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Blunderbuss

LP

Jack White Format: Vinyl
4.7 4.7 out of 5 stars 1,328 ratings
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Track Listings

Disc: 1

1 Missing Pieces
2 Sixteen Saltines
3 Freedom At 21
4 Love Interruption
5 Blunderbuss
6 Hypocritical Kiss
7 Weep Themselves To Sleep

Disc: 2

1 I'm Shakin'
2 Trash Tongue Talker
3 Hip (Eponymous) Poor Boy
4 I Guess I Should Go To Sleep
5 On And On And On
6 Take Me With You When You Go

Editorial Reviews

Vinyl LP. "Blunderbuss" is White's first official solo album, and it comes five years after The White Stripes' last. In the meanwhile, the man has not sat still: he's been making music with The Raconteurs, Dead Weather, Third Man Records, and many others. This solo outfit is quieter than his other endeavors: there's gentler blues, softer guitars, and cool touches of the electric piano. There's lots of acoustic, given that Meg is missing at the drums. This album is, if not in so many words, most about divorce: each song is tinged with the sadness of failed love and the pain it leaves behind. Even so, it's sweet and full of warm melodies that stay in the mind and heart to stir up as much joy as they do pain. If you're a Stripes continuant, this album should be in your collection.

Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • Product Dimensions ‏ : ‎ 12.26 x 12.48 x 0.33 inches; 1.05 Pounds
  • Manufacturer ‏ : ‎ Legacy Recordings
  • Item model number ‏ : ‎ 88691959931
  • Original Release Date ‏ : ‎ 2012
  • Run time ‏ : ‎ 42 minutes
  • Date First Available ‏ : ‎ March 18, 2012
  • Label ‏ : ‎ Legacy Recordings
  • ASIN ‏ : ‎ B007LYB0PC
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 1,328 ratings

Customer reviews

4.7 out of 5 stars
4.7 out of 5
1,328 global ratings
Wanted Jack White, Got Adele...
1 Star
Wanted Jack White, Got Adele...
Opened record (which was shrink wrapped) and in original packaging and instead of Blunderbuss inside was "25" by Adele.
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Top reviews from the United States

Penny Hamilton
5.0 out of 5 stars FANTASTIC
Reviewed in the United States on February 5, 2024
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expect no less
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The Dagda
5.0 out of 5 stars I Enjoy This Album Greatly Even If It is Not White Stripes
Reviewed in the United States on June 27, 2017
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Jack White’s 2012 album Blunderbuss is a humdinger. I don’t think I can surpass the fervor of some of the other reviews so maybe I can sum up more completely. Jack’s eclectic influences are on display on Blunderbuss but so is his originality. The varied music and songcraft on this album are many things: diverse, innovative, clever, intelligent, quirky, rocking, aggressive, subdued, subtle, funny, melancholy and accomplished, to name just a few things; in short there is something on here for many of the moods you might find yourself in. Blunderbuss is both exceedingly retro and thoroughly modern. Jack’s playing is outstanding as is that of the supporting cast of musicians. All songs are written by Mr. White save one cover: I’m Shakin’ (originally by: Little Willie John, written by: Rudy Toombs) which fits in with the other incongruent material that is somehow totally cohesive when taken as a whole. I for one miss Meg’s rhythmically fluid drumming (which I have always thought was intentional and nicely set her apart from the more common metronomic drummers); but this to me is a worthy successor and addendum to the White Stripes’ legacy. I think if you are a fan of the White Stripes this album should at least make a favorable impression. Advisory warning: If you are one of those folks that does not appreciate Jack White’s voice or guitar playing then this album will be unlikely to change your mind.

Sound quality is outstanding for a multitrack recording with punchy lows, extended highs (not ear-shredding), and immediate sounding mid-range frequencies. No ridiculous over-use of compression here so it has extended dynamic range (not all sounds loud and in your face at all times). With a nice mix that showcases both acoustic and amplified instruments and places vocals just right. Good stereo separation, and ambiance (seems to be both artificial and natural). Kudos to the engineers and the producer. The vinyl is beautifully pressed and is very quiet. With exemplary quality control. This is a good example of why vinyl lovers prefer vinyl.

