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The Great Gatsby (Blu-ray)

4.7 4.7 out of 5 stars 28,137 ratings
IMDb7.2/10.0

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August 27, 2013
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Genre Drama
Format Widescreen, Blu-ray, NTSC
Contributor Joel Edgerton, Jason Clarke, Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Baz Luhrmann, Isla Fisher, Elizabeth Debicki See more
Language English
Runtime 142 minutes

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Product Description

Great Gatsby, The (Blu-ray)

The Great Gatsby” follows would-be writer Nick Carraway as he leaves the Midwest and comes to New York City in the spring of 1922, an era of loosening morals, glittering jazz, bootleg kings, and sky-rocketing stocks. Chasing his own American Dream, Nick lands next door to a mysterious, party-giving millionaire, Jay Gatsby, and across the bay from his cousin, Daisy, and her philandering, blue-blooded husband, Tom Buchanan. It is thus that Nick is drawn into the captivating world of the super rich, their illusions, loves and deceits. As Nick bears witness, within and without of the world he inhabits, he pens a tale of impossible love, incorruptible dreams and high-octane tragedy, and holds a mirror to our own modern times and struggles.

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Product details

  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ PG-13 (Parents Strongly Cautioned)
  • Product Dimensions ‏ : ‎ 0.5 x 5.4 x 6.7 inches; 3.2 ounces
  • Item model number ‏ : ‎ 27406587
  • Director ‏ : ‎ Baz Luhrmann
  • Media Format ‏ : ‎ Widescreen, Blu-ray, NTSC
  • Run time ‏ : ‎ 142 minutes
  • Release date ‏ : ‎ August 27, 2013
  • Actors ‏ : ‎ Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Isla Fisher
  • Subtitles: ‏ : ‎ Spanish, French, Portuguese
  • Language ‏ : ‎ English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1), English (DTS 5.1)
  • Studio ‏ : ‎ WarnerBrothers
  • ASIN ‏ : ‎ B00DHHWY9I
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 28,137 ratings

Customer reviews

4.7 out of 5 stars
4.7 out of 5
28,137 global ratings
The Greatness Of Gatsby?
4 Stars
The Greatness Of Gatsby?
***some spoilers herein***For people unfamiliar with F. Scott Fitzgerald's novel and other film adaptations of it, this movie may have been a disappointment in terms of how it ended, perhaps because they were expecting an epic love story. In fact, in the book, the "romance" between Gatsby and Daisy is deliberately underplayed, it's more of an expose of the decadence and carelessness of the 1920s decade, and how the past simply cannot be recaptured, despite the actions that are taken in hopes of doing so. Baz Luhrmann's film does place a large amount of emphasis on the "love story" aspect, which may have led audiences to expect more than was ultimately delivered.Not to say that this movie is not entertaining or good. It is, in many ways. Like other reviewers, I found the usage of hip-hop songs out of place, but luckily, the film does incorporate music that does seem to suit the era. Despite not being a period song, Lana Del Rey's "Young And Beautiful" works perfectly. The CGI does get a bit much at times, to the point where it looks unreal and a bit too much like animation, but it's still glorious to look at. I suppose that in a way, it was fitting as Fitzgerald was constantly describing light, natural and artificial, throughout "The Great Gatsby".I can't think of another actor of the past few years who could have played Jay Gatsby other than Leonardo DiCaprio. While not a huge fan of the actor since my teenage years, there's no denying that he is a compelling presence on film. You believe that this self-made millionaire or whatever he was, achieved all that he did through blind ambition to win back his first love, Daisy (Carey Mulligan). I have to give Mulligan credit because Daisy is not an easy role to play, largely because the character was deliberately underwritten in the novel. There is a reason for this, because Daisy is idealized in Gatsby's eyes, as well as in the eyes of her cousin Nick Carraway (played here by Tobey Maguire, adequate but really nothing more), although to a lesser extent. Basically, Daisy is someone that others project their fantasies on to. Hence why I've never really believed that it was intended to be a love story, because it was not about real love, but trying to recapture the past, to achieve a dream and attempting to obtain the unobtainable. Gatsby does not truly love Daisy, but the image he had of her in his mind. Daisy, no matter what her feelings were for him could not simply walk away from her life; she was married to Tom Buchanan (Joel Edgerton) and had a child with him. The differences between old money and new money aside, there was no way that her husband would ever have let her go, and at some point, Daisy does realize this. Gatsby never does.Elizabeth Debicki, Isla Fisher, Jason Clarke and Amitabh Bachchan all do reasonably well in their under-developed roles. Luhrmann clearly was busy focusing on Gatsby and Daisy's relationship, but it's curious that despite the love scenes, which are well-acted and beautifully photographed, they exhibit little on-screen chemistry. The actors tried, but it never quite comes off. Ironically, there are far more sparks between Mulligan and Edgerton, in spite of the fact that Daisy is unhappy in her marriage and Tom is a brutish philanderer. The way Daisy and Tom look at each other, respond and react to one another says far more than any speeches, declarations of love or "romantic moments" with Gatsby. While some may feel that Edgerton over did it in portraying Tom's brash ways, he does show vulnerability, particularly when Gatsby starts pressuring Daisy to claim that she never loved her husband. I've never found Tom to be particularly sympathetic, but Edgerton manages to pull it off, as does Mulligan. Daisy as a character is much maligned but when push comes to shove, she was trapped in the high-society mindset into which she was born, and never pretended to be anything she was not. It was Gatsby who refused to accept reality, and this what ultimately led to his downfall. In fact, even when Gatsby tells Nick about his past, we can't even be entirely sure he is telling the truth, as he is so prone to fantasy. We are also not sure as viewers what was inside Daisy's heart and mind, perhaps she loved both men, but had to make the choice that was best for her, but not without consequences.The costumes and sets will literally take your breath away, but the exclusion of a few crucial scenes (one of which does show up in the deleted scenes section of the special features of the DVD) may have helped to clear some things up.It's not my favorite film adaptation of the novel but it's not as terrible as some are making it out to be.
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Top reviews from the United States

