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OM SYSTEM OLYMPUS M.Zuiko Digital ED 60mm F2.8 Macro For Micro Four Thirds System Camera, Weather Sealed Design, Focus Limit Switch Bright
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Purchase options and add-ons
Brand | Olympus |
Focal Length Description | 60 mm |
Lens Type | Telephoto |
Compatible Mountings | Micro Four Thirds |
Camera Lens Description | 60 millimetres |
About this item
- Weatherproof Macro lens withstands harsh conditions
- 7.4 inch minimum working distance, Focal Length - 60 mm
- 1x 35mm equivalent maximum magnification
- 13 separate lens elements in 10 groups assures faithful reproduction of finest details
- Focus limit switch speeds up auto focus, Built-in working distance window for subject distance confirmation
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Price | -20% $399.99$399.99 Typical: $499.00 | -20% $799.99$799.99 List: $999.99 | -22% $699.99$699.99 List: $899.99 | $399.00$399.00 | -7% $419.95$419.95 New Price: $449.99 | -29% $499.99$499.99 List: $699.99 |
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Customer Ratings | ||||||
Image stabilization | 4.8 | — | 4.7 | 3.0 | — | 4.9 |
Auto focus | 4.7 | — | 4.7 | — | 5.0 | 5.0 |
For portrait photography | 4.6 | — | 4.8 | 3.7 | — | 4.7 |
Picture quality | 5.0 | — | 5.0 | — | 5.0 | — |
Sold By | Amazon.com | Amazon.com | Amazon.com | CameraSpot | PhoenixPhoto | Amazon.com |
lens type | Telephoto | Standard | Telephoto | Macro | Zoom lens | Standard |
compatible mountings | Micro Four Thirds | Micro Four Thirds | Micro Four Thirds | Micro Four Thirds | Micro Four Thirds | Micro Four Thirds |
lens design | Prime | Zoom | Zoom | Prime | Zoom | Zoom |
focus type | Auto Focus | Automatic Only, Manual Only | Automatic Only, Manual Only | Manual Focus | Auto Focus | Auto/Manual |
minimum focal length | 60 millimeters | 12 millimeters | 40 millimeters | — | 75 millimeters | 12 millimeters |
max focal length | 60 millimeters | — | — | — | 300 millimeters | 45 millimeters |
fixed focal length | 60 millimeters | 51471 millimeters | 150 millimeters | 50 millimeters | 300 millimeters | 45 millimeters |
From the manufacturer
Get up close and personal with this high quality dust and splash-proof M.Zuiko 60mm F2.8 Macro lens! Features like a 1x* magnification and minimum focusing distance of about 7-and-a-half inches establishes a narrow range of focus to capture enhanced, close-up shots of your macro subjects without missing a single detail. Plus, the weather-resistant design allows you to work in challenging conditions.
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Close Focusing DistanceThe M.Zuiko ED 60mm F2.8 Macro features a 7.4-inch minimum focusing distance at 1:1 life-size magnification. It has a shooting distance/magnification indicator and a Focus Limit Switch which enables a narrow range of focus to help you zero in on your subject faster, enhancing close-up precision and control. |
Movie-Still Compatible (MSC)The linear drive motor found in the M.Zuiko ED 60mm F2.8 Macro is Movie & Still Compatible (MSC) and provides fast, nearly silent focusing and aperture performance; a must-have for any videographer. |
All-weather WonderSometimes the harshest conditions produce the most dramatic photo opportunities. With hermetic sealing to keep out moisture and dust, the 60mm F2.8 Macro is ready to take on the elements. You don’t have to baby this baby! |
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ZERO CoatingAdapted from multilayer film deposition technology used in Olympus' industry-leading line of precision microscopes, the Zuiko Extra-Low Reflective Optical Coating practically eliminates ghosts and flares caused by in-frame light sources. This feature in invaluable when shooting into the sun or other back-lit situations |
Bright F2.8 ApertureA bright F2.8 aperture allows you to focus on getting the shot. Whether you're shooting in a dimly lit restaurant, or capturing a night-scene on city streets, you won't have to worry about having enough light. |
Serious Hand-Held PerformancePaired with the serious in-body image stabilization of the Olympus OM-D or PEN-F cameras, this extremely bright F2.8 lens allows you to shoot longer hand-held exposures, which is especially handy for night-time photography. |
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What's in the box
Product information
Product Dimensions | 3.23 x 2.2 x 2.2 inches |
---|---|
Item Weight | 6.6 ounces |
ASIN | B0096WDK0K |
Item model number | V312010BU000 |
Customer Reviews |
4.8 out of 5 stars |
Best Sellers Rank | #202 in SLR Camera Lenses |
Is Discontinued By Manufacturer | No |
Date First Available | September 17, 2012 |
Manufacturer | Olympus |
Warranty & Support
Feedback
Product guides and documents
Product Description
60mm macro Micro Four Thirds lens.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers like the weight, macro, value, and sharpness of the camera lenses. They mention that its a joy to carry and use, and that its perfect for shooting macro. They also like the image quality, and quality. That said, opinions are mixed on focusing and lens quality.
