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Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
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Genre | Science Fiction & Fantasy |
Format | Subtitled |
Contributor | Ben Cross, Winona Ryder, Simon Pegg, Zoe Saldana, Eric Bana, Anton Yelchin, John Cho, Karl Urban, J.J. Abrams, Leonard Nimoy, Chris Pine, Bruce Greenwood, Zachary Quinto See more |
Language | English |
Runtime | 2 hours and 6 minutes |
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Product Description
The future begins with director J.J. Abrams' reimagining of Star Trek that has taken audiences by storm. When the Romulan Nero comes from the future to take revenge on the Federation, the new recruits of the U.S.S. Enterprise will voyage through unimaginable danger to stop him from destroying everything they know. This is not your father's Star Trek! Starring Chris Pine and Zachary Quinto.
Product details
- Aspect Ratio : 2.40:1
- Is Discontinued By Manufacturer : No
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.05 ounces
- Item model number : PRT116624BR
- Director : J.J. Abrams
- Media Format : Subtitled
- Run time : 2 hours and 6 minutes
- Release date : October 29, 2010
- Actors : Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg
- Dubbed: : French, Spanish
- Subtitles: : English, Spanish
- Studio : PARAMOUNT
- ASIN : B00471JSRE
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #22,851 in Movies & TV (See Top 100 in Movies & TV)
- #8,685 in Blu-ray
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Moving swiftly along: I was a little disappointed with the overall presentation of this set. First of all, the slip case for the Blu-ray box had the back side with the run time and pictures and such just tacked on with the junk that credit card companies use to send you new cards. I like the fact that the Blu-ray case itself is full-on Chris Pine's face (the one peeking through the title on the slip case), and on the other side is a close up of Zachary Quinto's face as Spock. I loved the focus in the marketing of the theatrical release on the characters as being powerful enough imagery to sell the film - it's simple and it works. What I was really more disappointed in was the overall menu system. It's not terrible, but I just expected something cooler given that it's Star Trek, especially compared to Iron Man. There's also like 3 trailers (or ads, as I like to call them) and a video game ad to start the feature film disc, but I actually just figured out today that you can hit the 'pop-up menu' button on your Blu-ray player remote to skip straight to the top menu (I don't recall ever hitting any menu button a DVD and going straight to the main menu until I watched all the ads).
Why am I whining about something so trivial? Because that's about all I can complain about here. I was floored by the ridiculous video quality here. I can't recommend it as a gold standard for introducing people to Blu-ray necessarily because it doesn't have bright colors like Planet Earth, but I think the only Blu-ray I own now that looks better than it is Wall-E. Still, the transitions between dark scenes in this movie and those with color are quite smooth with all the colors looking very true to how they should be (the more vibrant they're supposed to be the more awesome they look on your TV). There are a lot of face close ups in this movie and the clarity in even these shots made me want to get up off my couch and just applaud the folks who did this transfer. If you are disappointed with the video quality of this disc, no matter how big or high-end your TV is, there may be something wrong with you (or your TV video settings). I don't have a high-end surround system so I don't want to pass judgement on sound, but it does sound great as far as I can tell. I can't complain about anything except for that maybe it's a bit soft in some places. Clarity is stellar, even in scenes where I was afraid I would be straining my ears to understand what they're saying.
There are so many special feature videos on the second disc that I couldn't get through all of them. What' truly remarkable is that each and every video you see on these discs is in high definition. I think the movie itself certainly looks better than the special features, but we're really talking about shades of gray here because they still look like you're watching an HD channel and whatever the aspect ratio is on them fits my widescreen TV perfectly (whereas the movie has black bars on top and bottom). There's actual more content here (in minutes) than the running time of the feature film, and this is one of those movies that actually has interesting backstories for how every aspect of the production process came about so they're pretty addictive if you have an afternoon/evening to spare going through them all. The deleted scenes are also more interesting than you normally find on a home video release, including the original opening sequence of Spock's birth. The only other features on this disc are a gag reel, all 3 trailers, and 3-d models of the Enterprise and Nero's vessels with details about specific parts of them. As a cherry on top, these features actually have subtitles (which, in my experience, is pretty rare). On the main disc, there's also commentary, which I didn't listen to a whole lot of it but I have to say that it was hard to stop watching once I did turn it on because it's very much like you're peering into the minds of the writers and producers in the format of a candid, relaxed conversation that doesn't feel forced or scripted at all. I don't usually listen to these, but I think I'll have to make an exception here.