Packaging is absolutely top notch: great photography and layout, quality printing on nice cardstock, a gatefold presentation even with just one record, a black paper plastic lined sleeve (appears to be anti-static plastic), a separate folding lyric sheet, and a download card is included. Jack is offering a premium product to entice people to splurge on a superior format and I certainly appreciate it.
11 people found this helpful
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Charles A. Giger III
5.0 out of 5 stars Excellent transaction!
Reviewed in the United States on June 5, 2012
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Jack White
Bluderbuss
Third Man/Columbia
''''
It's with good reason Jack White's debut solo effort spent the first couple weeks on top of the Billboard chart. He really stepped up his songwriting skills with the studio of musicians he had. Courtesy of Wu Tang's RZA absence at the time the session players were on the clock. So, Jack White just started ripping out on tunes and put the lot of them to work. This is also white's debut release on his Third Man Records, based in Nashville, TN. While, not being the guitar-driven album many White Stripe fans would expect. This album's more about the songs, and White spends a lot of studio time banging on the piano, his second favorite passion. Almost reminiscent of Get Behind Me Satan, which may have been a little premature for The White Stripes. But, nessecary for the growing and maturing process.
The first single is an acoustic ditty titled "Love Interruption," and is complete with soul, and great accompanying vocals by Ruby Amanfu. It's simple but in depth at the same time. The true mark of brilliance in creating melodies. The title track has really got the music environs of Nashville being absorbed by the lofty melody. It also clearly reveals White's superb story-telling skills. He pulls you further into his intentions and intimate mental notes.
Like "Wild Orchid" on the aforementioned Get Behind Me Satan, "Sixteen Saltines" is the big rock-hook number. Would even be a solid track for the next single. It's tight, concise and hits hard on the head. The lead break in "Freedom At 21" is some of White's most inspired work, and he seems to be able to manipulate that lead break with some slick little Pro-Tool's program. It's just enough, not being over the top.
Gigz Giger
2 people found this helpful
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J. Loudon
4.0 out of 5 stars Jack White: No Restrictions
Reviewed in the United States on June 14, 2012
Verified Purchase
Jack White has one of the largest shadows in music today. Between his work with The White Stripes, The Raconteurs, and The Dead Weather, his guest vocal appearances with the likes of Danger Mouse and The Rolling Stones, his production and composition work for a host of notable artists, and his own record label, Third Man Records, it's a wonder how he ever has time to sleep. With each project he becomes a part of, however, his shadow grows and comparisons to his past successes are more and more inevitable.

Since the formation of The White Stripes in 1997, Jack White has become a musical icon. His gritty, minimalist style with blues, punk, and rock influences has added even more variety since moving to "Music City," Nashville, TN in 2005. With "Blunderbuss," he finally has the chance to let his creative juices flow without being held to the constraints of a single project. The result is easily the most diverse album he has ever been a part of which also means there is less of a defined direction to the album than past releases.

Opening with "Missing Pieces," Jack White opens up about his experiences with women; including his recent divorce from Karen Elson. As a Rhodes organ presses him onward, White poetically declares "sometimes someone controls everything about you and when they tell you that they just can't live without you, they ain't lyin', they'll take pieces of you." Lyrically, "Blunderbuss" contains some of Jack White's finest work to date, but most of the edgy guitar riffs that put him on the map to begin with are replaced with laid-back analog grooves and an expanded instrumentation.

One of the few throwback moments for Jack White occurs on the album's second single, "Sixteen Saltines." Thanks to White's nearly shouted vocal delivery and heavily distorted guitar, "Sixteen Saltines" is sure to be the highlight of the album for anyone still mourning the announcement that The White Stripes are officially finished.

Although fans of The White Stripes may get preemptively excited for the remainder of "Blunderbuss" after hearing "Sixteen Saltines," Jack White did his best to quell their expectations by not releasing it as the lead single. Fans' first taste of the record, titled "Love Interruption," is a complete departure from White's past projects. Although White has had his quieter moments in the past, "Love Interruption" is almost entirely acoustic with White taking on a much less angst-driven persona. Nashville singer-songwriter Ruby Amanfu even offers a distant, wavering accompaniment to Jack White on the calm flow of the track.

As "Blunderbuss" takes shape, the Nashville influence on White becomes more and more apparent. From the pedal-steel of the title track to the violin, harp, and honkey-tonk piano mixed into the remainder of the record, there is far more of a country vibe heard here than on any Raconteurs album. "Hip Eponymous Poor Boy" and "I Guess I Should Go to Sleep" both sound as if they could be playing in the background of a saloon out west with only White's signature voice to remind us of the song's creator. When mixed in with the hard rock track "Freedom at 21" and the classic blues tune "I'm Shakin'," the album loses some of the flow that made all of White's past projects such enjoyable listens straight through, but there's nothing wrong with a little variety.