AI-generated from the text of customer reviews
Customers are satisfied with the image quality of the lens. They mention that it's a great lens for macro and portraits, with a nice bokeh and a shallow enough depth of field. The image quality is great for the price point, and it makes a good portrait lens. Customers also say that the lens is one of the most exceptional pieces of glass ever produced in its category.
"...gt; QUALITY: The fit and finish of both lenses in very good, maybe a little higher for the Leica...." Read more
"...Image quality seems great with both lens, but at the same magnification you get better working distance (good), less light light to the camera (bad)..." Read more
"...growing base of user reviews that this lens is one of the most exceptional pieces of glass ever produced in its category, for any system, including..." Read more
"...Takes beautiful, sharp photos with a nice bokeh...." Read more
Customers are impressed with the sharpness of the lens. They say it's razor sharp at f2.8 and several stops down, with excellent glass and excellent contrast. The lens is very detailed and takes lovely close ups, making it great for macro photography.
"...In my experience the lens is sharp right from 2.8, with stopping down grabbing you a bit more. But the reality is it's sharp right from jump...." Read more
"...Takes beautiful, sharp photos with a nice bokeh...." Read more
"...the quality of images, when used as a day to day 60mm lens, are also sharp and clear with good contrast...." Read more
"...This lens has really let the Panasonic Body Shine, amazing the sharpness this lens produces, the AF is dead silent...." Read more
Customers are satisfied with the quality of the lens. They mention it feels well made, is impressive, and does an absolutely amazing job. Some appreciate its delicate design and the fact that it works well as a short telephoto lens.
"PRICE, QUALITY, AND PERFORMANCE> PRICE: about$ 500 for the Zuiko vs $1000 for the Leica...." Read more
"...Use all the focus spots, and it worked very well. As different micro 4/3rd camera's have different options, these results may vary...." Read more
"...The bokeh is good. The build quality is good, though it is a plastic lens (and I'm so glad, as metal would have been $300 more), and the weather..." Read more
"...Construction is plastic but, if you're familiar with Olympus, it's high quality and solid...." Read more
Customers like the weight and size of the camera lens. They say it is minimal as well as size, and is much lighter and easier to carry than their larger Canon SLR. They also say that the fit and finish are excellent, and it can fit into tight or irregular places.
"...is about 3" (to the bottom of the camera), and it can fit into tight or irregular places---which are common when shooting forests, etc...." Read more
"...3. This is a light, very long lens...." Read more
"...And the lack of bulk and weight is a major reason to get a Micro 4/3rds anyway...." Read more
"...produced, with the added benefit of being significantly smaller and lighter. As a macro lens, it is sublime....a joy to handle and use...." Read more
Customers are satisfied with the macro lens. They mention that it is perfect for shooting macro in the field, great for desktop range macro photography work, and the best macro for MFT. The sharp lens not only delivers outstanding hand held macro shots, but also doubles a 120mm, making it a great choice for both macro and portrait photography.
