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Rip it Up and Start Again: Postpunk 1978-1984 Paperback – Import, February 2, 2006

4.5 4.5 out of 5 stars 275 ratings

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In this, the first book to take a big-picture view of the entire post punk period, acclaimed author and music journalist Simon Reynolds recreates a time of tremendous urgency and idealism in pop music.
Full of anecdote and insight, and featuring the likes of Joy Division, The Fall, Pere Ubu, PiL and Talking Heads, Rip It Up And Start Again stands as one of the most inspired and inspiring books on popular music ever written.
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Product details

  • Publisher ‏ : ‎ Faber & Faber; Main edition (February 2, 2006)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 608 pages
  • ISBN-10 ‏ : ‎ 057121570X
  • ISBN-13 ‏ : ‎ 978-0571215706
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 5.12 x 1.42 x 7.76 inches
  • Customer Reviews:
    4.5 4.5 out of 5 stars 275 ratings

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Simon Reynolds
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Customer reviews

4.5 out of 5 stars
4.5 out of 5
275 global ratings

Top reviews from the United States

Reviewed in the United States on January 29, 2024
Loaded with facts and information about the post punk and new wave era. If you’re interested in these genres, I have to recommend you check it out. Well worth the read.
Reviewed in the United States on July 9, 2019
Simply put: it's all here. Scrupulously accurate; wide ranging and brimming with a genuine enthusiasm for the time and the music. Ever wondered why such great bands came out of Cleveland and Akron... and Manchester and Sheffield? The subject is dealt with here. Want to see how pre-punk phased into post-punk in NYC and London? It's here. Never listened to 1978 Scritti Politti? or This Heat? Or Pere Ubu or Ike Yard??? You'll want to after you read this book. Make sure you get this original edition - it's got 150 extra pages from later versions.
One person found this helpful
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Reviewed in the United States on October 5, 2020
I love this book and this is the fourth copy I have owned. This is the original UK edition, so it has a couple of chapters not included in the US editions. I believe there are more photos, as well. Simon Reynolds is a great Pop Culture writer with a great ear for music and a keen ability to wrangle disparate narratives and ideas into a cohesive read. Retromania, Energy Flash, Shock & Awe, and Totally Wired are some of the best-written books of music and culture that are out there.

Sadly, despite the description of the book by its seller, it was raggedy when I got it. The cover was faded, warped, dog-eared, and pretty much "beat up from the feet up". The laminate is bubbled-up and the book is separating from the spine. I was planning on giving this as a gift, but I ended up giving away my own copy, instead.
2 people found this helpful
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Reviewed in the United States on January 16, 2014
This is an excellent and comprehensive work and simply one of my all time favorite books. Sadly, there in an American version that has many more reviews and is being savaged because the American publisher removed 200 pages worth of material from this text and made other inappropriate changes. Those reviewers should expressed their appropriate disdain for that publisher, should really include a write-up here. The prose is gripping and compelling with a sense of urgency and the information is thoroughly researched. This is a great great book.
10 people found this helpful
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Reviewed in the United States on October 5, 2019
The US edition is OK but MUCH shorter and omits a lot. Get the whole story here.
5 people found this helpful
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Reviewed in the United States on March 21, 2013
While it doesn't cover every notable post-punk band equally or quite as inexhaustibly as other books I've read on music genres, it does a very good job and covers a wide ground. An excellent resource on this neglected subgenre of rock music that I would recommend to any fan.
One person found this helpful
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Reviewed in the United States on August 14, 2016
awesome
Reviewed in the United States on July 24, 2008
This is a marvelous book. I had never thought about or realized the connections and relations between all the different tendrils of post-punk, avant-garde experimentation, and new pop (although with the latter the connections are a bit disconcerting to find out). Reynolds does a great job tracing out the evolution of the different bands emerging in the wake of the 'implosion' of the first wave of punk. For me one of the most interesting aspects is finding a way to keep open and maintain the kind of creative space that punk briefly opened but could not maintain as it became reduced to cliche and formula. Of course post-punk (or for that matter any other musical genre or expression) could be subjected to the same process, all the more requiring, as the title says, ripping it up and starting again. A sort of grammar of creative destructive and renewal. I could quibble about performers that it would have been nice to hear more about (Nina Hagen, Au Pairs, the Cravats, the more experimental bands coming out of the Crass Records milieux), but Reynolds has covered so many artists so well that might be a bit rude. Although apparently I just did it all the same. Nevertheless, an excellent book, particularly for those of us like myself who spent years trawling around used record stores trying to find records by artists who is the US remained fairly obscure, and thus didn't know much of anything about the relations between them.
13 people found this helpful
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Top reviews from other countries

M Shepherd
5.0 out of 5 stars A good one
Reviewed in Canada on March 31, 2021
Nice edition. Well written and some great insight.
Tracey lake
5.0 out of 5 stars Lush
Reviewed in Germany on April 12, 2021
Super
St. Francis of Assisi
5.0 out of 5 stars Essential Reading for Muso's
Reviewed in the United Kingdom on May 29, 2020
Punk Rock tried to change music and succeeded to some degree but then fell into it's own void. They wanted to be DIY musicians, but really wanted to be noticed and become rock stars themselves. What punk did do was open up a genre that took up the mantle of DIY and ran with it.....Post Punk.

This book is engrossing and essential reading for those who were either 'there' or have interest of that particular period. I can't recommend it highly enough!
4 people found this helpful
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Armand Jarri
2.0 out of 5 stars Reads like a deadpan list. Fails to tell a story
Reviewed in Spain on July 12, 2020
the author is an expert on music from that time and place. However he fails to tell an interesting story. The book reads like long (and boring) list of notes, but without a sense of narrative.
Geoffrey Hunter
5.0 out of 5 stars Five Stars
Reviewed in Canada on October 14, 2014
Great Thank you