Reviewed in the United States on May 8, 2024
I wanted to see what all the hoop and holler was about and I finally watched it. The glitz and glamour was pretty but the actual story is so sad lol Good watch.
Reviewed in the United States on May 9, 2024
Fabulous Remake of The Great Gatsby! A must watch.
Reviewed in the United States on April 22, 2024
I like this kind of movie
Reviewed in the United States on April 28, 2024
Amazing
Reviewed in the United States on April 9, 2024
Love the movie
Reviewed in the United States on May 23, 2013
I finally got to see the new "The Great Gatsby" movie and was surprised at how good it was. I was expecting it to be awful given my opinion of director Baz Luhrmann's prior work, notably the insipid " Moulin Rouge! "

Although there were considerable liberties and abridgements taken with the story, the core of it was definitely preserved and, more importantly, the contradictory but simultaneously elegaic and exuberant tone of the novel was preserved.

Earlier adaptations, such as the 
1974 version with Robert Redford , were so plodding as to be almost unwatchable. The 1974 movie makes the fatal mistake of being too realistic, reducing the whole affair to something like a Lifeiime television movie. That's exactly what you get from the novel if you distill the bare plot and characters but lose the tone, because the novel is ultimately structured as a nostalgic remembrance of lost hope. The deliberately unrealistic excitement of a period in time when anything seemed possible is the perfect environment for Baz Luhrmann.

In the new version, the cinematography and costumes mesh well to convey the excitement of the Jazz Age at its peak.

The music was surprisingly appropriate, the exact opposite of "Moulin Rouge," with George Gershwin's "Rhapsody in Blue" -- one of my all-time favorite pieces -- as a significant recurring motif. Even the new music, especially "Young and Beautiful," fits in well.

The movie is visually very impressive in a way that the novel cannot be, but it does conjure an imaginary and unrealistic world of grandiose excess that is worth seeing. The 3D gimmick is kind of pointless, but that is true for most movies.