"...between 1" and 4" tall---so the Neewer flash is perfect for macro photography...." Read more
"...focal length is also a huge plus, making it a great choice for both macro and portrait photography...." Read more
"Excellent macro lens for the m43 system...." Read more
"...Fantastic for macro and is my go-to lens!!!" Read more
Customers are satisfied with the value of the lens. They mention that it is worth the price, has great definition, and excellent performance. They also say that it's not a cheap product, and has a nice finish.
"PRICE, QUALITY, AND PERFORMANCE> PRICE: about$ 500 for the Zuiko vs $1000 for the Leica...." Read more
"...For this purpose I feel the lens is a great choice and a deal at the price...." Read more
"This is not a flawless lens, but it is a lot of glass for very little money.I got some wonderful results with good light...." Read more
"...Having said that, the lens is definitely worth the money. Sharp resolution and excellent contrast...." Read more
Customers are mixed about the focusing of the camera lenses. Some mention that the autofocus is fast, reliable, and distortion-free, while others say that it may be rather slow in some situations. Some reviewers also mention that it will hunt for focus and that it is the slowest of all the lenses they own.
"...This is good for focus, but bad for flash control, as even the built in flash will over expose images (cannot turn down enough)...." Read more
"...Quite a few Leica purchasers (including myself) report that the autofocus system fails and the first Lumix 14-42mm PZ lens I received had a heavy..." Read more
"...The autofocus is still quick and reliable, even after all these years...." Read more
"...With regards to the AF; while it can be slow at times, and I stand by my original statement, it should be noted that macro lenses generally focus..." Read more
Customers are mixed about the quality of the lens. Some mention that it has a very useful focal length, a great Focal range, and is equally adept at distant images. However, some say that it is not a flawless lens, the af is not the best, and that neither lens is suitable for high magnification work.
"...The versatility of the 60mm focal length is also a huge plus, making it a great choice for both macro and portrait photography...." Read more
"...Neither lens is suitable for high magnification work (meaning magnification greater than 1:1 with bellows or extension tubes), because of their..." Read more
"...The images speak for themselves. Equally adept at distant images, I imagine most are interested in its macro capabilities, which is what I have..." Read more
"...The focal length is also versitile for me. I also rented the 75mm and it was a bit too long for my taste, but the 60 was perfect...." Read more
Reviews with images
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Top reviews
Top reviews from the United States
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> PRICE: about$ 500 for the Zuiko vs $1000 for the Leica.
> QUALITY: The fit and finish of both lenses in very good, maybe a little higher for the Leica. The Leica is "prettier", but on the camera the Zuiko is more impressively "techy".
>> A number of reviewers report manufacturing flaws in the Zuiko. Quite a few Leica purchasers (including myself) report that the autofocus system fails and the first Lumix 14-42mm PZ lens I received had a heavy haze on internal lens elements. I suggest purchasing only from Amazon, because return postage is free on defective items, and they will ship a new item even before you return the defective one.
> PERFORMANCE: Professional reviews based on exhaustive tests rate the Zuiko as sharp or sharper than the Leica.
LENSHOODS
> The optional Zuiko lenshood is exceptional--the best lenshood I've ever used. When you want to use it, you just slide it forward. When you want to stow the lens, you just slide the lenshood back, where it protects the lens.
> The supplied Leica lenshood is totally inadequate, and as far as I can tell, there are no suitable lenshoods available which are specifically sold for this lens.
SIZE AND SHAPE--(and in-camera flash)
> The Zuiko does not get in the way of the in-camera flash (albeit you may have to retract the lenshood at the highest magnifications). Like all Panasonic Lumix/Lieca lenses, the Lieca is unnecessarily fat, as fat as a comparable 35mm film lens. It is so fat that it gets in the way of the in-camera flash (of my Lumix GX7).
> The Zuiko is tall and skinny, and will probably rattle around in a compartment by itself. The Leica is short, and easy to store in a gadget bag, e.g., it can be stacked in a compartment with another short lens.
FOCAL LENGTH AND WORKING DISTANCE
> The Zuiko is 60mm (=120mm 35mm equivalent). The Leica has a focal length of 45mm (=90mm 35mm equivalent). So, the Zuiko is 1 1/2 times "longer" focal length, which basically means that your subject is 1 1/2 times farther away.