Before its release, "Blunderbuss" seemed to be flooded with 5-star reviews and unanimous praise from critics. Although it is an excellent record, "Blunderbuss" is not without flaws. "On and On and On" lives up to its name by quickly dragging the close of the album to a crawl. The final track "Take Me With You When You Go," brings a bit of the lost energy back, but the odd vocal harmonization and random instrumental breaks all feel out of place, even on such a mixed bag as "Blunderbuss." This leaves the end of the record somewhat disappointing, even for listeners with a completely open mind going into it.

On "Blunderbuss," Jack White purges his brain of a multitude of ideas; weaving a variety of styles, influences, and instruments together. Thanks to some clever lyrics and a knack for lively mixes, the end result works surprisingly well. Sure, there may be a few bumps in the road, but for fans of any of Jack White's past projects, "Blunderbuss" is a must-own.

Track Suggestion: "Sixteen Saltines"
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Top reviews from other countries

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Amazon Customer
5.0 out of 5 stars A gift for my son.
Reviewed in Canada on March 1, 2024
Verified Purchase
It was exactly what he wanted and he got it on time.
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O. L.
5.0 out of 5 stars Maestro de la distorsión 👌🏻
Reviewed in Mexico on July 26, 2020
Verified Purchase
Es un álbum con calidad de Jack White 🎸Tracks que incluyen riffs sumados al piano, o canciones tranquilas para disfrutar la voz de JW III, y que todas en conjunto crean un álbum digno de escuchar. Me gustó, me gustó, y recomiendo escucharlo al menos un trío de veces.
One person found this helpful
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The Toad
5.0 out of 5 stars Un capolavoro
Reviewed in Italy on February 14, 2015
Verified Purchase
Jack White, ancora una volta mostra il suo genio musicale in questo album.
Ogni accordo ed ogni ritmica sono puro piacere per le orecchie e il corpo (che fa fatica a non muoversi su alcuni brani).
I testi magnifici, combinano il lato dark della vita con una satira acida del costume comune di una societa ipocrità il tutto ricoperto da un velo di auto derisione.
Se amate il Rock 'n' Roll, Jack White è uno dei suoi profeti.
4 people found this helpful
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Andrew Sweeney
5.0 out of 5 stars Explosive solo debut
Reviewed in the United Kingdom on December 31, 2012
Verified Purchase
I admit, I was very sad when The White Stripes split up. I'd loved much of their output over the years and wondered what musical direction Jack White would wander in now he had the creative freedom to release whatever he liked under his name. It was with great relief and pleasure that I heard Blunderbuss for the first time and found the kind of music I'd come to know and love from him shaking the speakers. With a fuller sound, almost like a cross between The White Stripes and The Raconteurs, Jack's solo début easily stands alongside the very best of his output. The beautifully raucous bluster of Sixteen Saltines is an instant classic, Freedom At 21, with its squealing, duelling guitars is irresistible and Hypocritical Kiss, one of my favourite tracks on the album is resplendent with shuffling beats and tinkling, cascading bar room piano. In fact, the piano plays almost as big a part as the guitar on this album, probably the biggest change of focus from the White Stripes sound you could put your finger on. This is a seriously good album and Jack White's army of fans surely can't be disappointed. He was right, though - The concept of The White Stripes had to go, Meg had to go, everything had to go apart from Jack. This is the only way he could have gone forward as an artist and, as statements of artistic freedom go, this is one of the most profoundly brilliant and enjoyable you will ever hear.
2 people found this helpful
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Ensemble Organum
5.0 out of 5 stars Es Jack White
Reviewed in Spain on June 17, 2012
Verified Purchase
¿Hace falta añadir algo más? Él solo se las está apañando estos últimos años para hacer que el rock con raíces, ese que viene directo del blues, siga vivo. Desde The White Stripes (todo un monumento a la música su discografía) pasando por The raconteurs y The dead Weather hasta que ya sin máscaras firma con su nombre y lo que le queda. Y es que es una voz y una guitarra necesarias. Recemos para que le queden muchas cosas por decir y para que se acerque algún día a tocar por aquí.
La edición, como todas las de su sello, Third Man, está cuidadísima y el disco suena impresionante, se nota que le gusta cuidar las ediciones en vinilo.
¡El rey ha vuelto!
4 people found this helpful
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