Without spoiling anything, the opening credits begin in rough black and white with uneven lighting and flicker, very much like watching an old movie actually made in the 1920s, before the credits change to sharp and colorful gilded art deco designs. The effect is clever, making all of the flashy color that is the movie seem almost dreamlike, copying the elegaic tone of the novel. Eventually the closing credits reverse the effect back to fuzzy black and white.

Gatsby is an archetypal character whose purity and single-mindedness are his defining elements, creating a kind of naivety that distinguishes him from everyone around him -- and which eventually destroys him at the hands of those more cynical. One of the main reasons why the novel has become what it is today is that it presciently in 1925 understood that the Roaring 20s were an unsustainable party that must come to an end, which we know now from hindsight would happen with a horrific crash and decade-long hangover of the Great Depression. F. Scott Fitzgerald's almost puritanical discomfort with the Jazz Age, despite being its most enthusiastic contemporaneous chronicler, proved to strike just the right chord. A very good book about the 1920s Paris expatriate community (of which Scott and Zelda were prominent members) borrows a quote from a less well known writer as its title: "
Everybody Was So Young ."

The characters are all very dislikable, with the exception of Jay Gatsby himself. Nick Carraway is extremely self-critical, regarding himself as a failure. One of the most common criticisms of the novel is that Gatsby's interest in Daisy lacks credibility because she is something of a petulant child who needs to be taken care of, but of course she mirrors to some extent Scott's real-life wife Zelda and their co-dependent marriage. Regardless of the truth about Zelda, who was by all accounts a remarkably capable and intelligent woman, there can be no doubt that she was treated as someone who needed to be taken care of and eventually ended up confined to a mental hospital. I don't want to fall into the trap of misidentifying authors with their characters, but it seems clear that Scott intended Gatsby's interest is Daisy to be entirely credible, even if Gatsby's perception of her was idealized as a result of his naivety and boundless optimism.

The original novel is unstinting in its portrayal of the mistreatment of servants, which is intended to be offensive. What Scott Fitzgerald fully intended to condemn in 1925 looks even worse to us now, but it is an important part of the story and is an essential literary device used repeatedly to illuminate the defects of Tom Buchanan's character and worldview. The novel draws explicit parallels between Gatsby, as what would then be disparaged as a "self-made man," and the servants --- both of whom Tom believes are limited and inexorably predestined by their circumstances of birth. Indeed, one of the reasons Tom is so disgusted at being described as "the polo player" is because being known for what he does instead of how he was born degrades him, in his own view, to the level of competition with Gatsby and the servants.

I should explain somewhat my comment about "liberties and abridgements." There are a number of lines of narration and dialogue that, although quite widely known and remembered from the novel, are simply gone in the movie. The opening and closing text is preserved, as it had to be, but everything else was apparently up for challenge about inclusion.

Almost all of the subplots are removed, which reduces some of the characters to very minor status, especially Jordan Baker who in the novel is an iconic representation of the independent "new woman" that we might today call a "feminist," and is therefore a counterpart to narrator Nick Carraway who, although of respectable pedigree and a Yale alumnus, has to actually work for a living. The screenwriters were probably correct in thinking that this was of much less interest to the modern audience than it was when the novel was published. On the other hand, it makes some things incomprehensible, such as why Tom Buchanan gets so annoyed at being introduced as "the polo player."

The handling of the Meyer Wolfsheim character is outright bizarre, probably because there were fears of the portrayal being regarded as anti-Semitic despite the character unquestionably being based on the real-life Arnold Rothstein. For one thing, he is played by an actor whose ancestry is from India, a pretty extreme case of "funny, he doesn't look Jewish," and who is the only actor who seems to have any identifiable ethnicity with a speaking role that is not a black waiter. Odd things are changed, such as his cufflinks made from human teeth turning into a tie-pin, possibly because the screenwriters were worried that the modern audience would be too confused as to what cufflinks are, but the cufflinks are significant because they are something that would not be noticed immediately but when noticed would pierce the veneer of civility -- a major theme in the novel.