--> The greater working distance is a benefit for true macrophotography; but often a hindrance for larger subjects. With the Zuiko a 12" high subject is ~6' away; with the the Leica is ~4' away
--> When working with the Zuiko, when I want to photograph a cluster of flowers (say 12" in diameter), I often find myself wishing for a shorter focal length lens--indeed, I usually switch to my Lumix 14-42mm PZ. Other effects of the longer focal length of the Zuiko are:
--> Increases the effect of shake--so tripods, flashes, etc. are more necessary with the Zuiko.
--> Photographing objects larger than about 12" tall, the greater distance requires a more powerful flash, and it is harder to position the flash at 45 degrees to the subject (which is ideal for most subjects).
--> You can waste a lot of time switching to a shorter focal length lens, and back to the Zuiko macro, etc.
--> In a pinch, the Leica can be used as a copystand lens, say to copy a page from a book; practically speaking the Zuiko cannot.
--> The relatively short working distance of the Leica means that arranging lighting at the best angle may often be impossible at high magnifications (say for subjects less than 1" tall) because the lens body is in the way. Indeed it is often difficult to properly light some subjects, say 1/2" tall, even with the Zuiko.
> Neither lens is suitable for high magnification work (meaning magnification greater than 1:1 with bellows or extension tubes), because of their long focal lengths and therefore the large amount of extension needed to achieve greater magnifications. For example the Neewer® Automatic Macro Extension Tube DG 10MM+16MM FT1 for Micro Four Thirds M4/3 Camera, fits Olympus PEN E-P1 P2 P3 P5 E-PL1 PL1s PL2 PL3 PL5 PL6 E-PM1 PM2 OM-D E-M5 E-M1 Panasonic Lumix DMC-GH1 GH2 GH3 GX7 G1 G2 G10 G3 G5 G6 GF1 GF2 GF3 GF5 GF6 GX1 GM extension tube set provides 1" (total) of extension, which gets you from a minimum subject size (filling the frame) of 1/2" high only to 3/8" high---you'd probably need 1 1/2" of extension to get down to 1/4" high. I've tried and been unsuccessful in getting sharp images using extension tubes.
> CONCLUSION: After several years and 10,000s of photos (really), I am glad that the Lieca failed and I replaced it with the Zuiko. The longer focal length and other features of the Zuiko are ideal for the true macro work I do---mostly on a tripod --- at least half the photos I take are of subjects less than 2" tall . The Lieca is ideal as a more general-purpose lens---i.e., for portraits and macro shots of subjects greater than 2" tall.
LUMIX IN-LENS STABILIZATION
> Lumix in-lens stabilization is impressive, and a major incentive to remain "all Lumix" (if you have a Lumix camera). However, it turns out that the stabilization is ineffective for closeup photography, and is not recommended if the camera is on a tripod, copystand, etc. Since I plan to use the Zuiko exclusively for true macro work--the lack of in-lens stabilization is unimportant to me. The Lumix (or Olympus) in-camera stabilization still works for both lenses (in ordinary photography, not macro work).
AUTO-FOCUS
> I have had no problem with autofocus with the Zuiko, albeit you have to use the limiting switch in many circumstances. The autofocus on my Lieca did not work, so I can't make comparisons.
The Zuiko has three settings (easily selectable on the lens):
>> "0.19--0.4m" which means you can fill the frame with a subject ½" to 4" tall
>> "0.19--infinity" which means you can fill the frame with a subject ½" tall to infinity; i.e., no limits.
>> "0.4--infinity" which means you can fill the frame with a subject 4" tall to infinity.
> Autofocus in any camera cannot reach maximum magnification: To get to maximum magnification (1:1, i.e., subject is ~1/2" high) you have to switch to manual focus, then manually focus to maximum (which is not so simple to find since the focusing ring does not stop at either infinity nor maximum magnification on either lens---it just keeps rotating). With the Zuiko you can push the "1:1 switch" to go straight to maximum magnification. You still have to switch to manual focus (to prevent the camera from trying to re-focus when you press the shutter button). The Lieca has no "go to 1:1" switch.