Simply put, if you have a Blu-ray player and liked Star Trek at all, you're really doing a disservice to yourself by not picking this up. The studios are trying this crazy thing now where they price Blu-rays equivalent to DVDs instead of price-gouging, so $20 for this one is more than reasonable. They really didn't put this out there to set up for a double dip, or they're doing so with great stupidity because I can't think of what else you'd realistically want from a Blu-ray set for this movie in any sort of re-release. It's going to quickly become one of favorite Blu-rays, for sure.
The picture is as good as would be expected, with plenty of great space effects, the heavy lens glare that Abrams likes does not bleed too bad but ILM does not disappoint. They went with TrueHD which gives an adequate immersion, some of the best tests were with Spocks ship and that unique sound (but 7.1 DTS would have been nice). Plenty of reference points throughout, but even with that clarity I still couldn't get a read on some of the little things (tried freezing the fence signs in the Corvette scene, freezing some of the panel displays to read what the actors were looking at, etc.). But what takes the time and is worth every moment for the supplement geeks like me is the entire disc 2.
Disc 1: Menus are unfortunately only minimal still animation (no live action or HD pics).
Commentary by the makers.
Disc 2: Blue screen animated left sided selections. Most items pop up with an "extended" option that has an icon appear when watching each documentary to facilitate viewing little snippets of additional material, or each one can be watched individually - no play all on anything with this disc.
* 16:41 To Boldly Go. Several extensions including the Kirk dilemma (1:58), more Green Girl stuff (3:25). The main piece covers aspects of creation, whys and what fors. All of these supplements are HD interviews of the filmmakers spliced with low def footage (past and present Treks).
* 28:53 Casting. Once again all HD present footage mixed with grainy low def shots of behind the scenes - gives some good material on why we saw who we did.
* 24:33 Starships. Concepts, art design and some of my favorite stuff on the making of regarding construction. Seven extensions are selectable here including Warp Drive and Paint stuff.
* 16:30 Aliens. Shows the meetings and thought process behind some of the critters and humanoids. Five extensions here.
* 16:10 Planets. Some nice history for Trek regarding the Vasquez Rocks, which showed an obvious deleted sequence - made me look forward to those even more.
* 9:22 Props and Costumes. One extension here about Klingons - which led to another whole deleted sequence I was now REALLY wanting to watch them.
* 9:45 Sounds. I enjoyed this one the most as the sounds intrigued me when I first saw this in theaters. Nice homage/respect paid to the old series connections.
* 8:47 Gene Roddenberry vision. A nice history with at least half of it being Nimoy narrating/being interviewed (there was a blatant absence of someone here but you will notice that through this entire set).
* 13:30 Deleted Scenes - FINALLY. Play all option with commentary on/off of Abrams, Kurtzman.
- Spock's birth. Throughout all of these you notice Winona's entire screen time was removed. Nice little plug on how he gets his name.
- Klingon battle with the Narada, effects unfinished - which leads into an entire storyline removal - did not agree with the reasons for the removal but oh well.
- Dysfunctional home life of the early Kirk sequence. Explains who that kid was on the road and who the voice was on the car phone.
- Spock's parents arguing about which side Spock should embrace.
- Klingon Prison Planet sequence - wow. I want this in the director's cut. Would have explained a great deal of how Nero and the Narada disappeared.
- Vulcan sequence prior to destruction (Vasquez Rocks).
- Kirk and Green Girl - can never have too much of that. Once you see this you can find out what Uhura and Kirk were really talking about in the theatrical cut (Klingon Prison - not battle).
- Scene involving more Green Girl and Kirk defeating the Maru test - good scene.
- Kirk apologizing to Green Girl - had to go once the others were cut.
* Simulator: Mix of animated and slight HD footage of interactive material on the Enterprise and the Narada. The vast majority of material centers on the Narada (weapons, propulsion etc.).
* 6:22 Gag Reel. A brief retro title sequence followed by a hilarious slew of swearing by even the best (priceless watching Nimoy cuss his lines). Fast paced and fun.
