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Out of Exile
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Out of Exile
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Track Listings
1 | Your Time Has Come |
2 | Out Of Exile |
3 | Be Yourself |
4 | Doesn't Remind Me |
5 | Drown Me Slowly |
6 | Heaven's Dead |
7 | The Worm |
8 | Man Or Animal |
9 | Yesterday To Tomorrow |
10 | Dandelion |
11 | #1 Zero |
12 | The Curse |
Editorial Reviews
Product Description
The follow-up to Audioslave's self-titled 2002 debut features the single "Be Yourself. Recorded with producer Rick Rubin, who also helmed their debut CD. Among the other songs slated for inclusion are: "Doesn't Remind Me", "Out of Exile", "The Curse", "#1 Zero" and "Your Time Has Come". Interscope. 2005.
Amazon.com
In what was widely predicted to be a short-lived supergroup/side-project, Audioslave has instead gratifyingly yielded a bonafide band. The follow-up to their promising, if not quite artistically congealed '02 debut finds singer/songwriter Chris Cornell contributing a slate of songs that would have done his former Soundgarden proud, while guitarist Tom Morello and his former Rage Against the Machine bandmates cast them in a focused rhythmic groove that suggests that the old school can still yield a timely lesson or two. Cornell's best songs may still lurk in the shadows (the funeral hypno-blues of "Heaven's Dead," the martial metal of antiwar opener "Your Time Has Come," "The Worm" as anthem for self-loathing), yet they're now brightened with such surprisingly sunny fare as "Dandelion," "Doesn't Remind Me"'s charged, existentialist daydream and even a hook-rich, dangerously optimistic back-to-the-future power ballad in "Be Yourself." Morello's work on the title track and elsewhere is a study in taste and less-is-more efficiency, a telling hint of how forcefully these iconic '90s stars have sublimated their egos as their new music has blossomed; who said there are no second acts in American (rock) lives? --Jerry McCulley
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.88 x 5.59 x 0.47 inches; 3.25 ounces
- Manufacturer : Interscope / Epic
- Item model number : 2073493
- Original Release Date : 2005
- Date First Available : September 2, 2000
- Label : Interscope / Epic
- ASIN : B00097DX3U
- Number of discs : 1
- Best Sellers Rank: #13,365 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #151 in American Alternative Rock
- #186 in Alternative Metal (CDs & Vinyl)
- #233 in Pop Metal (CDs & Vinyl)
- Customer Reviews:
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At a critical (and often tricky) time in a band's career, Audioslave have pulled through and released "Out of Exile," and album which is very solid. Some critics say it sounds too much like Soundgarden, but I disagree; I think Audioslave have their own sound-one which is very unique. I didn't realize it earlier in his career, because I'm not a big Soundgarden fan, but I know now that Audioslave also have a really good singer. It's hard not to notice that, as he croons, mewls, hums, and sings cleanly, that his voice is very tuneful and that he can carry a melody about as well as any singer.
"Your Time Has Come" has a groovey opening riff which is kind of similar to that of the previous Audioslave tune, "Cochise." This song's verses flow well into the choruses, which are very catchy.
"Out of Exile" has beeping guitars and gentle singing in the verses. The choruses are a little bit heavier (which is typical with this album), and a nice (albeit fairly short) guitar solo is included near the end.
"Be Yourself" begins with some light guitar strumming, but then it turns to a catchy, dwindling/twinkling guitar noise. Chris' voice remains restrained throughout this song, which might be the catchiest song on the album, and it also has a good, wah-wah guitar solo.
"Doesn't Remind Me" is a surprise choice for the third single. It has more catchy strumming and a lightly thumping drum beat, but it doesn't have anything that makes it really radio ready. It does have a great guitar solo, however; a solo which might be the album's best.
"Drown Me Slowly" is a bit heavier than its previous songs, with some crunchy riffs and a guitar solo which vaguely reminds me of the RATM classic "Bulls on Parade."
"Heaven's Dead" has more good crooning my Chris, but, musically, this song is nothing new. It's more of the same guitar strumming and drum beats. Fortunately, this song's beat does gain a bit of momentum.
"The Worm" has mostly spacey guitar noise. The most memorable part of this song, though, is the chorus, when it jumps in volume and Chris raises his voice to a semi-shout.
"Man or Animal" has fast, stop-start riffs, fast drumming, and a small, beeping guitar solo.
"Yesterday To Tomorrow" has guitar noise and singing in the verses, making this song sort of remind me of "Like a Stone." This song's chorus, however, has spacey, echoing vocals.
"Dandelion" is musically nothing different from any of the other tracks. It begins with a humming bass line and some guitar strumming which turn to crunchy riffs. Fortunately, the song's chorus is very catchy; Chris sings "hooo" melodically.
"#1 Zero" has spacey, echoing guitar strings and more good singing. I enjoy this song, though, because I like how Chris raises his voice in the middle of a word. I also appreciate the two-part, 20 second guitar solo.
Finally, "The Curse" is kind of forgettable. It's about all the same pace, and nothing really stands out to the listener.
"Out of Exile" doesn't quite detonate like Audioslave's debut. It may be because this album doesn't have any songs like "Set It Off," or it may be because Tom doesn't get as many opportunities to wail and rock profusely, or it could be that Chris doesn't stretch his pipes as much. But, for whatever reason, this album isn't quite as explosive.
Fortunately, this album's pros outweigh its cons. This is still a good record, and I recommend it to everybody, especially those of you who liked Audioslave's first album. "Out of Exile" is probably 2005's best alt metal/rock album. And, with this album, it's safe for me to say that Audioslave are probably one of the best rock bands of the new millennium, and they are definitely one of the most surprising.