> Focus "peaking" on my Lumix GX7 (and probably other Lumix cameras) makes manual focusing easy, and is very valuable in double checking the autofocus. Enable "AF+MF" and "Peaking". I assigned "Peaking" to Function Key 3, so that I can easily switch between "Hi" and "Low" peaking. I also recommend enabling "focus assist" with the option that it is activated by the left < (#) button, in which case the "menu" button toggles the magnification.
FOCUSING SCALE ON THE ZUIKO
> The Zuiko also has a focusing scale, so you can manually pre-set the lens to your desired magnification:
>> "1:1 0.19/0.62" which = a subject ½" tall at a distance of 19cm = 2 1/2" from end of lens.
>> "1:1.3 0.20/0.66" which = a subject 2½" tall at a distance of 20cm = 2 3/4" from end of lens.
>> "1:2 0.23/0.76" which = a subject 1" tall at a distance of 23cm = 4" from end of lens.
>> "1:4 0.34/1.11" which = a subject 2" tall at a distance of 24cm = 4 1/2" from end of lens.
DEFINITION: When I say "a subject x tall" above, I mean the image of a subject filling the height of the frame of a still photo with the camera set at 3/4 image ratio (the native, highest pixel setting).
NOTE: the metric distances quoted are from the focal plane, to get the distance from the end of the lens (with lenshood retracted), 5" was subtracted.
RECOMMENDED ACCESSORIES
> LENS HOOD: Olympus LH-49 Sliding Lens Hood or less expensive copy JJC LH-J49 Professional Lens Hood for Olympus 60mm F 2.8 Lens , Replaces Olympus LH-49
> MAIN FLASH UNIT: I use a Neewer TT560 Flash Speedlite for Canon Nikon Sony Panasonic Olympus Fujifilm Pentax Sigma Minolta Leica and Other SLR Digital SLR Film SLR Cameras and Digital Cameras with single-contact Hot Shoe . It is only $30 but is powerful enough to take 1:1 photos at f22 and ISO200. It is manual, which is best for macrophotography. Remarkably, max power at f22 perfectly lights most subjects between 1" and 4" tall---so the Neewer flash is perfect for macro photography.
> FILL FLASH: I use a $13 PLR Studio Series Pro Slave Flash Includes Mounting Bracket For The Canon Digital EOS Rebel SL1 (100D), T5i (700D), T5, T4i (650D), T3 (1100D), T3i (600D), T1i (500D), T2i (550D), XSI (450D), XS (1000D), XTI (400D), XT (350D), 1D C, 70D, 60D, 60Da, 50D, 40D, 30D, 20D, 10D, 5D, 1D X, 1D, 5D Mark 2, 5D Mark 3, 7D, 7D Mark 2, 6D Digital SLR Cameras for fill flash. It can work as a main flash,, but doesn't have the power of the TT560.
> Using either or both of the above flash units, you need a sync cord or a wireless trigger. I use a Neewer 4 Channels Wireless/ Radio Flash Trigger Set With 2 Receivers
> CASE: Pearstone Onyx 30 Lens Case The Pearstone case works especially well for me, because my Lumix 45-150mm lens is the same length as the Zuiko. I use the Pearstone case for my Lumix 45-150mm when I'm shooting macro, or when the macro is stowed in my main case; and visa-versa.
> TRIPOD: Dolica TX570DS Ultra Compact Tripod with Professional Ball Head and Built-In Monopod (Black) The Dolica is extraordinarily versatile. The minimum working height is about 3" (to the bottom of the camera), and it can fit into tight or irregular places---which are common when shooting forests, etc. The quality is very impressive at the price.
> REMOTE RELEASE: FotoTech Wired Remote Shutter Release Control DMW-RS1 Replacement for Panasonic Lumix DMC-FZ150, DMC-FZ200, DMC-G1, DMC-G10, DMC-G2, DMC-G3, DMC-G5, DMC-G6, DMC-GF1, DMC-GF6, DMC-GH1, DMC-GH2, DMC-GH3, DMC-GH4, DMC-GX1, DMC-GX7, DMC-L1, DMC-L10 with Fot...