* 3 trailers.
Everything subtitled in French, Spanish, & Port.
Disc 3. Digital copy and game demo. Did not use either.
Overall, I had a great time going through all of this and I honestly think even the discerning Trekkie will be happy with this product. Yes, I feel the deleted scenes should have been left in as they explained some obvious gaps in the film, but at least we got to see them. The HD screenings have been very popular and I don't tire of watching this through and through. Enjoy.
Top reviews from other countries
The movie itself in 4K is incredible. The initial battle scene has so much depth and the sound (Dolby Atmos set up) was outstanding.
Ich denke, viele Fans der ersten beiden Generation tun sich bei diesem Film schwer, den Neustart an sich zu akzeptieren. Die neue Zeitlinie ist ein gewagter Versuch, das Franchise wiederzubeleben und doch ist es ein kreativer und erfolgreicher Weg gewesen. Es ist ja kein völliger Neustart ohne Bezug zum Alten, wie z.B. bei Batman oder 007. Schon das muss man den Machern sehr hoch anrechnen.
Das der Film actionreich und schnell geworden ist und damit in erster Linie ein junges Publikum anspricht, mag zwar stimmen. Aber ohne eine neue Generation von Fans geht es einfach nicht. Die Frage ist, ob es dem Film gelungen ist, dennoch den Geist und das Flair von Star Trek zu bewahren. Und dies kann ich als Fan seit 1993 bejahen.
Sowohl die Präsenz von Leonard Nimoy als auch das Spiel der neuen Darsteller geben dem Film eine geradezu klassische Aura. Die meisten neuen Schauspieler sind wirkliche Wiedergeburten der alten Helden, besonders Karl Urban, der neue McCoy repräsentiert wie einst DeForrest Kelley das gute Herz der Enterprise. Die Chemie im Team stimmt von Anfang an: der Film hat den richtigen Spagat zwischen Drama und Humor gefunden, die Designs wirken neuartig und sind doch voller nostalgischer Elemente und das ganze fühlt sich mehr nach Star Trek an als die letzten beiden TNG-Filme zusammen.
In Deutschland taten sich Kirk und Spock im Kino schon immer relativ schwer, verglichen mit dem TNG-Boom der 90er Jahre und in sofern überrascht es nicht, dass anders als in den Staaten, wo Kirk und Spock Star Trek SIND, hier viele Fans der Next Generation nachtrauern. Aber Hand aufs Herz. TNG ist heute schon selbst wieder eine alte Serie, ein neues Jahrtausend hat begonnen und Picard und Data sind einfach zu alt für die große Leinwand geworden.
Die Rückkehr zu Kirk und Spock war eine sehr sinnvolle und äußerst gelungen umgesetzte Entscheidung, die Darsteller überzeugen voll und der Film kommt bei den jungen Amerikanern sehr gut an. Noch nie zuvor hat Star Trek in den Staaten mehr Geld eingespielt oder bessere Rezensionen (z.B. RottenTomatoes oder IMDB) gehabt als dieser Film! Das spricht für sich.
Wer meint, auf diesen Erfolg mit blindem Fan-Fundamentalismus antworten zu müssen: nur zu. Man sollte allerdings bedenken, dass der Vorwurf, der Film verletze die Prinzipien Star Treks sehr schnell auf den Rezensenten zurückfallen kann. Star Treks oberstes Prinzip ist UMUK: Unendliche Möglichkeiten in unbestimmten Kombinationen. Das ist das oberste, seit den 60er Jahren bekannte Prinzip und genau diese Möglichkeiten erforscht dieser Film. Das dazu auch Action, Spannung und tolle Effekte kommen, ändert nichts an der Tatsache, dass dieser Star Trek Film ein zutiefst menschlicher, ehrlicher, bewegender und unterhaltsamer Film über Schicksal, Freundschaft und Mut ist und noch dazu der Auftakt eies ganz großen Abenteuers. Denn das dieser Film noch viele erfolgreiche Nachfolger haben wird, daran zweifelt der informierte Fan eigentlich nicht mehr, auch wenn sich man einer der im Gestern verhafteten Alleswisser daran stören mag.