It's a vibrant, colorful movie that successfully evokes, if not the real Jazz Age, then our collective historical memory of it.
18 people found this helpful
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Reviewed in the United States on April 1, 2024
Entertainment
Reviewed in the United States on March 20, 2024
I bought this film to add to my collection. I'm very happy with my purchase.
One person found this helpful
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Top reviews from other countries

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Client d'Amazon
5.0 out of 5 stars Bon film
Reviewed in France on March 7, 2024
Très bien filmé avec un jeu d’acteurs excellent
Henrik Ragnevi
4.0 out of 5 stars Fransk utgåva, saknar Dolby Atmos men har svenska undertexter
Reviewed in Sweden on April 27, 2023
Detta är den franska utgåvan på Great Gatsby, men det är bara pappersfodralet som ändrats samt trycket på skivan. Innehållet är samma.
Jag var lite orolig först för det stod inte att svenska undertexter skulle vara med, endast spanska, franska och nederländska finns listat på baksidan.
Oftast är Bluray 4K UHD samma, men ibland kan det finnas lokala utgåvor. Detta är dock inte en sådan, en uppsjö av språk finns med, bland annat svenska.
Filmen saknar Dolby Atmos fast bilden ger sken av det, men den utgåvan som funnits sedan tidigare har bara haft DTS.
Bilden är endast i HDR men ser väldigt bra ut, filmen är något av ett visuellt mästerverk.
Botteri
5.0 out of 5 stars très bien
Reviewed in France on February 24, 2024
très bien
JGB Murcia
5.0 out of 5 stars Clásico actual del cine
Reviewed in Spain on August 18, 2023
Nueva y actual versión del clásico. Ya esta película es un clásico. El director no defrauda y los actores tampoco. Te encantará. Para disfrutar en casa una y otra vez.
Leo
5.0 out of 5 stars Qualità audio e video ottima, custodia intatta, disco Blu-ray nuovo e con contenuti speciali
Reviewed in Italy on May 28, 2020
Ho acquistato questo film nel disco in versione Blu-ray ed era venduto e spedito da Amazon.
Ci sono spesso offerte e sconti relativamente a libri e film, così ogni tanto ne approfitto per aggiungere un pezzo alla collezione e per sostenere nel mio piccolo, piccolissimo, la produzione di audio, film e libri originali, stranieri o italiani che siano, poco importa. Credo che ciò sia molto importante, soprattutto in questo periodo storico che stiamo vivendo e, quindi, quando posso, non perdo occasione per farlo.

FORMATO VIDEO
Il disco Blu-ray ha immagini tutte quante in formato Full HD, sinceramente con un buon lettore e televisore si possono distinguere tutti i dettagli anche nelle scene con meno luminosità.

FORMATO AUDIO
La qualità di registrazione del formato audio è al pari molto buona.
In particolare, il formato audio Dolby Digital 5.1 è disponibile in italiano, spagnolo, francese, tailandese, tedesco e cinese. Il formato audio DTS-HD Master Audio 5.1 è disponibile soltanto in lingua inglese.

SOTTOTITOLI
I sottotitoli sono disponibili in italiano, inglese, spagnolo, francese, tedesco, portoghese, tailandese, cinese, coreano, danese, norvegese, svedese, finlandese e indonesiano.

CONTENUTI SPECIALI
Tra i contenuti speciali extra troviamo:
- il trailer del film;
- le scene tagliate;
- un finale alternativo;
- una sorta di dietro le quinte con le scene del set;
- la realizzazione delle musiche che accompagnano il film;
- un approfondimento sull'era del jazz e sulla moda negli anni '20 del Novecento;
- uno sguardo al processo creativo che ha generato alcune delle scene più iconiche del film;
- infine, il commento del regista sulla sua interpretazione cinematografica rispetto al romanzo.

IN CONCLUSIONE
Non commento il film in quanto non è la piattaforma adatta per la critica cinematografica né mi ritengo sufficientemente competente per dare un parere rilevante. Posso dire che mi ritengo soddisfatto dell'acquisto in quanto il rapporto qualità-prezzo era ottimo al momento del mio acquisto. Spesso poi ci sono dei ribassi, quindi quando lo ordinai ricordo che spesi la metà di quello che avrei pagato nelle solite famose catene commerciali della mia zona. Spero di essere stato utile e se è così ti ringrazio.
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