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Canon 50mm f/2.8-2.8 Fixed Prime Digital SLR Camera Lens

5.0 5.0 out of 5 stars 5 ratings

Currently unavailable.
We don't know when or if this item will be back in stock.
Brand Canon
Focal Length Description 50 mm
Lens Type Macro
Compatible Mountings Canon EF
Camera Lens Description 50 month

About this item

  • High-performance L-series Lens.
  • Large f/2.8 Maximum Aperture.
  • Two UD Lens Elements Help Reduce Chromatic Aberration.
  • Optimized Lens Coating for Ghosting and Flare Reduction.

From the manufacturer

Canon TS-E 50mm f/2.8L Macro

The TS-E 50mm f/2.8L Macro takes an L-series optical formula that includes two UD lens elements and adds extensive tilt-and shift movements for a combination of precision and quality that can be ideal for macro photography, advertising, architecture and more. Delivering reliable and versatile use both in the studio and in the field, it has large, easily operated knobs and locking mechanisms, sophisticated construction, plus a convenient minimum focusing distance of 10 in./0.27m. As part of Canon’s expanded line of TS-E lenses ranging from ultra-wide angle to mid-telephoto, the TS-E 50mm f/2.8L Macro offers a level of performance that can be ideal for working professionals and enthusiasts alike.

Features

L-series Lens

An excellent addition to Canon’s L-series collection of lenses, the TS-E 50mm f/2.8L Macro

offers outstanding optics, reliable performance and refined design, featuring the quality professionals and advanced photographers demand. Engineered to complement Canon’s high-resolution camera sensors, it’s poised to deliver phenomenal image quality in any number of applications.

Large Aperture

With a large f/2.8 maximum aperture, the TS-E 50mm f/2.8L Macro is extremely bright, excellent for composing images and for quick shutter speeds – even at low ISO speeds. This means striking portraits, minimized movement even in windy conditions and high flexibility for low-light situations.

Two UD Lens Elements

The TS-E 50mm f/2.8L Macro is designed to deliver the image quality necessary for detailed, high-resolution image capture. Two UD Glass lenses in a 12-element optical formula help to minimize chromatic aberration. The TS-E 50mm f/2.8L Macro’s optics deliver gorgeous, high-resolution images with sharp edge-to-edge detail.

Optimized Lens Coating

Air Sphere Coating (ASC) technology is designed to help significantly minimize reflections, particularly with light that enters the lens vertically. It adds a protective film that enhances the lens’s ability to capture virtually glare-free images. Subwavelength Structure Coating (SWC) helps reduce flaring and ghosting caused by light hitting the lens at large angles. Combined, the ASC and SWC coatings help the TS-E 50mm f/2.8L Macro capture wonderfully clear images with high contrast and minimal glare.

Large Tilt and Shift Knobs

For greater ease of use, the TS-E 50mm f/2.8L Macro features enlarged knobs for fast, intuitive control of tilt and shift. Feel free to make adjustments as you please without having to take your eyes off the composition.

Tilt-locking Mechanism

To deliver high operability, the TS-E 50mm f/2.8L Macro features large tilt and shift lock knobs and a rotation lock release button. It also has a tilt-locking mechanism that keeps the lens in the zero position, helping to prevent unintended movement when in use.

Increased Tilt Range

For greater flexibility in shooting, the TS-E 50mm f/2.8L Macro has an enhanced tilt range of ±8.5° to deliver a higher level of control. Whether focusing on a subject not parallel to the camera’s sensor, increasing or decreasing the lens’s depth of field or establishing a specific plane of focus, the TS-E 50mm f/2.8L Macro’s enlarged tilt range can prove indispensable in defining the composition.

Increased Shift Range

For expansive control, the TS-E 50mm f/2.8L Macro features an incredibly large shift range of ±12mm, enabling seemingly impossible image capture with ease. This increased range helps the TS-E 50mm f/2.8L Macro eliminate converging lines, reflections or nearby objects from the composition, recompose the image without moving the camera and even capture a wider angle of view through photo stitching.

Minimum Focusing Distance of 10 in./0.27m

With a minimum focusing distance of 10 in./0.27m, the TS-E 50mm f/2.8L Macro is incredibly well-suited for close-up photography. Combined with its expanded range of movements, its minimum focusing distance helps make sharp and detailed close-up images with specifically defined depth of field a reality.

Maximum Magnification of 0.5x

Thanks to a maximum magnification of 0.5x, the TS-E 50mm f/2.8L Macro is well-suited for capturing images of small objects. Whether shooting photos of still life, product photography or anything in between, its combination of maximum magnification, close focusing distance and expanded movements enables a truly phenomenal level of control for even the most challenging subjects.

Product Description

The TS-E 50mm f/2.8L Macro lens provides natural perspective while adding a wealth of creative power thanks to its tilt and shift movements. This lens is ideal for a wide range of subject matter ranging from small objects like wedding rings, coins and stamps to detailed architectural interiors.

What's in the box

  • CANON LENS TS-E50mm f/2.8L MACRO
  • LENS CAP E-77II
  • LENS DUST CAP E
  • LENS CASE LP1219
  • LENS HOOD ES-84
  • Unit Option Cap
  • Printed Matter Unit for NA
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    Canon 50mm f/2.8-2.8 Fixed Prime Digital SLR Camera Lens

    Canon 50mm f/2.8-2.8 Fixed Prime Digital SLR Camera Lens


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    Customer reviews

    5 out of 5 stars
    5 out of 5
    5 global ratings

    Top review from the United States

    Reviewed in the United States on December 29, 2017
    This beats every other Canon lens we have ever used. The image is the most crisp I have ever seen. Paired with our Canon 5DSR, for our product shoots, this is incredible. I can't rave on it enough. Our primary photography, who has been working professionally since the 90's, agrees that this is the best lens he has ever used - and he just switched over from Phase One. The 5DSR and this 50mm Marco TS are better than his last 100MP setup.
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