Ist die Handlung des Films etwas dünner und mehr auf Zufällen aufgebaut, als bei vergleichbaren Genre-Filmen? Mag sein. Aber wo ist das Problem? Wer beurteilt denn einen Song nur nach seinem Text? Wer analysiert nur den Inhalt eines Gemäldes und achtet dabei nicht auf seine künstlerische Gestaltung? Ein Film ist viel mehr als der sein Handlungsfaden (der hier zwar durchaus Niveau hat, aber sicher nicht das Non-Plus-Ultra der Drehbuchgeschichte darstellt). Ein Film, ganz speziell dieser Film, ist eine Summe vieler Faktoren. Dazu gehören überzeugendes Schauspiel, Regiestil, Effekte, Geräusche, Cinematograhie, der Soundtrack, Stimmung, Emotionen und vieles mehr! Und all das hat "Star Trek" (2009) nun wahrlich zu genüge! Wer nur Inhalte analysieren möchte wie ein Literaturprofessor lese bitte Bücher. Ein Film ist viel viel mehr als das: er ist ein audiovisuelles Kunstwerk! Und genau das ist dieser Film.
Das soll allerdings keineswegs heißen, dass der Film nicht voller starker, epischer Motive ist. Nicht nur wird auf sehr bewegende Art der Völkermord an einem altehrwürdigen Volk allegorisch dargestellt, sondern auch die Mächte des Schicksals beschworen, die die Crew der Enterprise trotz der geschehenen Katastrophen und Veränderungen wieder zusammenführen. Manches mag wie Zufall wirken, zu erkennen ist aber eine ordnende Hand, die den Untaten Neros entgegenwirkt.
Ein Plot ist durchaus kohärent erkennbar, auch wenn seine esoterisch angehauchte Natur nicht jedermanns Geschmack sein mag.
Das Neros Motive für den Völkermord an den Vulkaniern obskur und rational nicht nachvollziehbar bleiben ist KEIN Problem des Drehbuchs. Denn welcher realgeschichtliche Völkermord war bitte schön rational begründbar? Wahnsinn bleibt Wahnsinn, nur die Wirkungskraft der Waffen entscheidet über die Folgen solcher Verblendung! Und natürlich, ob jemanden bereit ist, sich dem völkervernichtenden Wahnsinn entgegenzustellen, wie hier eindrucksvoll die Crew der Enterprise!
Die Qualität des Drehbuchs kann jedenfalls gar nicht so schlecht sein, wenn es den jüdischen Schauspiel-Veteran Leonard Nimoy, der die Zeit eines leider sehr realen Völkermords noch miterlebt hat, nach über einem Jahrzehnt aus dem selbstgewählten Ruhestand zurückholen konnte, nicht wegen Geld, sondern wegen der Qualität der Geschichte.
Die Diskussion darum, ob ein neuer "Star Trek"-Film (oder eine Serie) dem Erbe Roddenberrys gerecht wird, ist übrigens so alt wie das Franchise selbst. Spätestens seit dem Tod des "Großen Vogels der Galaxis" 1991 diskutiert sich die Fanszene beinahe zu Tode, anstelle "Star Trek" einfach zu leben: nämlich Toleranz und Offenheit für Neues.
Die Argumente, die hier gerade gegen den neuen Film verwendet werden, hat man in der einen oder anderen Form auch schon gegen Filme wie "Der erste Kontakt" oder "Generations" verwendet oder hat ganze Serien wie DS9 zu unwürdigem Star Trek erklärt. Alles nichts Neues! Neu allerdings ist, dass es "Star Trek" (2009) zum ersten Mal gelungen ist, endlich wieder frische Fans zu gewinnen, die endlich jene Fans ersetzen können, denen kein Star Trek lieber als zeitgemäßes Star Trek ist!
Gene Roddenberry, der sich ja in so manch einer Rezension fleißig im Grab herumdrehen muss, hat einmal gesagt, dass er es begrüßen würde, wenn nach seinem Tod neue Leute ein noch besseres Star Trek schaffen würden, dass sein Star Trek alt aussehen lässt! Genau das ist JJ Abrams und seinem Team nun eindrucksvoll gelungen.
Ganz nebenbei: Zu loben ist auch das Wendecover der BD, das es leider bei der DVD nicht geben wird.