be over regardless of how important the content is. She did, however, do good work by exposing readers to artists like Skunk Anansie, and the book is worth skimming just to check out the bands and artists specifically mentioned.

Having met the author and interacted with her extensively, it's fair to say that from her point of view she sees herself as the leading expert on any topics pertaining to race in heavy music, acts as though she has cornered the market on dialog in this arena, and is threatened by anyone else doing research in this very specific area. She perceives opinions from white people, other black people, and men that are not in lock step with hers as wrong and goes out of her way to make them know their opinions are not valued. Her bullying, when confronted with differing opinions in the real world, is contrary to the way she paints herself as a constant victim of racism and otherness in her writing. Laina also has an opportunistic streak and has used the deaths of major figures like David Bowie as a platform to race bait conversations and promote her personal politics and work.
5 people found this helpful
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Reviewed in the United States on February 6, 2017
Great perspective, a lot of gender race issues in Metal and punk music makes you wish that everyone could really be free to listen to what they want to.
2 people found this helpful
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Reviewed in the United States on January 10, 2024
This was a gift. It came in perfect condition. Promot delivery.

A+++
Reviewed in the United States on April 17, 2013
As a former rock critic who dealt with the dearth of black rock bands in general, I felt as if Laina was telling my life story as I read this book. As a black woman in the rock world, I found myself fighting very hard to be taken seriously, even though I worked for one of America's largest and best newspapers. The fact that the story has changed so little all these years later makes me sad, but the fact that Laina and several other strong black female musicians are fighting the good fight--and winning, in some cases--makes me proud. This is topic that needs to be discussed, and this book is leading that discussion. It's a clarion call to all black rockers everywhere--but especially to the women who dare to blaze new trails. Beautiful book!
17 people found this helpful
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Reviewed in the United States on July 15, 2014
I found this book reading about women in heavy metal. The subject intrigued me, as a white woman and fan of heavy metal I knew what kind of suspicion and exclusion I have felt in the scene so I couldn't imagine what it might be like for women of color. It was an incredible journey and really opened my eyes to things going on in my own scene. Once my attention was brought to the sexism and prejudice in the scene it seemed really obvious. Every fan who calls them self a devotee to the hard rock, punk, hardcore or heavy metal scene should read this. All of us.
11 people found this helpful
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Reviewed in the United States on September 12, 2020
Reading this book blew me away because I never knew there was so many black women into metal. We went the the same BS just for b ing diffent. Like the women in the book, I too was ostracized, called an Oreo and whatnot. It used to bug me when I was younger. Now put put up my horns with pride. #proudmetalhead
3 people found this helpful
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Top reviews from other countries

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Auriane JEAN-LAURENT
5.0 out of 5 stars très intéressant
Reviewed in France on October 16, 2016
Livre très intéréssant qui traite d'une sujet peu discuté dans la scène Heavy Metal, à savoir ce que c'est d'être une femme noire dans un milieu très majoritairement masculin et blanc, avec une historique du genre en début du livre. J'ai pu découvrir de nouvelles artistes grâce à ça.
Sarah Tipper
5.0 out of 5 stars A book that will stay with me long after I’ve closed its cover.
Reviewed in the United Kingdom on August 9, 2016
I personally can’t know what it’s like to be a black woman going to metal shows in North America, because I’m not one and I don’t live there. However, I can get a good idea of the experiences of this group of women from Laina Dawes who writes with an academic air about her own experiences and those of other women who filled in her questionnaires or spoke to her. Dawes makes the point that in order to have a reasoned argument you need to do so calmly and in the right tone. Because of this there is nothing preachy or argumentative in this book, but there is a lot to think about and challenges to viewpoints. There is some interesting and non-sensationalist discussion of Phil Anselmo. If you like metal and Sociology/Women’s Studies then this book is for you. I had lots of moments of a feeling of metal community when she was writing about bands I love. It’s the sort of book that will stay with me long after I’ve closed its cover. It’s already made me think about my own (fictional heavy metal) writing and about the characters I include and omit.
Laurent
5.0 out of 5 stars Five Stars
Reviewed in Canada on October 26, 2014
Great book
James
5.0 out of 5 stars Excellent writing, thoroughly researched
Reviewed in the United Kingdom on October 9, 2017
I was trying to think of a particular type of person to recommend it to but honestly this is a book anyone can glean something from. This is a book that will stick with me for a long time. If you find yourself on the fence about buying it, do yourself a favour and go for it.
Annelies
5.0 out of 5 stars Excellent narrative from an unusual perspective
Reviewed in France on February 6, 2013
I was so happy to read an account from the margins of heavy metal - really fascinating to see how someone who is aware of how she doesn't quite fit recounts this, and by doing so, gives us a fresh perspective on music as politics, the politics of musical taste, etc.