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Existence Paperback – January 1, 2012
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Gerald Livingston is an orbital garbage collector. For a hundred years, people have been abandoning things in space, and someone has to clean it up. But there’s something spinning a little bit higher than he expects, something that isn’t on the decades’ old orbital maps. An hour after he grabs it and brings it in, rumors fill Earth’s infomesh about an “alien artifact.”
Thrown into the maelstrom of worldwide shared experience, the Artifact is a game-changer. A message in a bottle; an alien capsule that wants to communicate. The world reacts as humans always do: with fear and hope and selfishness and love and violence. And insatiable curiosity.
- Print length659 pages
- LanguageEnglish
- PublisherOrbit
- Publication dateJanuary 1, 2012
- Dimensions5.04 x 1.81 x 7.8 inches
- ISBN-100356501736
- ISBN-13978-0356501734
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Product details
- Publisher : Orbit; Digital original edition (January 1, 2012)
- Language : English
- Paperback : 659 pages
- ISBN-10 : 0356501736
- ISBN-13 : 978-0356501734
- Item Weight : 1.06 pounds
- Dimensions : 5.04 x 1.81 x 7.8 inches
- Best Sellers Rank: #1,984,845 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
David Brin is a scientist, public speaker and world-known author. His novels have been New York Times Bestsellers, winning multiple Hugo, Nebula and other awards. At least a dozen have been translated into more than twenty languages.
David's latest novel - Existence - is set forty years ahead, in a near future when human survival seems to teeter along not just on one tightrope, but dozens, with as many hopeful trends and breakthroughs as dangers... a world we already see ahead. Only one day an astronaut snares a small, crystalline object from space. It appears to contain a message, even visitors within. Peeling back layer after layer of motives and secrets may offer opportunities, or deadly peril.
David's non-fiction book -- The Transparent Society: Will Technology Make Us Choose Between Freedom and Privacy? -- deals with secrecy in the modern world. It won the Freedom of Speech Award from the American Library Association.
A 1998 movie, directed by Kevin Costner, was loosely based on his post-apocalyptic novel, The Postman. Brin's 1989 ecological thriller - Earth - foreshadowed global warming, cyberwarfare and near-future trends such as the World Wide Web. David's novel Kiln People has been called a book of ideas disguised as a fast-moving and fun noir detective story, set in a future when new technology enables people to physically be in more than two places at once. A hardcover graphic novel The Life Eaters explored alternate outcomes to WWII, winning nominations and high praise.
David's science fictional Uplift Universe explores a future when humans genetically engineer higher animals like dolphins to become equal members of our civilization. These include the award-winning Startide Rising, The Uplift War, Brightness Reef, Infinity's Shore and Heaven's Reach. He also recently tied up the loose ends left behind by the late Isaac Asimov: Foundation's Triumph brings to a grand finale Asimov's famed Foundation Universe.
Brin serves on advisory committees dealing with subjects as diverse as national defense and homeland security, astronomy and space exploration, SETI and nanotechnology, future/prediction and philanthropy.
As a public speaker, Brin shares unique insights -- serious and humorous -- about ways that changing technology may affect our future lives. He appears frequently on TV, including several episodes of "The Universe" and History Channel's "Life After People." He also was a regular cast member on "The ArciTECHS."
Brin's scientific work covers an eclectic range of topics, from astronautics, astronomy, and optics to alternative dispute resolution and the role of neoteny in human evolution. His Ph.D in Physics from UCSD - the University of California at San Diego (the lab of nobelist Hannes Alfven) - followed a masters in optics and an undergraduate degree in astrophysics from Caltech. He was a postdoctoral fellow at the California Space Institute. His technical patents directly confront some of the faults of old-fashioned screen-based interaction, aiming to improve the way human beings converse online.
Brin lives in San Diego County with his wife and three children.
You can follow David Brin:
Website: http://www.davidbrin.com/
Blog: http://davidbrin.blogspot.com/
Twitter: http://twitter.com/DavidBrin
YouTube: http://www.youtube.com/user/cab801
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Helpful. Exciting. Chiding. Supportive.
Twisted words.
These pages carry hope, lessons, queries, and conundrums.
My hope is that we listen to those like David Brin.
While reading Existence, I was reminded of Heinlein in some respects. Brin explores political, philosophical, scientific, religious, moral and ethical considerations from a number of different perspectives. His musings are truly kaleidoscopic. This is, of course, both good and bad: the positive perspective is that Brin criticizes modernity, particularly its politics and more parochial tendencies, thus providing the reader with a refreshing or perhaps more refined understanding of polemical issues, while challenging everyday "post-modern" platitudes; the negative flip side is that all of Brin's introspection, questioning and pontificating becomes repetitive, if not a bit tiresome, depending on your interest in these more existential questions, along with your attention span.
Indeed, Existence has been written--make no mistake--for avid science fiction readers. The language is, in addition to pedantic, somewhat turgid, even pretentious, so make sure you are prepared to read a book whose author isn't afraid to challenge your vocabulary; if this turns you off, then there are times when the writing will bother you.