> Click on “Stoney” just below the product title to see my other reviews, or leave a comment to ask a question.
Here are the basic differences:
Panasonic 45mm:
1. Has reduced focus and full focus, nothing else.
2. Is very short
3. In macro mode, unlike every other lense I have used, this one stays very bright. This is good for focus, but bad for flash control, as even the built in flash will over expose images (cannot turn down enough). Between this lense and the Oly, there is more than an f stop difference in clos macro, while the same for normal distances.
Note: You can test this by setting the camera to manual, using the same setting in the same lighting and shooting the same object. At normal distances, they are the same, but in close macro, the oly images, with the same magnification, are darker.
Olympus 60mm:
1. Has an extra setting that will limit the focus from .19 to .4 meters, if all you are doing is macro. Reduces focus time, saves battery and greatly reduces hunting.
2. Like every other macro lense, this one has a higher f stop than it shows when you get really close. As it so happens, the extra working distance and this mean the automatic strobe work great all the way to 1 to 1.
3. This is a light, very long lens.
Image quality seems great with both lens, but at the same magnification you get better working distance (good), less light light to the camera (bad), great auto strobe control (good) and reduced depth of field at the same f stop (might be good or bad).
As both oly and pany use contrast detection, how you have the camera set to focus and how much contrast the target has are important. More so with the oly when in macro mode, because less light is getting thru. I tried spot focus, and at one to one, in normal room light, the camera would not focus at all. Switch to a single spot, and I just had to be careful where the camera was pointed at. Use all the focus spots, and it worked very well. As different micro 4/3rd camera's have different options, these results may vary.
I like the lens, used correctly I find it fast, accurate and fun to shoot with. Not shot test images at really high f stops, but will in the next week.
Top reviews from other countries
This is a great lens. Handling is weird.
I have both this lens as well as the Panasonic 30mm macro lens. Optically, they are both absolute jewels. The 30mm get the nod from me for copy work where the shorter working distance doesn't matter but (slightly) sharper corners matter. For nature and non-flat objects, the 60mm gives more room for lighting and is blisteringly sharp.
I wish the 60mm handled like the 30mm (simple) but it doesn't. This is where it gets weird. It has a focus limiter switch (pictured) with 3 ranges. Beyond those, the limit switch is spring loaded. It took me awhile to figure out what it was doing: It takes the lens to 1:1. Okay, 'weird' all of a sudden becomes 'genius'! lol
Optically, the lens is superb, sharp already at f/2.8.
For single-image capture of skittish objects, the greater working distance wins out over the 30mm macro lens.
Combined with pixel shifting and the m4/3 sensor, I can obtain crisp images of small objects.
With focus stacking, the results are equally satisfactory for small objects (although I still rely on bigger format cameras for larger subjects).
This lens and micro four thirds are meant for macro photography.
Great lens. Worth considering. Recommended without -- okay, maybe with one! -- reservation!
Reviewed in Canada on October 22, 2023
This is a great lens. Handling is weird.
I have both this lens as well as the Panasonic 30mm macro lens. Optically, they are both absolute jewels. The 30mm get the nod from me for copy work where the shorter working distance doesn't matter but (slightly) sharper corners matter. For nature and non-flat objects, the 60mm gives more room for lighting and is blisteringly sharp.
I wish the 60mm handled like the 30mm (simple) but it doesn't. This is where it gets weird. It has a focus limiter switch (pictured) with 3 ranges. Beyond those, the limit switch is spring loaded. It took me awhile to figure out what it was doing: It takes the lens to 1:1. Okay, 'weird' all of a sudden becomes 'genius'! lol
Optically, the lens is superb, sharp already at f/2.8.
For single-image capture of skittish objects, the greater working distance wins out over the 30mm macro lens.
Combined with pixel shifting and the m4/3 sensor, I can obtain crisp images of small objects.
With focus stacking, the results are equally satisfactory for small objects (although I still rely on bigger format cameras for larger subjects).
This lens and micro four thirds are meant for macro photography.
Great lens. Worth considering. Recommended without -- okay, maybe with one! -- reservation!
Reviewed in Mexico on September 17, 2022