The plot itself is rather straightforward: Gerald, aboard a spaceship orbiting Earth, encounters an anomalous object: is it alien; is it a hoax; where did it come from? Immediately after apprehending this object, later dubbed the "Artifact," Brin explores the various reactions humans have toward the object. He provides the full gamut of human reaction, which courses through every nook and cranny in society. However, Brin is principally concerned with the Artifact's effect on society as a whole; Brin's characters, being sort of one-dimensional and easily forgettable, serve as symbols for greater collective cliques. You've got the inquisitive scientist, the ultra-rich elitist, the conservative and reactionary politician, and so on. But none of these characters seem very real. Character development is altogether lacking, although there are a few characters who are more indelible than others.
As a work of science fiction, Brin has a rather optimistic perspective of humanity's future, in spite of the many predictable and inevitable potholes ahead. Existence takes place around 2040, then jumps ahead to 2060 or so, and again toward the end of the twenty-first century. Most of the novel takes place around 2040, or the time frame near which time the Singularity, and the dawn of transhumanism, is hypothesized to take place. Like in the real world, Existence captures both the wonderment and anxious nostalgia revolving around transhumanism, cyborgs, artificial intelligence, and so forth. If you recall what Arthur C. Clarke writes in his Space Odyssey saga, the material out of which a being is made is immaterial; what we humans identify as truly special is our intelligence, and if that intelligence is manifested by biological beings, technological-silicon cyborgs, or hybrids between the two is of lesser concern than the possibility of a harmonious or commensal relationship between like-minded sentient beings. A federation of intellectual and moral beings, if you will. This lofty yet satisfying goal of a federation encompassing an panoply of sentient beings reminds me of Star Wars wherein every being, regardless of species, is accepted. Brin breathes life into this quasi-utopian but nonetheless noble possibility: he, in short, merges the morality of progressivism with the politics and technology of futurism, if you will.
Moreover, Brin's society incorporates many of modernity's predictions of the future: escalated sea levels, virtual reality (albeit with a more unique flavor), a fragmented United States (not unsimilar to Suzanne Collins's Hunger Games, though not dystopic), an autism pandemic, etc. Amid the partisan politics, basically boiled down to conservative versus moderate versus progressive-"futurist," Brin weaves a tapestry of narratives that coincide--or sometimes even wither away prematurely, on the other hand--all the while raising important questions about the Artifact, from which questions about the nature of intelligent life, extraterrestrial beings, the feasibility of interstellar space travel arise, and receive startling answers. Aside from all these big questions, Brin somewhat solemnly tackles the quandary that has been irking sci-fi aficionados for possibly decades, if not centuries: Are we alone in our galaxy, or even in the entire cosmos? Have we yet, or will we ever, encounter intelligent life elsewhere? If not, what does this say about humanity? Do we have a responsibility to mother and husband up-and-coming civilizations, once we have mastered the science of interstellar space travel? But what if we destroy ourselves first? What does this say about the possibility of intelligent life in general? Is it a spoof?
As you can see, these questions are a bit arresting: and yet these are the questions you will encounter throughout Existence.
A great deal of Existence is spent trying to figure out what the Artifact is, what it wants, what utilitarian purpose can it serve humans, etc. Brin provides many cliffhangars, however: after you're starting to figure things out, Brin leaves you hanging for several chapters, until, almost randomly, one of those lingering, nagging questions at the back of your mind is finally answered. In this regard the plot, at times, feels somewhat anticlimactic: I felt no intense, adrenaline-filled anticipation for something to ever happen with Existence. The big questions are answered, but kind of schizophrenically: Brin takes you out to sea, slams multiple waves into your seafaring ship, some of which are unexpected while others are redundant and therefore superfluous, then brings you out of the storm, into calm waters, finally satisfies some of your curiosity by showing you the "land ahead," but then seemingly makes a roundabout turn before you ever get to see that land, taking you off to sea again--sometimes through the same waters, leading to more redundancy and therefore boring superfluity.
However, eventually Brin does offer an exciting plot twist, that dwarfs the importance of the "Artifact." After much skepticism and waffling, your spirit for adventure is whetted again. But Brin, nevertheless, provides the same formula: rephrasing of the same questions, answering them from a number of perspectives, and eventually providing a resolution.
What sets Existence apart from many First Encounter sci-fi novels is its ultimate optimism. This isn't a work for Cassandras. You'll be reminded of "The Rational Optimist" by Matt Ridley in some ways.
So, for a work with such an ambitious title as Existence, is it worth reading? Well, if you don't mind existential musings and shallow characters, while having your patience tested at times, then yes. If you want thrillers, horrors, tons of action and constant plot twists like many sci-fi novels today, then no: this isn't for you. Whatever your predilections may be, Existence offers a new, more intelligent-than-usual, and engrossing take on the first contact sci-fi genre. Still, for a book named Existence, you'd expect something truly marvelous; unfortunately, Brin's latest work is too ambitious, contains much redundancy, and is ultimately more about the possibilities of the existence of extraterrestrial life rather than course of human existence.
3.5-4/5
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Weiterhin ist die Geschichte wunderbar geschrieben, es gibt unterschiedlichste Charaktere, an Spannung mangelt es nie.
Nur einen kleinen Wermutstropfen gab es für mich, eine der wichtigeren Nebenfiguren taucht plötzlich nicht mehr auf, auch nicht als reine Erwähnung. Aber das stört nicht wirklich und schmälert das Gesamtwerk nicht im geringsten.